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Art, British --- American influences.

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"From the 'early modern' period to the present moment, the United States has consistently been associated with notions of modernization and modernity. Nevertheless, ideas of what is considered modern change over time, in accordance with a respective historical context's understanding of the 'old' or 'ancient'. And although any period in US history is (self-)stylized as modern, the discourse of modernity culminates particularly at the beginning of the twentieth century, when fundamental categories of spatial, temporal, and moral orientation were redefined. This volume combines two lines of inquiry: it brings together new assessments of turn-of-the-century modernity in diverse formats such as literature, film, and stage performances and it offers investigations of modernity and modernization in other eras and media, including depression-era documentaries, the 1940 and 1964 World's Fairs, twenty-first-century computer games, and augmented reality art projects." -- Back cover

Civilization, Modern --- American influences. --- United States --- Civilization.

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"Beginning in the 1920s, audiences around the globe were seduced not only by Hollywood films but also by lavish movie theaters that were owned and operated by the major American film companies. These theaters aimed to provide a quintessentially "American" experience. Outfitted with American technology and accoutrements, they allowed local audiences to watch American films in an American-owned cinema in a distinctly American way. In a history that stretches from Buenos Aires and Tokyo to Johannesburg and Cairo, Ross Melnick considers these movie houses as cultural embassies. He examines how the exhibition of Hollywood films became a constant flow of political and consumerist messaging, selling American ideas, products, and power, especially during fractious eras. Melnick demonstrates that while Hollywood's marketing of luxury and consumption often struck a chord with local audiences, it was also frequently tone-deaf to new social, cultural, racial, and political movements. He argues that the story of Hollywood's global cinemas is not a simple narrative of cultural and industrial indoctrination and colonization. Instead, it is one of negotiation, booms and busts, successes and failures, adoptions and rejections, and a precursor to later conflicts over the spread of American consumer culture. A truly global account, Hollywood's Embassies shows how the entanglement of worldwide movie theaters with American empire offers a new way of understanding film history and the history of U.S. soft power"--

Civilization --- Motion picture theaters --- American influences. --- Political aspects. --- United States --- Political aspects --- Foreign relations --- American influences

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American culture has been one of the most controversial exports of the United States: greeted with enthusiasm by some, with hostility by others. Yet, few societies escape its influence. However, not all changes should be interpreted simply as "Americanization." The shaping of the postwar world has been much more complex than this term implies as is shown in this volume that explores the links between Americanization and modernity in Western Europe and Japan. In considering the impact of products and images ranging from movies and music to fashion and architecture, a multi-disciplinary group of contributors asks how American culture has been employed internationally in the articulation of postwar identities - be they national or subnational,socially sanctioned or socially transgressive. Their essays on France, Italy, Germany and Japan move beyond the simple paradigms of colonization and democratic modernization, yet retain a sensitivity to the asymmetries in the postwar power relationships between these countries and the United States. An extensive introduction historically locates changing interpretations of American influences abroad and suggests the problems and promises of "Americanization" as an analytical tool. Its comparative focus and interdisciplinary scope will appeal to a wide range of students and scholars of cold war and post-cold war history.

History of civilization --- anno 1900-1999 --- United States --- Western Europe --- Japan --- Popular culture --- Europe --- Civilization --- American influences. --- American influences --- Japan - Civilization - American influences. --- United States of America

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In a compelling story of the installation and operation of U.S. bases in the Caribbean colony of Trinidad during World War II, Harvey Neptune examines how the people of this British island contended with the colossal force of American empire-building at a critical time in the island's history. The U.S. military occupation between 1941 and 1947 came at the same time that Trinidadian nationalist politics sought to project an image of a distinct, independent, and particularly un-British cultural landscape. The American intervention, Neptune shows, contributed to a tempestuous scen

Nationalism --- History --- Trinidad and Tobago --- Civilization --- American influences.