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From 16 to 18 November 2020, the eighth edition of the Geneva Health Forum, which took place in the difficult context of the Covid 19 pandemic, hosted 165 posters. The present collection offers through 65 posters a wide range of topics discussed.
Geneva Health Forum --- Covid 19 pandemic --- 165 posters --- Posters reviewed by editors
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Arts graphiques --- Flandre occidentale --- Grafische kunst --- Mer du Nord --- Noordzee --- West-Vlaanderen --- badplaatsen --- verzameling Roland Florizoone --- Florizoone, Roland --- 1890 - 1950 --- Affiche, histoire --- Côte --- Posters, Belgian --- -Posters, Belgian --- -#A9306A --- Belgian posters --- Prentenverzamelingen: affiches; posters; uithangborden--België --- 769.91 <493> Prentenverzamelingen: affiches; posters; uithangborden--België --- Florizoone, Roland. --- #SMV:encyclopedie --- #SMV:museum --- 76 <493> "18/19" --- 766 <493> --- 769.91 <493> --- #A9306A --- 76 <493> "18/19" Grafische kunsten. Grafiek. Prentkunst--België--Hedendaagse Tijd --- Grafische kunsten. Grafiek. Prentkunst--België--Hedendaagse Tijd --- 766 <493> Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--België --- Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--België --- Graphic arts --- History of civilization --- anno 1800-1999 --- Belgium: coast --- Affiches --- Iconographie --- affiches --- toerisme --- 19de eeuw --- 20ste eeuw --- België --- affiche --- toerisme. --- 1890 - 1950. --- 19de eeuw. --- 20ste eeuw. --- België.
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Internal politics --- anno 1900-1999 --- Belgium --- Belgique ; histoire --- Belgique ; politique --- België ; geschiedenis --- België ; politiek --- Partis politiques --- Politieke partijen --- C8 --- Elections --- -Political parties --- -Political posters, Belgian --- verkiezingen --- #SBIB:949.3H3 --- #SBIB:AANKOOP --- #SBIB:323H420 --- 324 <493> --- 324.019.5 --- #A9903A --- verkiezingsprogramma --- verkiezingspropaganda --- affiche --- iconografisch materiaal --- politieke geschiedenis --- belgie --- vlaanderen --- Verkiezingen (Nationaal) algemeen --- Propaganda --- Belgian political posters --- Parties, Political --- Party systems, Political --- Political party systems --- Political science --- Divided government --- Intra-party disagreements (Political parties) --- Political conventions --- Electoral politics --- Franchise --- Polls --- Politics, Practical --- Plebiscite --- Political campaigns --- Representative government and representation --- Ideologie en politiek --- History --- -Sources --- -Politieke geschiedenis van België --- Belgische verkiezingen: werken: algemeen --- elections --- histoire politique --- belgique --- flandre --- Political parties --- Political posters, Belgian. --- Sources. --- Sources --- Political posters, Belgian --- History&delete& --- Politieke geschiedenis van België --- Politics and government
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In het Frans : N10766 : La guerre d'Espagne : Affiches et caricatures : [ Exposition, ULB, Commission Culturelle de l'ULB, VUB, Crédit Communal, salle Allende de l'ULB, 24/10 au 15/11/1986 ]
Affiche, histoire --- Bruxelles --- Caricatures --- Exposition --- Guerre d'Espagne --- Drawing --- Graphic arts --- History of Spain --- anno 1930-1939 --- Spain --- History --- Posters --- Pictorial works --- Propaganda --- Espagne. Guerre civile, 1936-1939. Affiches. Exposition. Bruxelles. 1986. --- Spanje. Burgeroorlog, 1936-1939. Affiches. Tentoonstelling. Brussel. 1986. --- #GGSB: Kunst (cataloog tentoonstelling) --- grafiek --- affiches --- Spanje --- oorlog --- spaanse burgeroorlog --- twintigste eeuw --- 766.046 --- 946.088.2 --- 32.019.5 --- 741.5 --- 769.91 --- #BUAR:bibl.de Bock --- #VCV fonds R. van der Linden --- #VCV monografie 1999 --- #C9112 --- 769.91 Prentenverzamelingen: affiches; posters; uithangborden --- Prentenverzamelingen: affiches; posters; uithangborden --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 32.019.5 Openbare mening. Publieke opinie --- Openbare mening. Publieke opinie --- 946.088.2 Geschiedenis van Spanje: burgeroorlog--(1936-1939) --- Geschiedenis van Spanje: burgeroorlog--(1936-1939) --- Exhibitions --- Affiches --- Geschiedenis --- Cartoons --- Spaanse Burgeroorlog --- posters --- political cartoons --- caricatures --- Spaanse burgeroorlog --- geschreven pers --- Affiche --- Cartoon --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Kunst (cataloog tentoonstelling)
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"A multidisciplinary journal, with contributions from researchers in a variety of fields, including architecture, landscape architecture, law, planning, engineering, business, art, economics, industrial design, and graphic design."
Signs and signboards --- Waymarks --- Signs and signboards. --- Waymarks. --- architecture --- industrial design --- graphic design --- urban planning --- marketing --- signage --- Guide-posts --- Guide signs --- Guideposts --- Sign-boards --- Signage --- Signboards --- Signs --- Signs (Advertising) --- Signs and sign-boards --- Advertising --- Visual communication --- Bill-posting --- Posters
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May Day (Labor holiday) --- 32.019.5 --- 327.32 <4> --- 766:304 --- 769.91 --- #A9306A --- 32.019.5 Openbare mening. Publieke opinie --- Openbare mening. Publieke opinie --- 769.91 Prentenverzamelingen: affiches; posters; uithangborden --- Prentenverzamelingen: affiches; posters; uithangborden --- First of May --- International Labor Day --- Holidays --- Labor Day --- 327.32 <4> Internationale arbeidersbewegingen--Europa --- Internationale arbeidersbewegingen--Europa --- 766:304 Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek-:-Sociale politiek. Maatschappelijke opbouw. Sociale problemen, vraagstukken --- Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek-:-Sociale politiek. Maatschappelijke opbouw. Sociale problemen, vraagstukken --- History&delete& --- Exhibitions --- World history --- History
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Sociology --- History of civilization --- Belgium --- Folklore --- Housekeeping --- Gastronomie --- Menu's --- Menus --- voedsel --- feest --- 941 Vlaamse en Belgische geschiedenis --- (493) België --- 93 geschiedenis --- 641./.3 voeding --- 392.8 voedingsgewoonten --- 094:641.5 --- 769.3 --- 769.91 <493> --- 641 <09> --- 641.5 --- geschiedenis --- België --- eten --- feesten --- 906.3 --- Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Preparation of foodstuffs and meals. Cookery --- Prentenverzamelingen: gelegenheidsgrafiek; kalenders; diploma's; prentkaarten; ephemera --- Prentenverzamelingen: affiches; posters; uithangborden--België --- Geschiedenis van de voeding --- Preparation of foodstuffs and meals. Cookery --- huiselijk en maatschappelijk leven - maaltijd en keuken --- 641.5 Preparation of foodstuffs and meals. Cookery --- 641 <09> Geschiedenis van de voeding --- 769.91 <493> Prentenverzamelingen: affiches; posters; uithangborden--België --- 769.3 Prentenverzamelingen: gelegenheidsgrafiek; kalenders; diploma's; prentkaarten; ephemera --- 094:641.5 Oude en merkwaardige drukken. Kostbare en zeldzame boeken. Preciosa en rariora-:-Preparation of foodstuffs and meals. Cookery --- cultuurgeschiedenis --- eetcultuur
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From 1929 until 1953, Iosif Stalin’s image became a central symbol in Soviet propaganda. Touched up images of an omniscient Stalin appeared everywhere: emblazoned across buildings and lining the streets; carried in parades and woven into carpets; and saturating the media of socialist realist painting, statuary, monumental architecture, friezes, banners, and posters. From the beginning of the Soviet regime, posters were seen as a vitally important medium for communicating with the population of the vast territories of the USSR. Stalin’s image became a symbol of Bolshevik values and the personification of a revolutionary new type of society. The persona created for Stalin in propaganda posters reflects how the state saw itself or, at the very least, how it wished to appear in the eyes of the people. The ‘Stalin’ who was celebrated in posters bore but scant resemblance to the man Iosif Vissarionovich Dzhugashvili, whose humble origins, criminal past, penchant for violent solutions and unprepossessing appearance made him an unlikely recipient of uncritical charismatic adulation. The Bolsheviks needed a wise, nurturing and authoritative figure to embody their revolutionary vision and to legitimate their hold on power. This leader would come to embody the sacred and archetypal qualities of the wise Teacher, the Father of the nation, the great Warrior and military strategist, and the Saviour of first the Russian land, and then the whole world. This book is the first dedicated study on the marketing of Stalin in Soviet propaganda posters. Drawing on the archives of libraries and museums throughout Russia, hundreds of previously unpublished posters are examined, with more than 130 reproduced in full colour. The personality cult of Stalin in Soviet posters, 1929–1953 is a unique and valuable contribution to the discourse in Stalinist studies across a number of disciplines.
Political posters, Russian. --- Stalin, Joseph, --- Symbolism. --- Russian political posters --- Djougatchvili, Iossif Vissarionovitch, --- Джугашвили, Иосиф Виссарионович, --- Dzhugashvili, Iosif Vissarionovich, --- Koba, --- Shih-tʻai-lin, --- Sidalin, --- Ssu-ta-lin, --- Stalin, Giuseppe, --- Сталин, И. В. --- Stalin, I. V. --- Сталин, Иосиф, --- Stalin, Iosif, --- Сталин, К., --- Stalin, K., --- Staline, --- Staline, Joseph, --- Staljin, J. V., --- Sutārin, --- Soselo, --- Stalini, Ioseb Besarionis że, --- Sṭalin, Y. Ṿ., --- Sṭalin, Y., --- Stalin, Josef, --- Stalin, Josef Vissarionovich, --- סטאלין, יאסיף, --- סטאלין, י. --- סטאלין, י. וו --- סטאלין, י. װ. --- סטאלין, י., --- סטלין, יוסיף ויסאריונוביץ׳, --- סטלין, יוסף --- 斯大林, --- Stalin, Jossif Vissarionovitš, --- Sztálin, Joszif, --- Istālīn, Yūsīf Vīsāryūnūvīch, --- استالين، يوسيف ويساريونووتج, --- Σταλιν, Ιωσηφ, --- Stalin, Ιōsēph, --- Jughashvili, Ioseb, --- Jughashvili, Ioseb Vissarionovich, --- Jughashvili, Koba, --- stalin --- soviet russia --- marketing --- poster art --- propoganda --- Cult of personality --- Joseph Stalin --- Moscow --- Propaganda --- Vladimir Lenin
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Dans les villes, sur les routes, au supermarché : les panneaux indicateurs sont partout. Si leur présence semble évidente, leur forme, leur contenu, leur emplacement ne vont pourtant pas de soi. Ils sont le résultat d'un travail complexe qui produit des espaces hybrides, où signes et architectures sont entrelacés. Ce livre explore les coulisses d'une signalétique aujourd'hui mondialement reconnue : celle du métro parisien. De l'organisation des services, jusqu'à l'activité des ouvriers qui installent et réparent les panneaux, en passant par les discours des concepteurs, il évoque les multiples facettes d'un dispositif ambitieux qui vise à transformer aussi bien les espaces du métro que le comportement de ses usagers. Complétant leur enquête d'un détour par le métro new-yorkais, les auteurs montrent que la signalétique parisienne instaure une véritable politique de l'attention où chacun peut s'attacher à la multitude des objets graphiques qui sont mis à sa disposition.
Subways --- Signs and signboards --- Business & Economics --- Transportation Economics --- Social aspects --- Socials aspects --- Railroads, Underground --- Underground railroads --- Guide signs --- Guide-posts --- Guideposts --- Sign-boards --- Signage --- Signboards --- Signs --- Signs (Advertising) --- Signs and sign-boards --- Local transit --- Railroads --- Underground construction --- Urban transportation --- Underpasses --- Advertising --- Visual communication --- Bill-posting --- Posters --- Heavy rail rapid transit --- Metros (Subways) --- Rail rapid transit, Heavy --- Tubes (Subways) --- Undergrounds (Subways) --- signalétique --- transports en commun --- espace public --- ethnographie --- métro --- Paris
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In the early 20th Century, exhibitions and international fairs were a favoured field for Swiss businesses that wished to conquer new territories in foreign markets. The way in which Switzerland was represented abroad challenged traditional regional construction by substituting more geometrical lines, thereby replacing the ‘chalet style’. The ‘genesis’ of the Swiss style of exhibition, between commercial expansion and modern architecture, is depicted here beyond that of a purely institutional history, providing a new viewpoint into its economic and artistic aspects. Particular atten-tion is given to the role of certain ‘intermediaries’ in the creation and diffusion of a visual culture to a commercial action.
Trade shows --- Commercial art --- History --- Switzerland --- Commercial policy. --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art --- Art and industry --- Graphic arts --- Posters --- Visual communication --- Motion picture billboards --- Industrial exhibitions --- Technology --- Trade expositions --- Trade fairs --- Exhibitions --- Fairs --- CH (Switzerland) --- Confederatio Helvetica --- Confédération de huit cantons --- Confédération suisse --- Confederazione svizzera --- Confederaziun svizra --- Eidgenossenschaft (Swiss Confederation) --- Everlasting League --- Four Forest Cantons --- Helvetia --- Helvetic Confederation --- Lega elvetica --- Schweiz --- Schweizerische Eidgenossenschaft --- Schweizerische Eidtgenossenschaft --- Shṿaits --- Shveĭt︠s︡arii︠a︡ --- Shveytsʻaria --- Suisse --- Suisu --- Suiza --- Sŭwisŭ --- Sveitsi --- Sviṭzaralaiṇḍa --- Svizra --- Svizzera --- Swiss Confederation --- Swisserland --- Vier Waldstätte --- Zvicra --- Zwitserland --- スイス --- Helvetic Republic --- economic and heritage organisations --- organisations économiques et patronales --- politique d'exposition --- exhibition policy --- swiss style exhibitions --- commercial expansion --- expansion commerciale --- entre-deux-guerres --- between two wars --- industrial exhibition --- style suisse d’exposition --- expositions industrielles
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