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Analyse à la fois rigoureuse et nuancée, ce livre replace la Tecktonik et les danses électro dans l'univers des cultures jeunes et révèle les attentes de la jeunesse dans une société médiatique. L'été 2007, la Tecktonik a provoqué un véritable effet de mode auprès des adolescents et préadolescents. Des jeunes danseurs aux vêtements colorés et aux coiffures stylisées déferlent sur les écrans de télévision, les radios et les magazines, dansent dans les rues, les discothèques et les cours de collège. Mais les danses électro, toujours existantes à l'heure actuelle, se développaient en réalité depuis plusieurs années dans les discothèques et sur Internet, au travers des blogs et des réseaux sociaux. Cette enquête décrypte l'impact des industries culturelles et médiatiques aujourd'hui, tout en montrant le rôle de la créativité des jeunes, de leurs pratiques amateurs et des espaces qu'ils créent sur Internet. L'arrivée du web 2.0, des blogs et messageries instantanées dans les pratiques, la conquête d'une autonomie culturelle par les préadolescents, les nouvelles modalités de mise en scène et de construction identitaire à l'heure d'Internet, les processus de starification, sont autant de phénomènes passés au crible de l'analyse. Une plongée au cœur d'un phénomène juvénile qui, en associant étroitement pratiques numériques et pratiques musicales, manifeste de grandes tendances de la culture contemporaine.
Electronic dance music --- Youth --- Music and youth --- Social aspects --- Attitudes --- Youth and music --- Young people --- Young persons --- Youngsters --- Youths --- Age groups --- Life cycle, Human --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Underground dance music --- Dance music --- Electronica (Music) --- Remixes --- jeunesse --- industrie culturelle --- musique --- média --- Tecktonik
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"Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Brøvig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"--
Mashups (Music) --- Parody in music. --- Philosophy and aesthetics. --- History and criticism. --- SOCIAL SCIENCE / Media Studies --- MUSIC / History & Criticism --- LAW / Intellectual Property / Copyright --- Musical parodies --- Musical parody --- Parody (Music) --- Musical form --- Humor in music --- Bastard pop --- Mash-ups (Music) --- Remixes --- History and criticism
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In order to analyze how transformative musical works are culturally understood, this book examines how mainstream press discourse talks about them. According to professional journalistic norms, press discussion is supposed to be neutral and balanced. This is, of course, a fiction, because press is to study social power relations, this is a benefit, not a drawback. In particular, norms of explaining "both sides" of an issue mean that a cross section of mainstream thought is available in the press, at the same time that more marginal perspectives are systematically excluded. Moreover, in addition to conveying what the journalist perceives to be a neutral account of a situation, the press helps frame public understanding of issues, thus contributing to making this the default understanding through presenting a hegemonic view as the truth. For these reasons, Stanfill uses press coverage to examine social beliefs circulating widely about transformative musical works. In doing so, she specifically abstracts away from particular journalists and their identities (racial, gender, or others) because, by those same professional norms, individual perspectives are supposed to be suppressed in the name of a (white and masculine) construct of universality. Moreover, an individual journalist presenting an opinion (whether they are aware of doing so or not) is not in itself meaningful, but when there are patterns in opinions across multiple articles, by different people, in different locations and at different moments, they become suggestive of a broader hegemonic formation.
Copyright --- Popular music --- Remixes --- Music --- Economic aspects --- History and criticism. --- Music, Popular --- Music, Popular (Songs, etc.) --- Pop music --- Popular songs --- Popular vocal music --- Songs, Popular --- Vocal music, Popular --- Cover versions --- Club mixes --- Dance mixes --- Mixes (Music) --- Electronic music --- Electronic dance music --- Sound recordings --- Remixing
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