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Available Open Access under CC-BY-NC licence. How can Archaeology help us understand our contemporary world? This ground-breaking book reflects on material, visual and digital culture from the Calais "Jungle" - the informal camp where, before its destruction in October 2016, more than 10,000 displaced people lived. LANDE: The Calais 'Jungle' and Beyond reassesses how we understand 'crisis', activism, and the infrastructure of national borders in Refugee and Forced Migration Studies, foregrounding the politics of environments, time, and the ongoing legacies of empire. Introducing a major collaborative exhibit at Oxford's Pitt Rivers Museum, the book argues that an anthropological focus on duration, impermanence and traces of the most recent past can recentre the ongoing human experiences of displacement in Europe today.
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Anthropological museums and collections --- Anthropology --- Anthropologie --- Musées et collections
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Special collections of religious and theological materials have been part of the landscape of academic libraries in North America from their beginnings. This collection of ten articles treats several aspects of this rich history in three sections: the first deals with the history of specific collections at four libraries; the second treats current attempts to use special collections in teaching and the outreach mission of the library, including the development and use of digital technologies; and the third explores topics related to building library collections for the future, noting both pitfalls to be avoided and intriguing opportunities.
Theological libraries. --- Libraries --- Special collections.
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The Museum of Natural History of the University of Florence, founded in 1775 by Grand Duke Pietro Leopoldo d'Asburgo Lorena, is one of the oldest and most prestigious scientific museums in the world. The fourth volume on the Collections of the Mineralogy and Lithology Section, published like the previous volumes by the Firenze University Press, fits perfectly in the series dedicated to the collections of the University's Museum System. The first part of the book describes in great detail the paths that led to the formation of the collections, starting with those dating to the Medici period and arriving at the specimens collected during recent expeditions. The second part illustrates and documents the extraordinary specimens of minerals, hardstone carvings and meteorites which represent the material patrimony of this section. Particular attention is given to the holotypes, the Elban Collection and the minerals of pegmatites, as well as the methods and solutions adopted to realize the project of the new museum exhibition set-up. The third and last part describes the studies carried out on the materials: from the minerals of the systematic collections to the rock specimens that recount not only the geodiversity of a region but also the history of a city.
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Special collections of religious and theological materials have been part of the landscape of academic libraries in North America from their beginnings. This collection of ten articles treats several aspects of this rich history in three sections: the first deals with the history of specific collections at four libraries; the second treats current attempts to use special collections in teaching and the outreach mission of the library, including the development and use of digital technologies; and the third explores topics related to building library collections for the future, noting both pitfalls to be avoided and intriguing opportunities.
Theological libraries. --- Libraries --- Special collections.
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Calligraphy, Japanese --- Art, Japanese --- Private collections --- Barnet, Sylvan --- Burto, William --- Art collections --- Art collections
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Indentation and Other Stories is a collection of nine stories ranging from the wildly funny and idiosyncratic to the downright bizarre. The title story features a pathological dentist who seeks a quirky catharsis by decorating his apartment in hygienic dental paraphernalia. Other tales frolic through the lives of characters who border on the delightfully absurd: a woman, after going through menopause, struggles to recreate her menstrual periods by altering her diet; a former New York street reporter, fired because of his "ideals," aspires to become a credible street person and decides, tentatively, to have a religious experience; an English major turned psychologist writes a pseudoscientific "article"—complete with footnotes and a University of New Jersey cover letter—which argues, by example, for the use of figurative language in scientific journal writing. Other stories are more humanizing: "The Perils of Asthma" is a sympathetic lok at a twelve-year-old boy struggling to grow up amidst his perplexing asthma, his eccentric Catholic parents, and his mystifying quasi-erections. All of the stories are grounded in the allure of language, the luxuriance of detail, and the celebration of human compulsion and obsession.
American fiction. --- LITERARY COLLECTIONS / General. --- American literature
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Much has been written, and very well written, on the collection in the 19th century in and through fiction: it is therefore another path that the voices gathered here would like to explore. Based on collections of all kinds (private and public, literary, historical and artistic, editorial and museological), from a necessarily and resolutely interdisciplinary perspective, the aim is to question the specificity of the act and of the discourse of the collection in the 19th century, and to think of it as a figuration and a fiction, a production and a projection of a, or even of the, 19th century. Beaucoup a été écrit, et fort bien écrit, sur la collection au XIXe siècle dans et par la fiction : c’est donc une autre voie que les voix ici réunies voudraient explorer. À partir de collections de tous ordres (privé et public, littéraire, historique et artistique, éditorial et muséal), selon une perspective nécessairement et résolument interdisciplinaire, il s’agit d’interroger la spécificité du geste – à la geste de la Révolution attaché – et du discours de la collection au XIXe siècle, et de les penser comme figuration et fiction, production et projection d’un, voire du XIXe siècle, bref : le XIXe siècle à l’épreuve de la collection.
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