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Although internationally renowned as a novelist, journalist, and essayist, Nobel Prize-winning author François Mauriac (1885-1970) never established a reputation as a poet. Yet it was Maurice Barrès’s favourable review of his first collection of verse, Les Mains jointes, that launched Mauriac’s career in 1910. He went on to publish three further collections of poems and insisted to the end of his life that, despite critical neglect of his verse, he remained first and foremost a poet. This book offers the first ever in-depth exploration of the whole of Mauriac’s verse output. After a chapter tracing his general conception of poetry and comparing his ideas to those of other poets and theorists, each of Mauriac’s verse collections is analysed in turn, as are many of his poems that were published exclusively in literary journals. A final chapter explores the significant relationship between Mauriac’s verse and his novels, revealing the multiple connections between these two series of texts. This volume will appeal to those with an interest in twentieth-century French poetry and, more generally, to those interested in the relationship between verse and prose.
Mauriac, François --- Criticism and interpretation --- Poetic works --- Authors, French --- French authors --- Mauriac, François (1885-1970) --- Critique et interprétation --- Oeuvres --- Poésie
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This volume offers the first book-length academic investigation of Florian Henckel von Donnersmarck's Oscar-winning film The Lives of Others (2006). The aim of this edited collection is twofold. On the one hand, it offers new insight into one of the most successful German films of the past two decades, placing The Lives of Others within its wider historical, political, aesthetic and industrial context. On the other, it offers this group of scholars, which includes many of the leading international figures in the field, opportunity to make a series of interventions on the state of contemporary German film and German film studies.
Culture in motion pictures. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History --- History and criticism --- Leben der Anderen (Motion picture) --- Lives of others (Motion picture) --- Leben der Anderen (Motion picture). --- "The Lives of Others". --- Contemporary German Film.
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Wolfgang Hilbig is a writer who is widely acknowledged as one of the most important to have emerged from the former GDR. In this study, the first in English, Paul Cooke explores the interplay of aesthetic and social 'taboos', as defined by the official discourse of the GDR, in a cross-section of Hilbig's critical writing, poetry and prose. The protagonists in Hilbig's texts suffer from a profound crisis of identity due to the disparity between the state's official presentation of life in the East and their own experience. Cooke argues that through their exploration of the 'taboo', i.e. that which is excluded from the state's official discourse, Hilbig's characters attempt to break through the banal rhetoric of the ruling elite in order to realise an authentic sense of self.
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Introduction * The Nature of Research * The 'Nuts and Bolts' of Research * Getting Started in Research * The Building Blocks of Research * Introducing the Key Research Paradigms * The Types and Uses of Theory in Research * Introducing Research Methods * Academic Standards, Plagiarism and Ethics in Research * Conclusion: Summary of Key Points * Appendix 1: Stages of Research * Appendix 2: Glossary of Terms * Bibliography.
National characteristics, East German. --- Political culture --- Civil society --- Social contract --- East German national characteristics --- Germany (East) --- Germany --- Intellectual life. --- Politics and government. --- Politics and government
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World War, 1939-1945 --- War films --- Suffering in motion pictures. --- Psychic trauma in motion pictures. --- Germans in motion pictures. --- Motion pictures and the war. --- History --- Germans in motion pictures --- Psychic trauma in motion pictures --- Suffering in motion pictures --- World War, 1939-1945, in motion pictures --- Motion pictures --- Anti-war films --- Motion pictures and the war
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Mauriac, François, --- Criticism and interpretation. --- Mauriac, François, --- Mauriac, François
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