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Joseph Brodsky, one of the most prominent contemporary American poets, is also among the finest living poets in the Russian language. Nevertheless, his poetry and the crucial bilingual dimension of his poetic world are still insufficiently understood by Western audiences. How did the Russian-born Brodsky arrive at his present status as an international man of letters and American poet laureate? Has he been created by his bilingual experience, or has he fashioned the bilingual self as a necessary precondition for writing poetry in the first place? Here David Bethea suggests that the key to Brodsky, perhaps the last of the great Russian poets in the "bardic" mode, is in his relation to others, or the Other.Brodsky's master trope turns out to be "triangular vision," the tendency to mediate a prior model (Dante) with a closer model (Mandelstam) in the creation of a palimpsest-like text in which the poet is implicated as a triangulated hybrid of these earlier incarnations. In pursuing this theme, Bethea compares and contrasts Brodsky to the poet's favorite models--Donne, Auden, Mandelstam, and Tsvetaeva--and analyzes his fundamental differences with Nabokov, the only Russian exile of Brodsky's stature to rival him as a bilingual phenomenon. Various critical paradigms are used throughout the study as foils to Brodsky's thinking.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Languages & Literatures --- Slavic, Baltic and Albanian Languages & Literatures --- Brodsky, Joseph, --- Criticism and interpretation. --- Бродский, Иосиф, --- Brodskiĭ, Iosif, --- Brodskij, Jossif, --- Brodsky, Yosif, --- Brontski, Iōsēph, --- Brodsky, Iosif, --- Brodski, Josif, --- Brodskij, Josif, --- Brodskij, Iosif, --- ברודסקי, יוסף, --- LITERARY CRITICISM / American / General. --- Brodsky, Joseph

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Poets, Russian --- Metaphor. --- Parabole --- Figures of speech --- Reification --- Pushkin, Aleksandr Sergeevich, --- Derzhavin, Gavriil Romanovich, --- Державин, Гавриил Романович, --- Державин, Г. Р. --- Derzhavin, G. R. --- Derjavine, Gavril Romanovitch, --- Deržavin, Gavrila Romanovič, --- Пушкин, Александр Сергеевич, --- Poesjkin, Alexander, --- Puszkin, Aleksander, --- Puschkin, Alexander, --- Pouchkine, Alexandre, --- Poushkin, Alexander, --- Puškin, Alexandr Sergějevič, --- Пушкін, Олександр Сергійович, --- Pushkin, Oleksandr Serhiĭovych, --- Пушкин, А. С. --- Pushkin, A. S. --- Pushkin, Alexander, --- Pʻu-hsi-chin, --- Pushkin, A. --- Пускин, Александр, --- Puskin, Aleksandr, --- Pooshkeen, Alexander, --- Pushḳin, Aleksander S. --- Puškin, Alexander Sergeevich, --- Puškin, Aleksandar S., --- Puškini, Alekʻsandre, --- Puskin, Alé̂chxanđrơ, --- Puskin, Alegsandar, --- Pushkin, Alejandro Sergueevich, --- Puchkin, Alejandro Serguievich, --- Puschkin, A. S. --- Puṣkin̲, Aleksāṇṭar, --- Pushkin, Alexandr, --- פושקין --- פושקין, אלכסנדר סרגיביץ׳, --- פושקין, אלכסנדר סרגייביץ --- פושקין, אלכסנדר סרגייביץ׳, 1799־1837 --- פושקין, אלקסנדר סרגיביץ, --- פושקין, א. --- פושקין, א. ס, --- פושקין, א. ס. --- פושקין, ס. --- 普希金, A. S., --- Pușkin, A. S., --- Influence. --- Puškin, Aleksandr Sergeevič --- Poesjkin, A. S. --- Poesjkin, Alexander --- Pouchkine, Alexandre --- Puschkin, Alexander --- Puschkin, Alexander Sergejewitsch --- Pushkin, Alexander --- Pusjkin, Aleksandr Sergejevitsj --- Puškin, A. S. --- Pushkin, Aleksandr Sergeevich --- Biography

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This critical biography of Vladislav Khodasevich (1886-1939), David M. Bethea introduces to the Western reader the life and art of a literary figure described by Vladimir Nabokov as the greatest Russian poet of the twentieth century.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Poets, Russian --- Biography. --- Khodasevich, V. F.

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For several decades David Bethea has written authoritatively on the "mythopoetic thinking" that lies at the heart of classical Russian literature, especially Russian poetry. His theoretically informed essays and books have made a point of turning back to issues of intentionality and biography at a time when authorial agency seems under threat of "erasure" and the question of how writers, and poets in particular, live their lives through their art is increasingly moot. The lichnost' (personhood, psychic totality) of the given writer is all-important, argues Bethea, as it is that which combines the specifically biographical and the capaciously mythical in verbal units that speak simultaneously to different planes of being. Pushkin's Evgeny can be one incarnation of the poet himself and an Everyman rising up to challenge Peter's new world order; Brodsky can be, all at once, Dante and Mandelstam and himself, the exile paying an Orphic visit to Florence (and, by ghostly association, Leningrad).This sort of metempsychosis, where the stories that constitute the Ur-texts of Russian literature are constantly reworked in the biographical myths shaping individual writers' lives, is Bethea's primary focus. This collection contains a liberal sampling of Bethea's most memorable previously published essays along with new studies prepared for this occasion.

Russian literature --- Mythology in literature. --- Superstition in literature. --- History and criticism. --- Anthologies.