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In der musikalischen Aufführungspraxis ist es normalerweise der Mensch, der das Tempo erzeugt. Innerlich ein Tempo zu etablieren und es an das der mitmusizierenden Personen anzugleichen, ist eine grundlegende musikalische Fähigkeit. Was bedeutet es also, wenn das Tempo von einem technischen System vorgegeben wird? Philippe Kocher unterzieht diese besondere Art der Mensch-Maschine-Interaktion einer musikgeschichtlichen, technikgeschichtlichen und medienarchäologischen Betrachtung. Darüber hinaus entwickelt er innerhalb seiner wissenschaftlich-künstlerischen Studie ein eigenes System zur technikgestützten Tempovermittlung und beschreibt dessen Einsatz in der Praxis.
Performance practice (Music) --- Musical performance practice --- Performing practice (Music) --- Music --- Performance
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Music --- Performance --- Performance. --- Musical performance --- Performance of music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Arts and Humanities --- Literature
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What does it mean to produce resemblance in the performance of written music? Starting from how this question is commonly answered by the practice of interpretation in Western notated art music, this book proposes a move beyond commonly accepted codes, conventions and territories of music performance. Appropriating reflections from post-structural philosophy, visual arts and semiotics, and crucially based upon an artistic research project with a strong creative and practical component, it proposes a new approach to music performance. The approach is based on divergence, on the difference produced by intensifying the chasm between the symbolic aspect of music notation and the irreducible materiality of performance. Instead of regarding performance as reiteration, reconstruction and reproduction of past musical works, Powers of Divergence emphasises its potential for the emergence of the new and for the problematisation of the limits of musical semiotics.
Music --- Theatrical science --- music [performing arts] --- musical performances --- contemporary [generic time frame] --- philosophy of art --- Performance. --- Philosophy and aesthetics. --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Musical performance --- Performance of music --- Philosophy --- Academic collection --- Performance --- Muziekpsychologie --- Uitvoeringspraktijk --- music [performing arts genre] --- muziekgeschiedenis --- Music / Philosophy & Social Aspects --- Music / Instruction & Study
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"Beyond interpretation: a proposal for experimental performance practices Logic of Experimentation offers several innovative and ground-breaking perspectives on music performance, music ontology, research methodologies and ethics of performance. It proposes new modes of thinking and exposing past musical works to contemporary audiences, arguing for a new kind of performer, emancipated from authoritative texts and traditions, whose creativity is propelled by intensive research and inventive imagination. Moving beyond the work-concept, Logic of Experimentation presents a new image of musical works, based upon the notions of strata, assemblage and diagram, advancing innovative practice-based methodologies that integrate archival and musicological research into the creative process leading to a performance. Beyond representational modes of performance—be it mainstream or historically informed performance practices—Logic of Experimentation creates an ontological, methodological and ethical space for experimental performance practices, arguing for a new mode of performance. Written in an experimental style, its eight chapters appropriate music performance concepts from post-structural philosophy, psychoanalysis, science and technology studies, epistemology and semiotics, displaying how transdisciplinarity is central to artistic research. An indispensable contribution to artistic research in music, Logic of Experimentation is compelling reading for music performers, composers, musicologists, philosophers and artist researchers alike."
Music --- music [performing arts] --- musical performances --- contemporary [generic time frame] --- philosophy of art --- Musical performance --- Performance of music --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Performance. --- Philosophy and aesthetics. --- Philosophy --- Performance --- Artistiek onderzoek --- Uitvoeringspraktijk --- Methodologie --- 21e eeuw --- music [performing arts genre] --- muziekgeschiedenis
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This Open Access book offers an original interdisciplinary overview of the role of haptic feedback in musical interaction. Divided into two parts, part I examines the tactile aspects of music performance and perception, discussing how they affect user experience and performance in terms of usability, functionality and perceived quality of musical instruments. Part II presents engineering, computational, and design approaches and guidelines that have been applied to render and exploit haptic feedback in digital musical interfaces. Musical Haptics introduces an emerging field that brings together engineering, human-computer interaction, applied psychology, musical aesthetics, and music performance. The latter, defined as the complex system of sensory-motor interactions between musicians and their instruments, presents a well-defined framework in which to study basic psychophysical, perceptual, and biomechanical aspects of touch, all of which will inform the design of haptic musical interfaces. Tactile and proprioceptive cues enable embodied interaction and inform sophisticated control strategies that allow skilled musicians to achieve high performance and expressivity. The use of haptic feedback in digital musical interfaces is expected to enhance user experience and performance, improve accessibility for disabled persons, and provide an effective means for musical tuition and guidance.
Computer science. --- Music. --- User interfaces (Computer systems). --- Cognitive psychology. --- Computer Science. --- User Interfaces and Human Computer Interaction. --- Cognitive Psychology. --- Psychology, Cognitive --- Cognitive science --- Psychology --- Interfaces, User (Computer systems) --- Human-machine systems --- Human-computer interaction --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Informatics --- Science --- Consciousness. --- Apperception --- Mind and body --- Perception --- Philosophy --- Spirit --- Self --- Haptic Musical Instruments --- User Experience --- Musical Performance --- Interface Design and Evaluation --- Haptic Psychophysics --- User interfaces (Computer systems)
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While the notation of 17th- and 18th-century music looks familiar, its meanings and the treatment of meter in performance have evolved dramatically. When performed according to the conventions of its own time, the music of 1600-1800 balances precision and flexibility, with an enchanting lilt, grace, and vitality. With many quotations and musical examples from theoretical treatises and instruction manuals of the period, Meter in Music is a practical guide to the performance of Baroque and early Classical music, with guidance on notes iňgales, fingerings, bowings, and woodwind tonguings.
Takt. --- Metriek. --- Uitvoeringspraktijk. --- Performance practice (Music) --- Musical notation. --- Musical meter and rhythm. --- Musique --- Interpretation. --- Notation. --- Mesure et rythme. --- 18e siecle --- 17e siecle --- History --- Meter (Music) --- Music --- Musical rhythm and meter --- Rhythm (Music) --- Music theory --- Rhythm --- Time in music --- Neumes --- Ligatures (Music) --- Music autography --- Music copying --- Music manuscript --- Music notation --- Musical autography --- Notation, Musical --- Staff notation --- Musical meter and rhythm --- Signs and symbols --- Paleography, Musical --- Musical performance practice --- Performing practice (Music) --- Performance --- Art music, orchestral & formal music
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This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach’s Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach’s opus.
Music --- Violin --- Performance. --- Bach, Johann Sebastian, --- Criticism and interpretation. --- Violin playing --- Violin music --- Musical performance --- Performance of music --- Interpretation (Phrasing, dynamics, etc.) --- Bach, Johann Sebastian --- Bakh, Iogann Sebastian, --- Bakh, Y. S., --- Bach, Jean Sébastien, --- Bach, G. S., --- Bach, Jan Sebastian, --- Bachas, J. S., --- Bach, J. S. --- Bahs, Johans Sebatjans, --- Pa-ha, Te, --- Bakh, Ĭ. S. --- Bakh, Ĭokhan Sebastian, --- Bach, Joh. Seb. --- Bakh, Yohan Sebasṭyan, --- Bach, Iohann Sebastian, --- Bahha, J. S., --- Bahha, Yohan Sebasutian, --- Bach, I. S., --- Bach, Juan S., --- Bach, John Sebastian, --- Bach, Giovanni Sebastiano, --- באך, יוהן סבסטיאן --- music --- musicology
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Modelling and simulation in acoustics is currently gaining importance. In fact, with the development and improvement of innovative computational techniques and with the growing need for predictive models, an impressive boost has been observed in several research and application areas, such as noise control, indoor acoustics, and industrial applications. This led us to the proposal of a special issue about “Modelling, Simulation and Data Analysis in Acoustical Problems”, as we believe in the importance of these topics in modern acoustics’ studies. In total, 81 papers were submitted and 33 of them were published, with an acceptance rate of 37.5%. According to the number of papers submitted, it can be affirmed that this is a trending topic in the scientific and academic community and this special issue will try to provide a future reference for the research that will be developed in coming years.
noise barrier --- insertion loss --- vehicle frequencies --- diffraction --- flow speed --- Analytical solutions --- FDTD --- EMATs --- beam directivity --- perforate tube silencer --- transmission loss (TL) --- pressure loss --- computational fluid dynamics (CFD) --- temperature --- air flow velocity --- graphical bilinear method --- seismic survey --- dynamic cone penetration test --- soil depth --- time-distance curve --- KZK equation --- fractional order derivative --- ultrasound hyperthermia --- HIFU --- acoustic simulation --- Kramers–Kronig relation --- stereo audio coding --- Principal Component Analysis (PCA) --- multi-frame --- Pyramid Vector Quantization (PVQ) --- bowel sound --- bowel motility --- automatic detection/evaluation --- power-normalized cepstral coefficients --- noncontact instrumentation --- acoustic localization --- cross array --- moving sound source --- discrete sampling --- error analysis --- open-air theatres --- acoustical measurements --- prediction models --- historical acoustics --- Direction of Arrival (DOA) --- time-frequency (TF) mask --- speech sparsity --- speech enhancement (SE) --- acoustic vector sensor (AVS) --- intelligent service robot --- voice generation --- multichannel electroglottograph --- larynx acoustics --- fingerprinting acoustic localization --- iterative interpolation --- K-Means clustering --- Two-stage matching --- Adjacent RPs --- dynamic tissue property --- Westervelt equation --- thermal damage zone --- submerged floating tunnel (SFT) --- mooring line --- coupled dynamics --- hydro-elastic responses --- wet natural frequencies --- mooring tension --- seismic excitation --- wave excitation --- seaquake --- thick annular circular plate --- Rayleigh integral --- finite element modeling --- rectangular and concentric stiffener patches --- taper ratio --- thickness variation --- MRI --- Zone Plates --- ultrasonic lenses --- piano playing --- vibrotactile feedback --- interaction --- musical performance --- auditory perception --- sensors --- actuators --- crack growth --- acoustic echo --- COSMO --- p-value --- l1-regularized RLS --- sparsity --- room impulse response --- total least squares --- regularization factor --- fluid-filled polyethylene (PE) pipeline --- noise control --- acoustic propagation --- cutoff phenomenon --- UWA communication --- channel modelling --- OFDM --- channel estimation --- simulation platform --- minimum variance distortionless response --- signal self-cancellation --- direction estimation --- underwater acoustic source --- spatial power spectrum --- cochlear implant --- coding strategy --- Fixed-Channel --- Channel-Picking --- vocoder simulation --- normal-hearing --- point mass --- parabolic thickness variation --- landmine detection --- lumped parameter model --- prodder --- resonance frequency --- noised-induced hearing loss --- powered surgical instruments --- ultrasonic aspirator --- transcanal endoscopic ear surgery --- balanced armature receiver --- lumped parameter method --- finite element method and Boundary element method --- focused transducer --- acoustic field --- nonuniform radiation distribution --- Bessel radiation distribution --- spherically curved uniform radiator --- rim radiation --- Lamb waves --- wooden constructions --- acoustics --- low frequency noise --- modelling --- ultrasonic guided waves --- SAFE --- rail defect detection --- mode excitation --- solid dielectrics --- acoustic emission --- artificial neural networks --- electrical treeing --- wavelets --- non-destructive testing --- high-voltage insulating systems --- boundary element method --- Helmholtz equation --- structural health monitoring --- mooring chain --- fatigue crack growth --- structural integrity --- n/a --- Kramers-Kronig relation
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