Listing 1 - 10 of 17 | << page >> |
Sort by
|
Choose an application
undefined
Arts & Humanities --- Paul Gauguin --- Îles Marquises --- art --- Tahiti --- Art styles not defined by date
Choose an application
Art styles --- Architecture --- anno 1200-1299 --- anno 800-1199 --- Belgium --- Bouwkunst --- #A9211A --- Architectuurgidsen ; België ; Romaans --- Twombly, Cy --- History --- Architectuurgidsen--België--Romaans --- 716.2 --- Romaanse architectuur--België --- architecture [discipline]
Choose an application
Art styles --- Painting --- easel paintings [paintings by form] --- birds [motifs] --- Appel, Karel --- Phoebus Foundation [Antwerp] --- Iconography --- liberal arts [cross-disciplinary studies] --- iconography --- allegory [artistic device] --- Vos, de, Maarten --- 75.038 --- schilderkunst --- Karel Appel --- abstracte kunst --- schilderkunst - abstracte kunst na 1945 --- 625.1 Schilderkunst --- Appel, Karel. --- cobra --- CoBra
Choose an application
Franse titel : N18063 : Le Symbolisme en Belgique
Art styles --- anno 1800-1899 --- Belgium --- symbolisme --- Rops, Félicien --- België --- Art --- Belgique --- Histoire de l'art --- Peintres --- Peinture --- 7 <493> --- 620 Kunst --- kunstgeschiedenis --- 7.036(493) --- 7.036 --- Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- kunstgeschiedenis België - expressionistische en impressionistische richtingen, functionalisme, naturalisme, realisme en moderne stromingen 2e helft 19e-vroege 20e eeuw --- Moderne kunststijlen --- 7.036 Moderne kunststijlen --- 7 <493> Kunst. Ruimtelijke ordening. Architectuur. Sport en spel--België --- symbolisme. --- Rops, Félicien. --- België.
Choose an application
History --- avant-garde --- art history --- art [fine art] --- cultural centers [buildings] --- museology --- Art styles --- Iconography --- Museology --- Art --- anno 1970-1979 --- anno 1980-1989 --- anno 1900-1999 --- Belgium --- Antwerp --- museums [buildings] --- Sociology of cultural policy --- Contemporary [style of art] --- International Culture Center [Antwerp] --- Art contemporain --- Hedendaagse kunst --- 620 Kunst --- 613 Musea --- Art and society --- Internationaal Cultureel Centrum. --- ICC --- 7.038(493) --- kunst 20e eeuw --- kunstgeschiedenis --- België --- kunstgeschiedenis België - kunst na 1945 --- ICC (Internationaal Cultureel Centrum) --- Internationaal Cultureel Centrum-ICC (Antwerpen) --- hedendaagse kunst --- museumbeleid --- 1970 - 1990 --- 20ste eeuw --- Internationaal Cultureel Centrum-ICC (Antwerpen). --- hedendaagse kunst. --- museumbeleid. --- 1970 - 1990. --- 20ste eeuw. --- art [discipline]
Choose an application
Les études réunies sous le titre La beauté et ses monstres sont nées d'un constat de rupture entre l'idéal platonicien qui posait l'alliance étroite du Beau et du Bien et les pratiques esthétiques des XVIe, XVIIe siècles. La poétique baroque, expression d'une crise de la pensée analogique et de l'idéalisme platonicien, procède en effet d'une reconnaissance implicite de la dangereuse contiguïté entre le beau et le monstrueux et trouve son originalité créatrice dans la mise en mouvement de formes « dépravées », dans l'invention de formes qui contreviennent aux lois de la « proportion ». Métamorphoses et anamorphoses jouent de cette virtualité du monstmeux latent en toute forme parfaite qu'un rien peut déformer, déjouant toute tentative de figier des rhétoriques littéraires ou d'immobiliser des genres dans une codification rigoureuse. De même, par l'attraction qu'elle exerce, tant physique que métaphysique, la beauté a suscité la défiance devant l'envers toujours possible de cet attrait, la séduction par une beauté frelatée ou trompeuse. L'étrange et fascinante intimité entre la beauté et ses monstres fonde de la cohérence d'une dynamique de recherche par-delà la variété des angles d'analyse adoptés et la contiguïté entre le beau et le monstrueux apparaît bel et bien comme facteur supplémentaire d'unité dans l'expression de la sensibilité baroque. Ce volume, à ce titre, est une contribution à l'histoire d'une esthétique liée à cette sensibilité et aux paradoxes par lesquels elle trouve à s'exprimer, paradoxes qu'implique la saisie unifiée d'éléments contradictoires. C'est une illustration de plus, s'il en fallait, d'une crise de la représentation qui a trouvé dans une esthétique de la discordia concors ou de la coincidentia oppositorum sa réponse la plus pertinente, sa « monstrueuse beauté »
Aesthetics of art --- Art styles --- Literature --- anno 1700-1799 --- anno 1600-1699 --- anno 1500-1599 --- Europe --- Monsters in literature --- Beauty, Personal, in literature --- Monsters in art --- Beauty, Personal, in art --- Baroque literature --- Arts, European --- Monstres dans la littérature --- Beauté corporelle dans la littérature --- Monstres dans l'art --- Beauté corporelle dans l'art --- Littérature baroque --- Arts européens --- Congresses. --- Congresses --- History and criticism --- Congrès --- Histoire et critique --- Monstres dans la littérature --- Beauté corporelle dans la littérature --- Beauté corporelle dans l'art --- Littérature baroque --- Arts européens --- Congrès --- esthétique --- monstres --- histoire --- beauté --- 16-18e --- Baroque
Choose an application
The fourth volume of the “Passage des disciplines” collection looks at how the discipline of art history was established at the Collège de France by forging a special link with the Musée du Louvre. Georges Lafenestre, André Michel, Paul Vitry, and René Huyghe were curators in the Department of Paintings and Drawings and the Department of Medieval, Renaissance and Modern Sculptures, before holding the Chair of Aesthetics and Art History, created in 1878 and once renamed “History of French Art” (1920-1925), or the municipal chair, “Psychology of Visual Arts” (1951-1976), financed by the City of Paris. By electing several curators to its chairs in this way, does the Collège de France single itself out among the institutions at which aesthetics and art history are taught? What determines the recruitment of curators? To what extent does their museum experience weigh on their appointment? Once elected, what ties do they maintain with the Louvre? Do they integrate the museum’s debates on aesthetics or historical method into their teaching at the Collège de France? Such are some of the questions that the authors of this volume explore, drawing on the archives of various institutions. This volume ensues from a study day organised by Jessica Desclaux (Sorbonne Université-Musée du Louvre/Centre Dominique-Vivant Denon) on 4 April 2019, as part of the research programme “Passage des disciplines: global history of the Collège de France, 19th-20th century”. The programme focuses on the selection process of chairs and fields of study at the Collège de France, including those that were not admitted to it and which formed a “virtual college”, from the late 18th century to the 1960s. It is directed by Antoine Compagnon, with the collaboration of Céline Surprenant, and has received financial support from PSL (2016-2019) and the République des Savoirs.
Arts & Humanities --- Art --- History --- esthétique --- musée --- histoire --- recherche --- enseignement supérieur --- arts plastiques --- histoire de l'art --- chaires --- savoir académique --- politique institutionnelle --- beaux-arts --- musée du Louvre --- institutions académiques --- Louvre --- Collège de France --- history of art --- history of research --- history of high education --- museum --- fine arts --- Louvre museum --- educational institutions --- art school --- esthetics --- high education --- Theory of art --- Conservation, restoration & care of artworks --- History of art / art & design styles --- Art styles not defined by date --- Exhibition catalogues & specific collections --- Literary studies: general --- Museology & heritage studies --- Modern history to 20th century: c 1700 to c 1900
Choose an application
The story of modernist architects in East Central Europe. The first half of the twentieth century witnessed the rise of modernist architects. Brokers of Modernity reveals how East Central Europe turned into one of the pre-eminent testing grounds of the new belief system of modernism. By combining the internationalism of the CIAM organization and the modernising aspirations of the new states built after 1918, the reach of modernist architects extended far beyond their established fields. Yet, these architects paid a price when Europe's age of extremes intensified. Mainly drawing on Polish, but also wider Central and Eastern European cases, this book delivers a pioneering study of the dynamics of modernist architects as a group, including how they became qualified, how they organized, communicated and attempted to live the modernist lifestyle themselves. In doing so, Brokers of Modernity raises questions concerning collective work in general and also invites us to examine the social role of architects today.
Art styles --- Architecture --- Modernist --- architects --- anno 1910-1919 --- anno 1920-1929 --- anno 1930-1939 --- anno 1940-1949 --- Eastern and Central Europe --- 930.85.60 --- 72.036 <4> --- Modern movement (Architecture) --- Academic collection --- 72.037 --- Architectuur ; Centraal-Europa ; Oost-Europa ; 20ste eeuw --- Modernisme --- Architecture, Primitive --- Architecture, Western (Western countries) --- Building design --- Buildings --- Construction --- Western architecture (Western countries) --- Art --- Building --- Modernism (Architecture) --- Modernist architecture --- Architecture, Modern --- International style (Architecture) --- 72.036 <4> Moderne bouwkunst. Architectuur van de 20e eeuw--Europa --- Moderne bouwkunst. Architectuur van de 20e eeuw--Europa --- 930.85.60 Cultuurgeschiedenis: 20ste eeuw --- Cultuurgeschiedenis: 20ste eeuw --- Architectuurgeschiedenis ; 1900 - 1950 --- Design and construction --- modernism --- architecture --- urbanism --- modernist architects --- East Central Europe
Choose an application
40 p. : ill.
Architecture, Gothic --- gotiek --- architectuur (bouwwerken) --- middeleeuwen --- 15de eeuw --- België --- architectuur --- urban development --- Gothic [Medieval] --- gotische kunst --- Art styles --- stadsontwikkeling --- Architecture --- muurschilderkunst --- architecture [discipline] --- mural painting [image-making] --- anno 1200-1499 --- Belgium --- architectural history --- Building design --- Gotische architectuur ; België --- 72.033.5 --- 72 <493> --- #A9801A --- 72.03 --- 72.033 --- Architectuur ; België ; Gotiek --- 72(03) --- C3 --- 72.033.5 Gotische bouwkunst. Architectuur van de late-Middeleeuwen --- Gotische bouwkunst. Architectuur van de late-Middeleeuwen --- 72 <493> Architectuur. Bouwkunst--België --- Architectuur. Bouwkunst--België --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Middeleeuwen (architectuur) --- Middeleeuwse architectuur --- Gotische architectuur --- Gotiek (architectuur) --- Architectuurgeschiedenis ; Laat Middeleeuwse architectuur ; Gotiek --- Architectuur ; encyclopedieën --- architectuur - middeleeuwen (inclusief islam, Byzantijns) --- Kunst en cultuur --- |00001/B --- België --- Architectuur ; België ; Gotiek --- Architectuur. Bouwkunst--België --- Architectuur ; encyclopedieën --- burgerlijke architectuur; gebouwen; huisvesting --- middeleeuwen, middeleeuwse geschiedenis (historisch tijdvak) --- zzzzzzz --- Gotiek --- Architectuur --- 710 --- België architectuur --- bouwkunst --- architecture --- Gotische architectuur ; België --- 15de eeuw. --- België.
Choose an application
Franse titel : N17317 : Architecture renaissance et baroque en Belgique
Architecture --- Belgium --- architectuur --- History --- Renaissance --- Baroque --- barokkunst --- renaissancekunst --- Art styles --- architecture [discipline] --- Rubens, Peter Paul --- Gossaert, Jan --- Caus, de, Salomon --- Scamozzi, Vincenzo --- Coebergher, Wenzel --- Coecke van Aelst, Pieter --- Bos, Cornelis --- Lombard, Lambert --- Frankaert, Jacob II --- Orley, van, Bernard --- Alessi, Galeazzo --- Brœucq, du, Jacques --- Vredeman de Vries, Hans --- Michelangelo --- anno 1600-1699 --- anno 1500-1599 --- Barok (stijl) --- Baroque (style) --- Belgique --- België --- Nederland --- Pays-Bas --- Renaissance (art) --- Renaissance (kunst) --- Architecture, histoire --- Patrimoine architectural --- Pays-Bas (anciens) --- Urbanisme, histoire --- Renaissancistische architectuur ; België --- Barokke architectuur ; België --- 72 <493> --- #A0002A --- 626 Bouwkunst --- 72.03 --- 72.034 --- 72.034.7 --- Zuidelijke Nederlanden --- Architectuur ; België ; Renaissance ; Barok --- 72(03) --- 17e eeuw --- barok --- renaissance --- 716.4 --- Barokke architectuur --- Renaissancistische kunst ; België --- Architectuur. Bouwkunst--België --- Architectuur (geschiedenis) --- Architectuurgeschiedenis --- Renaissancearchitectuur --- Renaissance (architectuur) --- Barok (architectuur) --- Barokarchitectuur --- Architectuurgeschiedenis ; Renaissance ; Barok ; Rococo --- Architectuur ; encyclopedieën --- architectuur - renaissance, barok, rococo, koloniale stijl --- 72 <493> Architectuur. Bouwkunst--België --- 710 --- bouwkunst --- architecture --- Buonarroti, Michelangelo --- Renaissancistische architectuur ; België --- Barokke architectuur ; België --- Mont, van der, Deodatus
Listing 1 - 10 of 17 | << page >> |
Sort by
|