Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

photography [process] --- fotografie --- Photography --- Christoph Ruys, Jan Hertoghs, Catherine Vuylsteke [et al.] --- België --- twintigste eeuw --- eenentwintigste eeuw --- Dirven Tim --- documentaire fotografie --- reportagefotografie --- fotojournalistiek --- 77.071 DIRVEN --- 624.2 Fotografie --- Exhibitions

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

cultuurfilosofie --- twintigste eeuw --- eenentwintigste eeuw --- Brussel --- 130.2 --- 71.01 --- 82.07 --- Steden ; kunst ; cultuur ; literatuur ; Brussel --- Steden en Cultuur ; literatuur over steden --- Literaire auteurs --- Filosofie ; Cultuurfilosofie --- Dutch literature --- Brussels

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

architectuur --- Architecture --- Belgium --- anno 2010-2019 --- Architects --- Architecture and state --- Architectes --- History --- Histoire --- Politique gouvernementale --- Belgium. --- 626 Bouwkunst --- 580 Ruimtelijke ordening --- 72.037 --- Vlaams Bouwmeester --- Vlaanderen --- België --- Swinnen, Peter --- Smets, Marcel --- ruimtelijke ordening --- Architectuur en maatschappij --- Eenentwintigste eeuw (architectuur) --- 21ste eeuw (architectuur) --- 711 --- Bouwmeester Rapport --- 72.039(493) --- Vlaams Bouwmeester ; Vlaamse Gemeenschap ; Peter Swinnen --- Architectuurgeschiedenis ; 2000 - 2050 ; België

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Filmmaker, film essayist, installation artist, writer: the Berlin artist Harun Farocki has devoted his life to the power of images. Over the thirty-plus years of his career, Farocki has explored not the images of life but rather the life of images that surrounds us in newspapers, cinema, books, television, and advertising. Harun Farocki examines, from different critical perspectives, his vast oeuvre, which includes three feature films, critical media pieces, children's television features, 'learning films' in the tradition of Brecht, and installation pieces. Interviews, a selection of Farocki's own writings, and an annotated filmography complete a valuable biography of this pioneering artist and his legendary career.

Film Theory. --- Films. --- Installations (art). --- Film --- Music, Dance, Drama & Film --- Edited by Thomas Elsaesser --- kunst --- film --- documentaire --- experimentele film --- Farocki Harun --- Duitsland --- installaties --- twintigste eeuw --- eenentwintigste eeuw --- 791.471 FAROCKI --- 7.071 FAROCKI --- Motion picture producers and directors --- Farocki, Harun --- Criticism and interpretation. --- Faroqhi, Harun El Usman --- Farocki, Harun. --- PERFORMING ARTS / General.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Black Film British Cinema II considers the politics of blackness in contemporary British cinema and visual practice. This second iteration of Black Film British Cinema, marking over 30 years since the ground-breaking ICA Documents 7 publication in 1988, continues this investigation by offering a crucial contemporary consideration of the textual, institutional, cultural and political shifts that have occurred from this period. It focuses on the practices, values and networks of collaborations that have shaped the development of black film culture and representation. But what is black British film? How do such films, however defined, produce meaning through visual culture, and what are the political, social and aesthetic motivations and effects? How are the new forms of black British film facilitating new modes of representation, authorship and exhibition? Explored in the context of film aesthetics, curatorship, exhibition and arts practice, and the politics of diversity policy, Black Film British Cinema II provides the platform for new scholars, thinkers and practitioners to coalesce on these central questions. It is explicitly interdisciplinary, operating at the intersections of film studies, media and communications, sociology, politics and cultural studies. Through a diverse range of perspectives and theoretical interventions that offer a combination of traditional chapters, long-form essays, shorter think pieces, and critical dialogues, Black Film British Cinema II is a comprehensive, sustained, wide ranging collection that offers new framework for understanding contemporary black film practices and the cultural and creative dimensions that shape the making of blackness and race.

Blacks in the motion picture industry --- Motion pictures, British. --- Blacks in motion pictures. --- Motion pictures --- Race in motion pictures. --- Social aspects --- Blacks in motion pictures --- Race in motion pictures --- film --- filmgeschiedenis --- film en politiek --- Groot-Brittannië --- racisme --- postkolonialisme --- twintigste eeuw --- eenentwintigste eeuw --- 791.43 --- Negroes in moving-pictures --- Social aspects. --- Great Britain. --- Black people in the motion picture industry --- Black people in motion pictures.