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This book focuses on six post-apartheid novels, namely Zo¨e Wicomb's ''Playing in the Light'' (2006), Marlene van Niekerk's ''Agaat'' (2004/2007), André Brink's ''Devil's Valley'' (1998), Sarah Penny's ''The Beneficiaries'' (2002), K Sello Duiker's ''Thirteen Cents'' (2000), and Kgebetli Moele's ''Room 207'' (2006). It aims at highlighting different manifestations of melancholia that are visible in these texts in particular and in post-apartheid writing more generally. Mainly based on Sigmund Freud's, Anne Cheng's, and Paul Gilroy's concepts of melancholia, most novels are regarded as melancholic counter-narratives to the South African Truth and Reconciliation Commission's attempt to initiate a nationwide process of mourning with the aim of subsequent closure of the apartheid past. Moreover, concepts of melancholia prove particularly useful in order to analyse issues such as complicity, uncritical whiteness, crises of identity, forms of resistance, and intergenerational memory.
Melancholy in literature --- Postcolonialism in literature --- Identity (Philosophical concept) in literature --- South African fiction. --- South Africa --- In literature. --- Südafrika --- Postapartheid Literatur --- Postkoloniale Literatur --- Truth and Reconciliation Commission --- Melancholie
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In the context of comparative legal history, the South African Truth and Reconciliation Commission is contrasted with the Study Commission for Working Through the History and the Consequences of the SED Dictatorship in Germany. In an extensive examination, central aspects of the commissions' mandates and their implementation are analyzed, thus providing a deeper understanding of the two truth commissions. Whilst the final reports of the commissions serve as a central source, personal interviews with experts in transitional justice and contemporary witnesses from South Africa are also included in the work. Im Rahmen der vergleichenden Rechtsgeschichte wird die südafrikanische Wahrheits- und Versöhnungskommission der Enquete-Kommission zur Aufarbeitung von Geschichte und Folgen der SED-Diktatur in Deutschland gegenübergestellt. In einer eingehenden Untersuchung werden zentrale Aspekte der Kommissionsmandate und ihrer Umsetzungen durch die Kommissionen analysiert und so ein tieferes Verständnis der beiden Wahrheitskommissionen vermittelt. Dabei werden nicht nur die Abschlussberichte der Kommissionen als zentrale Grundlage herangezogen. Es finden auch persönliche Interviews mit Expert:innen der Transitional Justice und Zeitzeug:innen aus Südafrika Eingang in die Arbeit.
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"An Open Access edition of this book will be made available on the Liverpool University Press website and the OAPEN library on publication.Improvising Reconciliation is prompted by South Africa’s enduring state of injustice. It is both a lament for the promise with which non-racial democracy was inaugurated and, more substantially, a space within which to consider its possible renewal. As such, this study lobbies for an expanded approach to the country’s formal transition from apartheid in order to grapple with reconciliation’s ongoing potential within the contemporary imaginary. It does not, however, presume to correct the contradictions that have done so much to corrupt the concept in recent decades. Instead, it upholds the language of reconciliation for strategic, rather than essential, reasons. And while this study surveys some of the many serious critiques levelled at the country’s Truth and Reconciliation Commission (1996-2001), these misgivings help situate the plural, improvised approach to reconciliation that has arguably emerged from the margins of the cultural sphere in the years since. Improvisation serves here as a separate way of both thinking and doing reconciliation. It recalibrates the concept according to a series of deliberative, agonistic and iterative, rather than monumental, interventions, rendering reconciliation in terms that make failure a necessary condition for its future realisation."
Confession. --- Reconciliation --- Social aspects --- Political aspects --- South Africa. --- South Africa --- Race relations. --- Peace making --- Peacemaking --- Reconciliatory behavior --- Quarreling --- Auricular confession --- Church discipline --- Forgiveness of sin --- Absolution --- Penance --- Commission for Truth and Reconciliation (South Africa) --- South African Truth Commission --- TRC --- Truth and Reconciliation Commission (South Africa) --- Race question --- South Africa;transition;drama;theatre;film;stage;Marc Kaplin;democracy;Truth;Commission;performance;separation;Farber;Ingrid Gavshon;Ramadan Suleman;justice;human rights
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"In 2010, five magnificent Blackfoot shirts, now owned by the University of Oxford's Pitt Rivers Museum, were brought to Alberta to be exhibited at the Glenbow Museum, in Calgary, and the Galt Museum, in Lethbridge. The shirts had not returned to Blackfoot territory since 1841, when officers of the Hudson's Bay Company acquired them. The shirts were later transported to England, where they had remained ever since. Exhibiting the shirts at the museums was, however, only one part of the project undertaken by Laura Peers and Alison Brown. Prior to the installation of the exhibits, groups of Blackfoot people--hundreds altogether--participated in special "handling sessions," in which they were able to touch the shirts and examine them up close. The shirts, some painted with mineral pigments and adorned with porcupine quillwork, others decorated with locks of human and horse hair, took the breath away of those who saw, smelled, and touched them. Long-dormant memories were awakened, and many of the participants described a powerful sense of connection and familiarity with the shirts, which still house the spirit of the ancestors who wore them. In the pages of this beautifully illustrated volume is the story of an effort to build a bridge between museums and source communities, in hopes of establishing stronger, more sustaining relationships between the two and spurring change in prevailing museum policies. Negotiating the tension between a museum's institutional protocol and Blackfoot cultural protocol was challenging, but the experience described both by the authors and by Blackfoot contributors to the volume was transformative. Museums seek to preserve objects for posterity. This volume demonstrates that the emotional and spiritual power of objects does not vanish with the death of those who created them. For Blackfoot people today, these shirts are a living presence, one that evokes a sense of continuity and inspires pride in Blackfoot cultural heritage."--
Siksika Indians --- Cultural property --- Clothing. --- Cultural heritage --- Cultural patrimony --- Cultural resources --- Heritage property --- National heritage --- National patrimony --- National treasure --- Patrimony, Cultural --- Treasure, National --- Blackfeet Indians (Algonquian) --- Blackfoot Indians (Algonquian) --- Property --- World Heritage areas --- Algonquian Indians --- Indians of North America --- colonialism --- Truth and Reconciliation --- aboriginal peoples --- museum studies --- first nations --- museology --- heritage items --- sacred objects
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