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Focuses on the work of Western-educated African and Indian women writers resisting gender identity constructions at various points in history. This book examines colonial and national gender identity constructions in female-authored texts at 'home' and the continued deployment of and resistance to gender identity impositions in various spaces.
African literature (English) --- Women in literature --- Feminism and literature. --- History and criticism.
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L'explosion soudaine de voix féminines qui caractérise le spectacle contemporain nous invite à réfléchir à des modes de discours qui, loin d'être nécessairement révolutionnaires, restent complémentaires des voix antérieures. Diverses sont les approches, comme le sont encore les problématiques, soulignant à l'envi le caractère pluridisciplinaire de notre entreprise, la présence de voix de femmes là où on ne les attend guère. "Les voix du spectacle vivant" prolongent les échos vibrants de voix chères venues d'ailleurs, venues de loin ; inflexions de tendresse, d'amitié, de pugnacité, d'intolérance aussi.
Women in the theater --- Women in motion pictures --- Women on television --- Women in literature --- profession --- voix de femmes --- acteur / actrice
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L’ensemble des articles composant cet ouvrage concerne l’idéologie et la mythologie de la femme au xixe siècle. La première partie résulte des travaux, à la fois personnels et collectifs, du Centre d’Études « Littérature et idéologies au xixe siècle » de l’Université de Lyon II, qui s’est intéressé plus particulièrement à l’idéologie de la femme dans l’histoire écrite, dans la littérature et dans le journalisme ; la seconde partie est liée à l’enseignement donné en Licence à l’Université de Lyon II : elle retrouve les mêmes thèmes, mais transmués dans l’ordre du discours romanesque balzacien (La Fille aux yeux d’or).
Women in literature --- Women --- History --- -Women in literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Human females --- Wimmin --- Woman --- Womon --- Womyn --- Females --- Human beings --- Femininity --- -Women --- -Balzac, de, Honoré --- 82:396 --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- Thematology --- History of civilization --- Political philosophy. Social philosophy --- French literature --- Balzac, de, Honoré --- Women in literature. --- Women in literature - 19th century --- Women - France - History - 19th century --- représentation --- roman --- femme --- idéologie
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#ACA --- Women in literature. --- History --- Fiction --- Sociology of the family. Sociology of sexuality --- Lecture --- Literature --- Images of women --- Book
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Sisters and the English Household revalues unmarried adult sisters in nineteenth-century English literature as positive figures of legal and economic autonomy representing productive labor in the domestic space. As a crucial site of contested values, the adult unmarried sister carries the discursive weight of sustained public debates about ideals of domesticity in nineteenth-century England. Engaging scholarly histories of the family, and providing a detailed account of the 70-year Marriage with a Deceased Wife's Sister controversy, Anne Wallace traces an alternative domesticity anchored by adult sibling relations through Dorothy Wordsworth's journals; William Wordsworth's poetry; Mary Lamb's essay "On Needle-Work"; and novels by Jane Austen, Elizabeth Gaskell, Charles Dickens, Dinah Mulock Craik and George Eliot. Recognizing adult sibling relationships, and the figure of the adult unmarried sibling in the household, as primary and generative rather than contingent and dependent, and recognizing material economy and law as fundamental sources of sibling identity, Sisters and the English Household resets the conditions for literary critical discussions of sibling relations in nineteenth-century England.
English literature --- Single women in literature. --- Women and literature --- Sisters in literature. --- Sex role in literature. --- History and criticism. --- History
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Ce recueil de textes offre un vaste nuancier de micro-lectures sur l'Orient des femmes : non seulement sur les femmes d'Orient, mais aussi sur les femmes en Orient, les femmes et l'Orient. En explorant des domaines aussi divers que l'histoire de l'art, l'histoire des sciences, la littérature classique, la littérature de voyage, l'anthropologie, les sciences politiques et la psychanalyse, ces études apportent l'éclairage de prismes différents, voire divergents, sur une réalité par essence plurielle. L'étude des représentations picturales, de la présence ou de l'absence des femmes dans la science, les littératures et les sociétés orientales, révèle une existence constante du féminin, une existence réprimée ou exaltée mais toujours à la croisée de l'imaginaire et du réel.
Women in art --- Congresses --- Women in literature --- Women --- Asia --- Middle East --- Literature (General) --- orientalisme --- Orient --- Asie --- femme --- voyageuse
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Witches in literature. --- Women in literature. --- Feminist criticism. --- Criticism --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry
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Empire Girls: the colonial heroine comes of age is a critical examination of three novels by writers from different regions of the British Empire: Olive Schreiner's The Story of An African Farm (South Africa), Sara Jeannette Duncan's A Daughter of Today (Canada) and Henry Handel Richardson's The Getting of Wisdom (Australia). All three novels commence as conventional Bildungsromane, yet the plots of all diverge from the usual narrative structure, as a result of both their colonial origins and the clash between their aspirational heroines and the plots available to them. In an analysis including gender, empire, nation and race, Empire Girls provides new critical perspectives on the ways in which this dominant narrative form performs very differently when taken out of its metropolitan setting.
Commonwealth fiction (English) --- Women in literature. --- Bildungsromans. --- History and criticism. --- Schreiner, Olive, --- Duncan, Sara Jeannette, --- Richardson, Henry Handel,
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Jin Feng proposes that representation of the "new woman" in Communist Chinese fiction of the earlier twentieth century was paradoxically one of the ways in which male writers of the era explored, negotiated, and laid claim to their own emerging identity as "modern" intellectuals.
Chinese fiction --- Women in literature. --- History and criticism. --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Gender studies: women & girls
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