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Art, Southeast Asian. --- Southeast Asian art

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China --- History --- Asian history

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Throughout his fifteen-year reign (1910-1925), King Vajiravudh, absolute monarch of Siam, attempted to foster a spirit of nationalism among the Thai, to unite the Thai people and make them proud of their land and their heritage. He hoped to save his country from expanding Western imperialism by infusing his people with the Western ideology of loyalty to the state.This book documents all the many forms the King's nationalistic efforts assumed, ranging from the establishment of a para-military patriotic organization called the Wild Tiger Corps to the encouragement of the team sports and the coining of a new cheer, Chaiyo! ("Victory!"). Vajiravudh was a prolific writer, and his hortatory articles, plays, poems, and speeches are analyzed in terms of the King's message to his people to be Thai, to act Thai, and to think Thai.Chaiyo! adds greatly to an understanding of the emergence of modern Thailand. It is also an important addition to studies of the impact of the West and the emergence of nationalism in Asia as a whole during the period of World War I. The findings will be of value not only to historians but also to political scientists and, indeed, to all those interested in the development of Asia or in the growth of nationalism anywhere in the world.

Nationalism. --- Asian history

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By 2100, more than 80 per cent of the world's population is expected to live in Afrasia (Africa and Asia). This book draws lessons from history, provides a new cognitive map of the world, and discusses multiple challenges global citizens will face in the age of Afrasia, an emerging macro-region. The centre of gravity of the world is shifting. Whether the world can manage a soft landing into sustainable equilibrium depends on the nature of the dialogue people in Africa and Asia will organise. The author argues that a state of equilibrium between the two is achievable, provided issues related to gender, employment, agriculture, human-nature relationships, and multicultural coexistence are simultaneously addressed. Can future Afrasia present itself as a community determined not to allow the return of predatory practice internally and externally? Will the fates of African and Asian peoples converge or diverge? How about the future relationships between Afrasia and the rest of the world? Exploring these questions using multiple disciplines, this book will be of interest to professional researchers and graduate students in IR and Afro-Asian relations, as well as Asian and African area studies, demography, geography, history, development economics, anthropology, language education, and religious studies. The Open Access version of this book, available at https://www.taylorfrancis.com, has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.

Afro-Asian politics.

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Relative Histories focuses on the Asian American memoir that specifically recounts the story of at least three generations of the same family. This form of auto/biography concentrates as much on other members of one's family as on oneself, generally collapses the boundaries conventionally established between biography and autobiography, and in many cases-as Rocío G. Davis proposes for the auto/biographies of ethnic writers-crosses the frontier into history, promoting collective memory. Davis centers on how Asian American family memoirs expand the limits and function of life writing by reclaiming history and promoting community cohesion. She argues that identity is shaped by not only the stories we have been told, but also the stories we tell, making these narratives important examples of the ways we remember our family's past and tell our community's story. In the context of auto/biographical writing or filmmaking that explores specific ethnic experiences of diaspora, assimilation, and integration, this work considers two important aspects: These texts re-imagine the past by creating a work that exists both in history and as a historical document, making the creative process a form of re-enactment of the past itself. Each chapter centers on a thematic concern germane to the Asian American experience: the narrative of twentieth-century Asian wars and revolutions, which has become the subtext of a significant number of Asian American family memoirs (Pang-Mei Natasha Chang's Bound Feet and Western Dress, May-lee and Winberg Chai's The Girl from Purple Mountain, K. Connie Kang's Home Was The Land of Morning Calm, Doung Van Mai Elliott's The Sacred Willow); family experiences of travel and displacement within Asia in the nineteenth and early twentieth centuries, which unveil a history of multiple diasporas that are often elided after families immigrate to the United States (Helie Lee's Still Life With Rice, Jael Silliman's Jewish Portraits, Indian Frames, Mira Kamdar's Motiba's Tattoos); and the development of Chinatowns as family spaces (Maxine Hong Kingston's China Men, Lisa See's On Gold Mountain, Bruce Edward Hall's Tea that Burns). The final chapter analyzes the discursive possibilities of the filmed family memoir ("family portrait documentary"), examining Lise Yasui's A Family Gathering, Ruth Ozeki Lounsbury's Halving the Bones, and Ann Marie Fleming's The Magical Life of Long Tack Sam. Davis concludes the work with a metaliterary engagement with the history of her own Asian diasporic family as she demonstrates the profound interconnection between forms of life writing.

Asian Americans --- History.