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"The Oil Wars Myth challenges the popular belief that countries fight wars for oil resources by identifying overlooked obstacles to these conflicts and reexamining the presumed petroleum motives for many of the twentieth century's major international wars"--
Petroleum industry and trade --- World politics --- War --- Politics and war. --- War and politics --- Causes of war --- Energy industries --- Oil industries --- Political aspects --- History --- Causes. --- World politics. --- Political aspects. --- Colonialism --- Global politics --- International politics --- Political history --- Political science --- World history --- Eastern question --- Geopolitics --- International organization --- International relations --- oil, natural resources, geo-political conflict, energy, US Foreign Policy.
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In modern, policy-heavy democracies, blame games about policy controversies are commonplace. Despite their ubiquity, blame games are notoriously difficult to study. This book elevates them to the place they deserve in the study of politics and public policy. Blame games are microcosms of conflictual politics that yield unique insights into democracies under pressure. Based on an original framework and the comparison of fifteen blame games in the UK, Germany, Switzerland, and the US, it exposes the institutionalized forms of conflict management that democracies have developed to manage policy controversies. Whether failed infrastructure projects, food scandals, security issues, or flawed policy reforms, democracies manage policy controversies in an idiosyncratic manner. This book is addressed not only to researchers and students interested in political conflict in the fields of political science, public policy, public administration, and political communication, but to everyone concerned about the functioning of democracy in more conflictual times. This title is also available as Open Access on Cambridge Core.
Political culture --- Comparative government. --- Democracy --- Opposition (Political science) --- Political planning --- Crisis management in government --- Blame --- Government accountability --- Accountability in government --- Public administration --- Responsibility --- Criticism, Personal --- Government crisis management --- Planning in politics --- Public policy --- Planning --- Policy sciences --- Politics, Practical --- Political opposition --- Political science --- Divided government --- Self-government --- Equality --- Representative government and representation --- Republics --- Comparative political systems --- Comparative politics --- Government, Comparative --- Political systems, Comparative --- Culture --- Political aspects --- Western countries --- Occident --- West (Western countries) --- Western nations --- Western world --- Developed countries --- Politics and government. --- blame games --- political conflict --- policy controversies --- comparative-historical analysis
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A free open access ebook is available upon publication. Learn more at www.luminosoa.org. This boldly original book traces the evolution of documentary film and photography as they migrated onto digital platforms during the first decades of the twenty-first century. Kris Fallon examines the emergence of several key media forms-social networking and crowdsourcing, video games and virtual environments, big data and data visualization-and demonstrates the formative influence of political conflict and the documentary film tradition on their evolution and cultural integration. Focusing on particular moments of political rupture, Fallon argues that the ideological rifts of the period inspired the adoption and adaptation of newly available technologies to encourage social mobilization and political action, a function performed for much of the previous century by independent documentary film. Positioning documentary film and digital media side by side in the political sphere, Fallon asserts that "truth" now lies in a new set of media forms and discursive practices that implicitly shape the documentation of everything from widespread cultural spectacles like wars and presidential elections to more invisible or isolated phenomena like the Abu Ghraib torture scandal or the "fake news" debates of 2016.
Digital media --- Documentary mass media --- Mass media --- Online social networks --- Films, cinema --- Media studies --- Politics & government --- Political aspects --- Objectivity --- Electronic social networks --- Social networking Web sites --- Virtual communities --- Social media --- Social networks --- Sociotechnical systems --- Web sites --- Mass communication --- Media, Mass --- Media, The --- Communication --- Electronic media --- New media (Digital media) --- Digital communications --- Online journalism --- 21st century. --- abu ghraib torture. --- big data. --- crowdsourcing. --- cultural integration. --- data visualization. --- digital platforms. --- documentary film tradition. --- documentary film. --- evolution. --- fake news. --- formative influence. --- ideological rifts. --- key media forms. --- photography. --- political action. --- political conflict. --- political rupture. --- presidential elections. --- scandal. --- social networking. --- video games. --- virtual environments. --- wars. --- Communities, Online (Online social networks) --- Communities, Virtual (Online social networks) --- Online communities (Online social networks)
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This Special Issue focuses specifically on the topic of commiseration with the “enemy” within war literature. The articles included in this Special Issue show authors and/or literary characters attempting to understand the motives, beliefs, and cultural values of those who have been defined by their nations as their enemies. This process of attempting to understand the orientation of defined “enemies” often shows that the soldier has begun a process of reflection about why he or she is part of the war experience. The texts included in this issue also show how political authorities often resort to propaganda and myth-making tactics that are meant to convince soldiers that they are fighting opponents who are evil, sub-human, etc., and are therefore their direct enemies. Literary texts that show an author and/or literary character trying to reflect against state-supported definitions of good/evil, right/wrong, and ally/enemy often present an opportunity to reevaluate the purposes of war and one’s moral responsibility during wartime.
political conflict --- fiction --- Robert Graves --- funeral songs --- contemporary Irish fiction --- oral tradition --- commiseration --- Islamophobia --- Hmong --- Herbert Read --- Lucy Hutchinson --- south-asian rhetoric --- Ford Madox Ford --- encounters --- Briseis --- Margaret Cavendish --- World War One --- rhetoric --- Second World War --- colonialism --- memoir --- fantasy --- Siegfried Sassoon --- narrative --- English Civil War --- war narratives --- interpreter --- captive-women --- Northern Ireland --- Anne Devlin --- Western American literature --- enemyship --- Italian Front --- frontier literature --- Randall Jarrell --- settler-colonialism --- First World War --- commiseration in arjun --- Afghanistan --- distance --- Sebastian Barry --- World War I --- ideology --- Will Mackin --- soldiers --- masculinity --- Luke Mogelson --- trench warfare --- Indian Wars --- Emilio Lussu --- terrorism --- Ireland --- Wilfred Owen --- Irish literature --- empathy --- war poetry --- J. R. R. Tolkien --- A Long Long Way --- war --- war writing --- Vietnam/Vietnamese --- enemies --- krishan’s rhetoric --- 1916 Easter Rising --- reconciliation --- vyas’ rhetoric --- Edna O’Brien --- cognitive dissonance --- rhetoric in the mahabharat --- George Armstrong Custer --- Keith Douglas --- war literature --- Andromache --- Robert Service --- Homer --- Joydeep Roy-Bhattacharya
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