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Arts [Soviet ] --- Arts soviétiques --- Kunsten [Sovjet] --- Soviet arts --- Sovjetkunsten --- National socialism in art --- Soviet Union --- Arts [Modern ] --- 20th century --- Arts, Soviet. --- National socialism in art - Soviet Union. --- Arts, Modern - 20th century - Soviet Union.

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This comprehensive study deals with the major critical problems of one of the most difficult authors of Latin literature. It examines in a systematic fashion the two major factors which have been assumed to be responsible for the state of the transmitted text of Propertius: dislocation and interpolation. It also covers a large number of notorious cases of verbal corruption and discusses problems of the manuscript tradition on the basis of the most recent research. Beyond questions of textual criticism and history in the narrow sense the book provides also important exegetical remarks on many Propertian passages and deals in a separate chapter with problems of book and poem structure.

Propertius, Sextus --- Elegiac poetry, Latin --- Poésie élégiaque latine --- History and criticism --- Histoire et critique --- Criticism, Textual. --- Love poetry, Latin --- -Love poetry, Latin --- -Latin love poetry --- Latin poetry --- Latin elegiac poetry --- Criticism, Textual --- -Propertius, Sextus Aurelius --- Properzio, Sesto --- Properce --- Properzio, S. --- Propercio --- Propercio, Sexto Aurelio --- Properz --- Propert︠s︡īĭ, Sekst --- Propertios --- Properci, Sext --- Propercij --- Rome --- In literature. --- -Criticism, Textual --- Poésie élégiaque latine --- Latin love poetry --- Propertius, Sextus. --- Elegiac poetry, Latin. --- Literature. --- Love poetry, Latin. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Elegiae (Propertius, Sextus) --- Sexti Properti libri IV (Propertius, Sextus) --- Elegiarum libri IV (Propertius, Sextus) --- Elegies of Propertius (Propertius, Sextus) --- Opera omnia (Propertius, Sextus) --- Quae supersunt opera (Propertius, Sextus) --- Sex. Avrel. Propertivs Varietate lectionis et perpetva adnotatione (Propertius, Sextus) --- Varietate lectionis et perpetva adnotatione (Propertius, Sextus) --- Varietate lectionis et perpetua adnotatione (Propertius, Sextus) --- Rome (Empire) --- Rim --- Roman Empire --- Roman Republic --- Romi (Empire) --- Byzantine Empire --- Italy

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The present volume provides a comprehensive guide to one of the most difficult authors of classical antiquity. All the major aspects of Propertius' work, its themes, the poetical technique, its sources and models, as well as the history of Propertian scholarship and the vexed problems of textual criticism, are dealt with in contributions by Joan Booth, James Butrica, Francis Cairns, Elaine Fantham, Paolo Fedeli, Adrian Hollis, Peter Knox, Robert Maltby, Tobias Reinhardt and Richard Tarrant; due space is also given to the reception of the author from antiquity and the renaissance (Simona Gavinelli) up to the modern age (Bernhard Zimmermann). At the centre stands an interpretation of the four transmitted books by Gesine Manuwaldt, Hans-Peter Syndikus, John Kevin Newman and Hans-Christian Günther.

Propertius, Sextus --- Criticism and interpretation. --- Propertius, Sextus Aurelius --- Properzio, Sesto --- Properce --- Properzio, S. --- Propercio --- Propercio, Sexto Aurelio --- Properz --- Propert︠s︡īĭ, Sekst --- Propertios --- Properci, Sext --- Propercij --- Propertius, Sextus. --- Propert͡sīĭ, Sekst

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Starting from some central texts of Horace's late poetry this book tries to offer a general picture of Horace's poetry, his political poetry and his relationship with his patrons in particular. It offers a large variety of comparative material from modern literature and is aimed not only at classicists, but at students of literature and history in general. All quotations from Greek and Latin texts are translated.

Horace --- Horatius Flaccus, Q. --- Horatius Flaccus, Quintus --- Orazio --- Horacij Flakk, Kvint --- Criticism and interpretation. --- Gorat︠s︡īĭ --- Gorat︠s︡iĭ Flakk, Kvint --- Horacij --- Horacio, --- Horacio Flaco, Q. --- Horacjusz --- Horacjusz Flakkus, Kwintus --- Horacy --- Horaṭiyos --- Horaṭiyus --- Horats --- Horaz --- Khorat︠s︡iĭ --- Khorat︠s︡iĭ Flak, Kvint --- Orazio Flacco, Quinto --- הוראציוס --- הורטיוס

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Der Verfasser ist Hans-Christian Günther Akademischer Oberrat und apl. Professor für Klassische Philologie an der Albert-Ludwigs-Universität Freiburg, Vizepräsident der ,International Association for Comparative Studies of China and the West', Herausgeber der Reihen ,Studies on the Interaction of Art, Thought and Power' (IATP, Brill), Mitherausgeber der Reihen ,Studia Classica et Mediaevalia' (Bautz) und ,Poetry, Music & Art' (Bautz). Neben zahlreichen Arbeiten zur lateinischen und griechi schen Literatur und Philosophie (u.a. Brill's Companion to Propertius und Brill's Companion to Horace) Arbeiten zur interkulturellen Philosophie, Ethik und Politik. Verfasser zahlreicher Versübersetzungen aus dem Lateinischen, Italienischen, Neugriechischen, Georgischen und Chinesischen. InhaltsverzeichnisVorwort'Historische' Aufführungspraxis:Historizität vs. Authentizität - ein ethisches Problem?I Ethik und Kunst: Der KontextII Verschiedene Aspekte Ethik - KunstIII Der Künstler und sein Umgang mit Kunst, der ausführende MusikerIV Exkurs: Das Konzept der Autonomie der Kunst in der europäischen KulturIVa Die Antike: AlexandriaIVb Rom, die augusteische ZeitIVc Der Freie Künstler der NeuzeitV Der gesellschaftliche Platz von Musik von Bach zur Wiener KlassikVI Historizität in der Aufführungspraxis von Musik das Verhältnis Historizität - AuthentizitätVII Die Anfänge der historischen AufführungspraxisVIII Hans Pfitzners 'Werk und Wiedergabe'IX Der Paradigmenwechsel in der Aufführungspraxis zu Beginn des 20. Jhs., Ferruccio BusoniX Der NeoklassizismusXI Die sterile Aufführungs- und Konzertpraxis nach dem zweiten WeltkriegXII Neue Ansätze in der historischen AufführungspraxisXIII Divergierende Aufführungen eines barocken Klavierwerks Scarlatti L 29 - K 449XIV Der Weg zu einer individuelleren Tonsprache und die musikalische Praxis: Subjektivität und EmpathieXV Zwei Beispiele divergierender Interpretationen nachbarocker Musik: Kreislers 'Liebesleid'MozartinterpretationXVI Noch einmal: Historizität vs. Authentizität:Alte Klaviermusik auf dem modernen FlügelXVII Wo liegt die Grenze interpretatorischer Freiheit?'Hören auf die Musik'BibliographieNamensregisterBildnachweiseAppendix: Das Programm des Workshops ReihePoetry, Music and Art - Band 4.

Performance practice (Music) --- Music --- Musical performance practice --- Performing practice (Music) --- History. --- Performance --- History and criticism