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Armor --- Materials. --- Armor, Primitive --- Armour --- Arms and armor --- Suits of armor --- Personal protective equipment --- Weapons
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Excavations (Archaeology) --- -Shields --- -Armor --- Germany --- Antiquities. --- Shields --- -Germany --- Armor
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The Roman Empire depended on the power of its armies to defend and extend the imperial borders, enabling it to dominate much of Europe, Northern Africa and the Middle East. Success was, in large part, founded on well-trained, well-disciplined soldiers who were equipped with the most advanced arms and armour available at that time. This is the story of the production of that armour. Roman Imperial Armour presents an examination of the metals the armour was made from, of how the ores containing those metals were extracted from the earth and transformed into workable metal and of how that raw pro
Armor, Ancient --- Armor making --- Metal-work --- Ancient armor --- Arms and armor, Ancient --- Design and construction. --- Rome --- Army --- Equipment. --- Military antiquities. --- Antiquities
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"During the Italian Wars of 1494 to 1559, with innovations in military technology and tactics, armour began to disappear from the battlefield. Yet as field armour was retired, parade and ceremonial armour grew increasingly flamboyant. Displaced from its utilitarian function of defense but retained for symbolic uses, armour evolved in a new direction as a medium of artistic expression. Luxury armour became a chief accessory in the performance of elite male identity, coded with messages regarding the owner's social status, genealogy, and political alliances. Carolyn Springer decodes Renaissance armour as three-dimensional portraits through the case studies of three patrons of luxury armourers, Guidobaldo II della Rovere (1514-75), Charles V Habsburg (1500-58 and Holy Roman Emperor from 1519-56), and Cosimo I de'Medici (1519-74). A fascinating exposition of male self-representation, Armour and Masculinity in the Italian Renaissance explores the significance of armour in early modern Italy as both cultural artefact and symbolic form."--pub. desc.
Armor, Renaissance --- Masculinity --- Armor in art. --- Social aspects --- History. --- Italy --- Civilization --- Intellectual life --- Arms and armor in art --- Masculinity (Psychology) --- Sex (Psychology) --- Men --- Renaissance armor --- Armures de la Renaissance --- Masculinité --- History --- Aspect social --- Histoire --- Italie --- Civilisation --- Vie intellectuelle
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Armor --- Protective clothing --- Clothing, Protective --- Personal protective equipment --- Safety clothing --- Clothing and dress --- Armor, Primitive --- Armour --- Arms and armor --- Suits of armor --- Weapons --- Testing. --- PPE (Personal protective equipment) --- Industrial safety --- Survival and emergency equipment --- Equipment and supplies
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Weapons --- Armor --- Processions --- Catalogs --- -Processions --- -Weapons --- -Arms and armor --- Weaponry --- Weapons, Primitive --- Implements, utensils, etc. --- Tools --- Pomp --- Rites and ceremonies --- Festivals --- Pageants --- Armor, Primitive --- Armour --- Arms and armor --- Suits of armor --- Protective clothing --- Catalogs. --- -Catalogs --- Personal protective equipment --- Weapons - Rome - Catalogs --- Armor - Rome - Catalogs --- Processions - Rome
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Ballistic composites need to be lightweight and durable as well as exhibiting high impact resistance and damage tolerance. This important book reviews these requirements, how the materials used for ballistic composites meet them and their range of applications. The first part of the book explores material requirements and testing. There are chapters on bullets and bullet fragments, material responses to ballistic impact, standards and specifications, modelling and test methods. Part Two reviews the range of materials used, production methods and applications. Topic discussed include high-perfo
Ballistic fabrics -- Design and construction. --- Ballistic fabrics -- Manufacturing processes. --- Body armor -- Design and construction. --- Body armor -- Manufacturing processes. --- Body armor -- Technological innovations. --- Protective clothing industry. --- Military Science - General --- Military & Naval Science --- Law, Politics & Government
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Mail armour (commonly mislabelled 'chainmail') was used for more than two millennia on the battlefield. After its invention in the Iron Age, mail rapidly spread all over Europe and beyond. The Roman army, keen on new military technology, soon adopted mail armour and used it successfully for centuries. Its history did not stop there and mail played a vital role in warfare during the Middle Ages up to the Early Modern Period. Given its long history, one would think mail is a well-documented material, but that is not the case. For the first time, this books lays a solid foundation for the understanding of mail armour and its context through time. It applies a long-term multi-dimensional approach to extract a wealth of as yet untapped information from archaeological, iconographic and written sources. This is complemented with technical insights on the mail maker?s chaîne opératoire. Martijn A. Wijnhoven holds a PhD in archaeology from Vrije Universiteit Amsterdam. He specializes in ancient military studies and has published extensively on the analysis and reconstruction of ancient armour spanning from the Iron Age to the Middle Ages. His research combines methods from history, anthropology, and archaeology, rendering a holistic approach to material studies.
Excavations (Archaeology) --- Tombs --- Armor, Ancient --- Armor, Medieval --- Armures romaines. --- Forgeage --- Uniformes militaires --- Art et science militaires --- Innovations technologiques --- Military uniforms --- Armies --- History
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Robotic exoskeletons. --- Artificial exoskeletons --- Biomechatronic exoskeletons --- Defense exoskeletons --- Exoskeleton suits --- Military exoskeletons --- Powered armor --- Powered exoskeletons --- Wearable exoskeletons --- Armor --- Personal protective equipment
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Iron alloys --- Tools --- Weapons --- Metallography. --- History. --- History --- Arms and armor --- Metallography
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