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Ancient history --- Tunisia --- Carthage (Extinct city) --- Carthage (Ville ancienne) --- History --- Histoire --- -History --- History. --- Carthage. Histoire. ...-146 av. J.-chr. --- Carthago. Geschiedenis. ...-146 vr. Chr.

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Ptolomaeus --- Egypt --- Foreign relations --- 332-30 BC --- Ptolemy --- Ptolemy IV Philopater, King of Egypt --- Foreign relations. --- Ptolemaios --- Ptolemy - IV Philopator, - King of Egypt, - approximately 238 BC-approximately 205 BC --- Egypt - Foreign relations

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The English composer, violist, and conductor Frank Bridge (1879-1941), a student of Sir Charles Villiers Stanford, was one of the first modernists in British music, developing the most radical and lastingly modern musical language of his generation. Bridge was also one of the most accomplished British composers of chamber music in the twentieth century. After the lyrical romanticism of the early period, a notable expansion of style can be observed as early as 1913, leading eventually to the radical language of the Piano Sonata and Third String Quartet, drawing on influences such as Debussy, Stravinsky and the Second Viennese School composers. However, Bridge became frustrated that his later, more complex music was often ignored in favour of his earlier 'Edwardian' works; this neglect of his mature music contributed to the growing obscurity into which his music and reputation fell in his last years and after his death. Symptomatically, Bridge is still often remembered primarily for privately tutoring Benjamin Britten, who later championed his teacher's music and paid homage to him in the 'Variations on a Theme of Frank Bridge' (1937). This book, the first detailed, and long-overdue, study of Bridge's music and its relevant socio-cultural and aesthetic contexts, encourages a more thorough understanding of Bridge's style and development and will appeal to readers with interests in British music, early twentieth-century modernism and post-romanticism as well as genre and style. Fabian Huss is Visiting Fellow at the University of Bristol and has published widely on British music (particularly E. J. Moeran), with an emphasis on cultural history, and aesthetic and analytical issues.

Bridge, Frank --- Music --- Composers --- Musique --- Compositeurs --- History and criticism. --- Biography --- Histoire et critique --- Biographies --- Bridge, Frank, --- Criticism and interpretation. --- Bridge, F. --- British Composer. --- Chamber Music. --- Frank Bridge. --- Modernism. --- Music. --- Musical Language. --- The Music of Frank Bridge. --- Twentieth Century.

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German literature --- Journalism --- anno 1940-1949 --- anno 1930-1939 --- Germany --- 830 <100> --- 830 <05> --- 82:32 --- Exilliteratur --- Duitse literatuur--Tijdschriften --- Literatuur en politiek --- 82:32 Literatuur en politiek --- 830 <05> Duitse literatuur--Tijdschriften --- 830 <100> Exilliteratur --- Authors, Exiled --- Authors, German --- German newspapers --- German periodicals --- Journalists --- Columnists --- Commentators --- Authors --- Periodicals --- Newspapers --- German authors --- Exiled authors --- Exiles --- Refugees --- Expatriate authors --- Directories --- Weimar Republic --- Germanii︠a︡ --- Германия --- BRD --- FRN --- Jirmānīya --- جرمانيا --- Nimechchyna --- Gjermani --- Federalʹna Respublika Nimechchyny --- Veĭmarskai︠a︡ Respublika --- Ashkenaz --- Germanyah --- Bundesrepublik Deutschland --- Federal Republic of Germany --- Deutschland --- Repoblika Federalin'i Alemana --- República Federal de Alemania --- Alemania --- República de Alemania --- Bu̇gd Naĭramdakh German Uls --- Kholboony Bu̇gd Naĭramdakh German Uls --- KhBNGU --- ХБНГУ --- German Uls --- Germania --- Republika Federal Alemmana --- Deutsches Reich --- Grossdeutsches Reich --- Weimarer Republik --- Vācijā --- Germany (Territory under Allied occupation, 1945-1955) --- Germany (Territory under Allied occupation, 1945-1955 : British Zone) --- Germany (Territory under Allied occupation, 1945-1955 : French Zone) --- Germany (Territory under Allied occupation, 1945-1955 : Russian Zone) --- Germany (Territory under Allied occupation, 1945-1955 : U.S. Zone) --- Germany (East) --- Germany (West) --- Holy Roman Empire --- Politics and government --- Directories. --- ドイツ --- Doitsu --- ドイツ連邦共和国 --- Doitsu Renpō Kyōwakoku --- Périodiques antinazis allemands. 1933-1945. --- Duitse antinazistische tijdschriften. 1933-1945. --- ドイツ レンポウ キョウワコク --- Deguo --- 德国 --- Gėrman --- Герман Улс

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Metaphern beeinflussen unser Denken, unsere alltägliche und auch wissenschaftliche Sprache. Sie lassen Ähnlichkeiten erkennen und schaffen neues Wissen. Da unsere Kultur, unser Denken und Handeln aber zunehmend von Bildern geprägt ist, muss es dann nicht auch visuelle Metaphern geben? Und welche Bedeutung misst man ihnen bei? Till Julian Huss arbeitet erstmals die historischen und systematischen Grundlagen einer Theorie der visuellen Metapher aus. Indem das Spannungsverhältnis zwischen Metapher und Begriff sowie Sprache und Bild in den Kontext einer allgemeinen Ästhetik der Metapher gestellt wird, nimmt die Metapher eine Schlüsselfunktion zwischen Sprache, Anschauung und Denken ein. Besprochen in: Vier Viertel Kult, Frühjahr 2020

Metapher; Ästhetik; Kognition; Bild; Kunst; Bildwissenschaft; Philosophie; Kunstwissenschaft; Metaphor; Aesthetics; Cognition; Image; Art; Visual Studies; Philosophy; Fine Arts --- Aesthetics. --- Art. --- Cognition. --- Fine Arts. --- Image. --- Philosophy. --- Visual Studies.