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Discourse ethics represents an exciting new development in neo-Kantian moral theory. William Rehg offers an insightful introduction to its complex theorization by its major proponent, Jürgen Habermas, and demonstrates how discourse ethics allows one to overcome the principal criticisms that have been leveled against neo-Kantianism. Addressing both "commun-itarian" critics who argue that universalist conceptions of justice sever moral deliberation from community traditions, and feminist advocates of the "ethics of care" who stress the moral significance of caring for other individuals, Rehg shows that discourse ethics combines impartiality with solidarity. He provides the first systematic reconstruction of Habermas's theory and explores its relationship to the work of such contemporary philosophers as Charles Taylor. His book articulates a bold alternative to the split between the "right" and the "good" in moral theory and will greatly interest philosophers, social and legal scholars, and political theorists.
History as a science --- Historiography --- History --- -Philosophy --- Historiography. --- Discourse ethics --- Philosophy & Religion --- Philosophy --- History & Archaeology --- History - General --- Philosophy. --- -Annals --- Auxiliary sciences of history --- Historical criticism --- Authorship --- Criticism --- -Historical criticism --- Annals --- Argumentation ethics --- History, Modern --- Ethics --- Habermas, Jürgen --- Ethics [Modern ] --- 20th century --- Ethics, Modern --- PHILOSOPHY / Political --- Habermas, Jürgen. --- Discourse ethics.
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Emphasizing the interaction between political organizations and social forces, Ervand Abrahamian discusses Iranian society and politics during the period between the Constitutional Revolution of 1905-1909 and the Islamic Revolution of 1977-1979. Presented here is a study of the emergence of horizontal divisions, or socio-economic classes, in a country with strong vertical divisions based on ethnicity, religious ideology, and regional particularism. Professor Abrahamian focuses on the class and ethnic roots of the major radical movements in the modem era, particularly the constitutional movement of the 1900s, the communist Tudeh party of the 1940s, the nationalist struggle of the early 1950s, and the Islamic upsurgence of the 1970s.In this examination of the social bases of Iranian politics, Professor Abrahamian draws on archives of the British Foreign Office and India Office that have only recently been opened; newspaper, memoirs, and biographies published in Tehran between 1906 and 1980; proceedings of the Iranian Majles and Senate; interviews with retired and active politicians; and pamphlets, books, and periodicals distributed by exiled groups in Europe and North America in the period between 1953 and 1980.Professor Abrahamian explores the impact of socio-economic change on the political structure, especially under the reigns of Reza Shah and Muhammad Reza Shah, and throws fresh light on the significance of the Tudeh party and the failure of the Shah's regime from 1953 to 1978.
Iran --- Politics and government --- Social conditions. --- Politique et gouvernement --- Conditions sociales --- Internal politics --- anno 1900-1999 --- Social conditions --- History --- Sociology --- Descriptive sociology --- Social history --- Abadan. --- Adamiyat, Fereydoun. --- Algeria. --- Azerbaijan. --- Bahrami, Muhammad. --- Bakhtiyaris. --- Baluchis. --- Basseris. --- Communist party (1947). --- Cottam, Richard. --- Daneshyan, Ghulam. --- Dashnak party. --- Dawlatabadi, Yahya. --- Farah Diba, Empress. --- Farangestan. --- Fatherland party. --- Fayzieh. --- Georgians. --- Griboyedov. --- Hajji Ibrahim. --- Haydaris. --- Imam Hussein. --- Iskandari, Sulayman. --- Jahanshalou, Nosratallah. --- Jangali party. --- Kani, Hojjat al-Islam. --- Kayhan. --- Kermanshah. --- Mahazari, Ibrahim. --- Mamasanis. --- Nakhshab, Muhammad. --- National caucus. --- Ovanessian, Ardasher. --- Pan-Iranist party. --- Peace Partisans. --- Qajar tribe. --- Qum. --- Resurgence party. --- Reza’i, Ahmad. --- bazaars. --- cabinets. --- capitulations. --- classes. --- educational facilities. --- electoral laws. --- fascism. --- gharbzadegi. --- income distribution. --- industrialization. --- land reform. --- missionaries. --- oil nationalization. --- República Islâmica do Irã --- Irã --- Persia --- Northern Tier --- Islamic Republic of Iran --- Jumhūrī-i Islāmī-i Īrān --- I-lang --- Paras-Iran --- Paras --- Persia-Iran --- I.R.A. --- Islamische Republik Iran --- Islamskai︠a︡ Respublika Iran --- I.R.I. --- IRI --- ايران --- جمهورى اسلامى ايران --- Êran --- Komarî Îslamî Êran --- Ir --- Islamskai͡a Respublika Iran --- República Islâmica do Ir
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Cecil B. DeMille and American Culture demonstrates that the director, best remembered for his overblown biblical epics, was one of the most remarkable film pioneers of the Progressive Era. In this innovative work, which integrates cultural history and cultural studies, Sumiko Higashi shows how DeMille artfully inserted cinema into genteel middle-class culture by replicating in his films such spectacles as elaborate parlor games, stage melodramas, department store displays, Orientalist world's fairs, and civic pageantry. The director not only established his signature as a film author by articulating middle-class ideology across class and ethnic lines, but by the 1920's had become a trendsetter, with set and costume designs that influenced the advertising industry to create a consumer culture based on female desire. Drawing on a wealth of previously untapped material from the DeMille Archives and other collections, Higashi provides imaginative readings of DeMille's early feature films, viewing them in relation to the dynamics of social change, and she documents the extent to which the emergence of popular culture was linked to the genteel tradition.
Music, Dance, Drama & Film --- Film --- DeMille, Cecil B. --- Criticism and interpretation. --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- DeMille, Cecil Blount, --- De Mille, Cecil B. --- DeMille, Cecil Blount
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In Music as Cultural Practice, Lawrence Kramer adapts the resources of contemporary literary theory to forge a genuinely new discourse about music. Rethinking fundamental questions of meaning and expression, he demonstrates how European music of the nineteenth century collaborates on equal terms with textual and sociocultural practices in the constitution of self and society.In Kramer's analysis, compositional processes usually understood in formal or emotive terms reappear as active forces in the work of cultural formation. Thus Beethoven's last piano sonata, Op. 111, forms both a realization and a critique of Romantic utopianism; Liszt's Faust Symphony takes bourgeois gender ideology into a troubled embrace; Wagner's Tristan und Isolde articulates a basic change in the cultural construction of sexuality. Through such readings, Kramer works toward the larger conclusion that nineteenth-century European music is concerned as much to challenge as to exemplify an ideology of organic unity and subjective wholeness. Anyone interested in music, literary criticism, or nineteenth-century culture will find this book pertinent and provocative.
Music --- Music Philosophy --- Music, Dance, Drama & Film --- Philosophy and aesthetics. --- Philosophy and aesthetics --- Musique --- Philosophie et esthétique --- 19th century
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Alongside Moctezuma and Benito Juárez, Pancho Villa is probably the best-known figure in Mexican history. Villa legends pervade not only Mexico but the United States and beyond, existing not only in the popular mind and tradition but in ballads and movies. There are legends of Villa the Robin Hood, Villa the womanizer, and Villa as the only foreigner who has attacked the mainland of the United States since the War of 1812 and gotten away with it. Whether exaggerated or true to life, these legends have resulted in Pancho Villa the leader obscuring his revolutionary movement, and the myth in turn obscuring the leader. Based on decades of research in the archives of seven countries, this definitive study of Villa aims to separate myth from history. So much attention has focused on Villa himself that the characteristics of his movement, which is unique in Latin American history and in some ways unique among twentieth-century revolutions, have been forgotten or neglected. Villa’s División del Norte was probably the largest revolutionary army that Latin America ever produced. Moreover, this was one of the few revolutionary movements with which a U.S. administration attempted, not only to come to terms, but even to forge an alliance. In contrast to Lenin, Mao Zedong, Ho Chi Minh, and Fidel Castro, Villa came from the lower classes of society, had little education, and organized no political party. The first part of the book deals with Villa’s early life as an outlaw and his emergence as a secondary leader of the Mexican Revolution, and also discusses the special conditions that transformed the state of Chihuahua into a leading center of revolution. In the second part, beginning in 1913, Villa emerges as a national leader. The author analyzes the nature of his revolutionary movement and the impact of Villismo as an ideology and as a social movement. The third part of the book deals with the years 1915 to 1920: Villa’s guerrilla warfare, his attack on Columbus, New Mexico, and his subsequent decline. The last part describes Villa’s surrender, his brief life as a hacendado, his assassination and its aftermath, and the evolution of the Villa legend. The book concludes with an assessment of Villa’s personality and the character and impact of his movement.
Villa, Francisco --- Villa, Pancho --- Mexico --- History --- Revolution, 1910-1920 --- Chihuahua (Mexico : State) --- Villa, Pancho, - 1878-1923. --- Mexico - History - Revolution, 1910-1920. --- Chihuahua (Mexico : State) - History. --- Social movements --- History. --- Villa, Pancho, --- Movements, Social --- Social history --- Social psychology --- Vilʹi︠a︡, Pancho, --- Villa, Francisco, --- Arrango, Doroteo, --- Arango, Doroteo, --- Germán, Doroteo Arango, --- Arango Arámbula, José Doroteo,
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The term "biography" seems insufficiently capacious to describe the singular achievement of Joseph Frank's five-volume study of the life of the great Russian novelist Fyodor Dostoevsky. One critic, writing upon the publication of the final volume, casually tagged the series as the ultimate work on Dostoevsky "in any language, and quite possibly forever." Frank himself had not originally intended to undertake such a massive work. The endeavor began in the early 1960's as an exploration of Dostoevsky's fiction, but it later became apparent to Frank that a deeper appreciation of the fiction would require a more ambitious engagement with the writer's life, directly caught up as Dostoevsky was with the cultural and political movements of mid- and late-nineteenth-century Russia. Already in his forties, Frank undertook to learn Russian and embarked on what would become a five-volume work comprising more than 2,500 pages. The result is an intellectual history of nineteenth-century Russia, with Dostoevsky's mind as a refracting prism. The volumes have won numerous prizes, among them the National Book Critics Circle Award for Biography, the Christian Gauss Award of Phi Beta Kappa, the Los Angeles Times Book Prize, and the James Russell Lowell Prize of the Modern Language Association.
882 "18" DOSTOEVSKIJ, FEDOR MIHAILOVIC --- 882 "18" DOSTOEVSKIJ, FEDOR MIHAILOVIC Russische literatuur--19e eeuw. Periode 1800-1899--DOSTOEVSKIJ, FEDOR MIHAILOVIC --- Russische literatuur--19e eeuw. Periode 1800-1899--DOSTOEVSKIJ, FEDOR MIHAILOVIC --- Dostoyevsky, Fyodor --- Dostoyevsky, Fyodor, --- Достоевский, Федор, --- Dostoevskiĭ, Fedor, --- Dostoievski, Fédor Mikhailovitch, --- Dostoievski, Fiodor, --- Dostojevski, F. M., --- Dostojewskij, Fjodor M., --- Tʻo-ssu-tʻo-yeh-fu-ssu-chi, --- Tuosituoyefusiji, --- Dostoevsky, Fyodor, --- Zuboskal, --- Dostoevskiĭ, Fedor Mikhaĭlovich, --- Dostoevskiĭ, F. M. --- Dostojewski, Fjedor Michailowitsch, --- Dustūyafskī, Fīdūr, --- Dostoievsky, F., --- Dosztojevszkij, Fjodor Mihajlovics, --- Tu-ssu-tʻo-yeh-fu-ssu-chi, --- Dusituoyefusiji, --- Dostojewski, --- Dostojewski, Fiodor, --- Dostoevskij, Fedor, --- Dostojewskij, F. M. --- Dostojevskij, F. M., --- Dostojevskij, Fjodor, --- D̲ostogiephski, Ph. M., --- Dostoïevsky, Th. M., --- D̲ostogiephsky, Phiontor Michaēlovits, --- Dostoiewskij, --- Dostojewski, Fjodor, --- Dostoevsky, Fedor, --- Dostoïevsky, Fédor, --- Dostoevsky, F. M. --- Dostojevskis, F., --- Dostoevski, F., --- Dostojewsky, --- Dosṭoyevsḳi, Fyodor Mikhailovits', --- Dostogephskē, Th., --- Dostojewski, Teodor, --- Dāstavaskī, --- D̲ostogephski, --- Dostojevskis, Fjodors, --- D̲ostogievskē, Phiontor, --- Dostoyewski, Fedor, --- Dosztojevszkij, F. M. --- Dosṭoyeṿsḳi, F. M., --- Dostojevskij, Fedor Michajlovič, --- Tāstayēvski, K̲apiyōtar, --- Dostoievski, Fedor, --- Dastoyaveski, Fiyodar, --- Dosṭoyevsḳi, Fyodor, --- Dāstāyivskī, --- דאםטאיעווםקי, פ. --- דאסטאיעווסקי, פ. --- דאסטאיעווסקי, פ. מ. --- דאסטאיעווסקי, פ. מ., --- דאסטאיעוועסקי, פ. --- דאסטאיעװסקי, פ.מ --- דאסטאיעװסקי, פ., --- דוסטויבסקי --- דוסטויבסקי, פדור מיכאילוביץ --- דוסטויבסקי, פיודור מיכאילוביץ, --- דוסטויבסקי, פיודור ניכילוביץ' --- דוסטויבסקי, פיודור, --- דוסטויבסקי, פי., --- דוסטויבסקי, פ. מ., --- דוסטויבסקי, ת. ד. --- דוסטוייבסקי, פיודור --- דוסטוייבסקי, פיודור, --- 陀司妥也夫斯基, --- 陀思妥也夫斯基, --- 陀思妥耶夫斯基, --- F. ドストエフスキー, --- ドストエフスキー --- Novelists, Russian --- Dostoevskij, Fëdor Mihajlovič --- Dostoevskij, Fjodor Mihajlovič --- Dostoevskij, Fedor Mikhajlovich --- Dostojevski, Fjodor Michajlovitsj --- Dostojewski, Fedor --- Dostojevski, Fedor --- Dostojewski, Fjodor --- Dostojevski, Fjodor --- Dostojewski, Fjodor Michailowitsj --- Dostojewskij, Fjodor M. --- Dostoïevski, Fiodor --- Dostoïevsky, Fedor Mihajlovic --- Novelists, Russian. --- Russian novelists
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This new guide to Handel's most celebrated work traces the course of Messiah from Handel's initial musical response to the libretto, through the oratorio's turbulent first years to its eventual popularity with the Foundling Hospital performances. Different chapters consider the varying reception the work received in Dublin and London, the uneasy relationship between the composer and his librettist Charles Jennens and the many changes Messiah underwent through the varying needs and capacities of Handel's performers. As well as tracing the history of the work's development, the book addresses musical and technical issues such as Messiah's place in the oratorio genre, Handel's treatment of structural design, tonal relationships and English word-setting. An edited libretto elucidates the variants between the text that Handel set and the texts of the early printed word-books. Donald Burrows brings many new insights to this fascinating account of one of the favourite works of the concert hall.
513 --- Muziekanalyse - vormleer --- Handel, George Frideric, --- Handel, George Frideric, 1685-1759. Messiah. --- 78.21.1 Händel --- 526.30 --- Genre- en werkbesprekingen --- Handel, George Friederich --- Muziekanalyses --- Muziekgeschiedenis --- Messiah --- Barok --- Groot-Brittannië --- Handel, George Frideric (1685-1759) --- Oratoria --- 18e eeuw --- Barokmuziek --- Analyses
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This book assesses the impact of writing on human societies, both in the Ancient Near East and in twentieth-century Africa, and highlights some general features of social systems that have been influenced by this major change in the mode of communication. Such features are central to any attempt at the theoretical definition of human society and such constituent phenomena as religious and legal systems, and in this study Professor Goody explores the role of a specific mechanism, the introduction of writing and the development of a written tradition, in the explanation of some important social differences and similarities. Goody argues that a shift of emphasis from productive to certain communicative processes is essential to account adequately for major changes in human societies. Whilst there have been previous descussions of the effect of literacy upon social organisation, no study has hitherto presented the general synthesis developed here.
#SBIB:309H518 --- #SBIB:39A2 --- #SBIB:303H0 --- 316.774:003 --- 316.774:003 Sociologie van het schrift --- Sociologie van het schrift --- Verbale communicatie: sociologie, antropologie, sociolinguistiek --- Antropologie: methoden en technieken --- Methoden in de sociale wetenschappen: algemeen --- Ancient civilization --- Antieke beschaving --- Antieke cultuur --- Beschaving [Antieke ] --- Beschaving van de oudheid --- Civilisation de l'antiquité --- Civilization [Ancient ] --- Cultuur [Antieke ] --- Civilization, Ancient --- Social evolution --- Writing --- Hieroglyphics --- Cultural evolution --- Cultural transformation --- Culture, Evolution of --- Culture --- Evolution --- Social change --- Chirography --- Handwriting --- Language and languages --- Ciphers --- Penmanship --- History --- Social aspects --- Africa, West --- Civilization. --- History of civilization --- Ecriture --- Evolution sociale --- Civilisation ancienne --- Histoire --- Aspect social --- Afrique occidentale --- Civilization --- Civilisation --- Africa [West ] --- Writing - History. --- Writing - Social aspects. --- Social evolution. --- Civilization, Ancient. --- Africa, West - Civilization. --- Social Sciences --- Anthropology --- History. --- Social aspects.
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Modern dance --- Interpretive dancing --- Modern dancing --- Dance --- Political aspects. --- History. --- Political aspects --- History --- Duncan, Isadora --- Graham, Martha --- Cunningham, Merce --- de Saint-Point, Valentine --- Dunn, Douglas
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Women, Palestinian Arab --- Gender & Ethnic Studies --- Social Sciences --- Gender Studies & Sexuality --- Palestinian Arab women --- Social conditions. --- Political activity. --- Social conditions --- Political activity --- Femmes arabes palestiniennes --- Conditions sociales --- Activité politique
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