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Ruinen und Lost Places sind gleichermaßen Symbole der Vergänglichkeit und Zeichen von Zerstörungsakten. Ihre Betrachtung löst divergente Emotionen aus. Was wird aus diesen Orten? Wer bestimmt darüber? Und wie und aus welchen Gründen werden Ruinen zum Gegenstand medialer oder künstlerischer Auseinandersetzungen? Die Beiträger*innen des Bandes nehmen sich dieser Fragen an, indem sie Ruinen als aufgegebene und im Verfall befindliche Architekturen oder Stadtlandschaften verstehen: Von den ›malerischen‹ Resten antiker Bauten über stillgelegte Industrie- oder Militärareale und verlassene Wohnbauten bis hin zu ›neuen‹ Investitionsruinen.
SOCIAL SCIENCE / Popular Culture. --- Cultural History. --- Cultural Studies. --- Culture. --- Habitation. --- Industry. --- Military. --- Space. --- Transience. --- Waste Land. --- Ruines --- Architecture --- Urbanisme --- Décroissance urbaine --- Culture --- Armed forces. --- Waste Lands. --- Study and teaching. --- Agglomérations urbaines --- Déclin des villes --- Déclin urbain --- Décroissance des villes --- Déprise urbaine --- Désurbanisation --- Rétrécissement urbain --- Villes en déclin --- Villes en décroissance --- Villes --- Attractivité (géographie) --- Croissance urbaine --- Exode urbain --- Économie urbaine --- Géographie urbaine --- Constructions en ruine --- Constructions ruinées --- Décombres --- Murs écroulés --- Vestiges architecturaux --- Vestiges d'architecture --- Constructions --- Exploration urbaine --- Habitations abandonnées --- Ruines (esthétique) --- Monuments disparus --- Sites archéologiques --- Villes disparues, en ruine, etc. --- Décroissance --- Déclin --- Effondrement --- Derelict lands --- Wastelands --- Land use --- Metaphysics --- Armed Services --- Military, The --- Military art and science --- Disarmament --- Industrial production --- Industries, Primitive --- Industry --- Economics --- Cultural sociology --- Sociology of culture --- Civilization --- Popular culture --- Cultural studies --- Cultural history --- Social aspects
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This Special Issue showcases poets who enhance the breadth of modernist literary practices. The cohering concept is a complex relationship to both gender and modernity through original experiments with language. Leading scholars explore writers who both fit and extend orthodox modernist histories: Marianne Moore, H.D., Edna St Vincent Millay, Dorothy Parker, Katherine Mansfield, and Charlotte Mew were born around the cusp of the twentieth century and flourished during the 1920s and 1930s; Lynette Roberts, Helen Adam and Hope Mirrlees were contemporaries but publishing or recognition came later; the next generation can include Gwendolyn Brooks, Stevie Smith and Muriel Spark; Veronica Forrest-Thomson represents a third generation who published into the 1980s, while Frances Presley and M. NourbeSe Philip hinge this group with the contemporary poets Carol Watts and Natasha Trethewey, whose works continue and rejuvenate progressive stylistics. The essays offer new readings of both well-known and unfamiliar poets. They are truly groundbreaking in plundering diverse theoretical fields in ways that disturb any lingering notions of a homogenized women’s poetry. The authors supplant into literary poetic analysis notions of geometry and mathematics, maritime materialities, tourism and taxonomy, architecture, classicism, folk art, Christianity and death, whimsy and empathy.
H.D. --- Helen in Egypt --- Adorno --- late modernism --- epic --- avant-garde --- Gwendolyn Brooks --- architecture --- modernity --- Chicago --- Katherine Mansfield --- symbolism --- fin-de-siècle --- decadence --- modernism --- poetry --- Arthur Symons --- Stevie Smith --- T.S. Eliot --- The Waste Land --- Greek gods --- female protagonists --- Christianity --- suicide --- death --- Charlotte Mew --- Modernism --- empathy --- Edna St. Vincent Millay --- masculinity --- lyric --- drama --- verse drama --- gender --- genre --- race --- tourism --- taxonomy --- poetics --- Marianne Moore --- Natasha Trethewey --- Thomas Jefferson --- Scotland --- ballads --- kaleidoscope --- Charles Bernstein --- Edwin Morgan --- folk art --- Welsh Modernism --- Feminism --- nationalism --- ethnography --- geomodernisms --- modernist poetics --- Caribbean poetry --- Zong! --- M. NourbeSe Philip --- black poetry --- critical ocean studies --- multispecies --- materiality --- ecocriticism --- Moore --- Parker --- whimsy --- New York --- geometry --- place --- site-specific poetry --- mathematics --- metaphor --- Exmoor --- mid-Wales --- stone settings --- Zeta function --- prime numbers --- pastoral
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