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2018 (2)

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Book
Colonialism, culture, whales : the cetacean quartet
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ISBN: 1350010901 1350010928 135001091X 1350010898 1350150851 9781350010901 9781350010925 9781350010918 Year: 2018 Publisher: London, UK : Bloomsbury Publishing Plc,

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Abstract

This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Colonialism, Culture, Whales: The Cetacean Quartet explores how our attitudes to whales, whale hunting, and whale watching expose colonial attitudes to the natural world in modern Western culture. Foraging across the disciplines and moving between ideas and methods drawn from postcolonial criticism, animal studies, and environmental humanities, the book critically examines the colonial histories of whaling, their legacies in contemporary tourism from whale-watching excursions to the performing orcas at SeaWorld, and cultural representations of anxieties about extinction in recent literature, television, and film. Extensively researched and engagingly written, the four essays that comprise The Cetacean Quartet should appeal to scholars in a number of different fields as well as to general readers interested in finding out more about our enduring, guilt-ridden fascination with one of the world's most iconic living creatures, the whale.


Book
Grammalepsy : essays on digital language art
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ISBN: 1501335782 1501335774 1501335790 1501335766 1501363182 Year: 2018 Publisher: London : Bloomsbury Academic,

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"Collecting and recontextualizing writings from the last twenty years of John Cayley's research-based practice of electronic literature, Grammalepsy introduces a theory of aesthetic linguistic practice developed specifically for the making and critical appreciation of language art in digital media. As he examines the cultural shift away from traditional print literature and the changes in our culture of reading, Cayley coins the term "grammalepsy" to inform those processes by which we make, understand, and appreciate language. Framing his previous writings within the overall context of this theory, Cayley eschews the tendency of literary critics and writers to reduce aesthetic linguistic making - even when it has multimedia affordances - to "writing." Instead, Cayley argues that electronic literature and digital language art allow aesthetic language makers to embrace a compositional practice inextricably involved with digital media, which cannot be reduced to print-dependent textuality."--Bloomsbury Publishing.

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