Listing 1 - 3 of 3 |
Sort by
|
Choose an application
L'ouvrage comporte articles et dessins de presse, pour la plupart inédits, qui constituent la réception des nus dits “modernes” exposés par les peintres et sculpteurs entre 1799 et 1853. L'homogénéité thématique privilégiée et la période considérée permettent une approche renouvelée des a priori concernant l'histoire de l'art du XIXe siècle. Les documents d'époque proposent ainsi une saisie au plus près des enjeux et débats critiques. On peut mesurer l'ampleur des scandales qui ont précédé celui d'Olympia, la progressive constitution d'un champ artistique où les expositions privées et payantes se développent, le déplacement des catégories liées au nu. L'anthologie est organisée de façon chronologique de 1799 à 1853 et privilégie les “salons des artistes vivants” successifs. Un discours d'escorte permet de mettre en situation les documents : par une présentation de chaque salon traité, par des encadrés bio-bibliographiques concernant les signataires des articles et dessins. La présence d'index (auteurs, artistes, œuvres) et d'une bibliographie raisonnée permettent également une lecture transversale des critiques d'art ainsi mises à disposition.
Art --- anno 1800-1899 --- France --- Art criticism --- Art, French --- Nude in art --- Arts --- Criticism --- History --- Analysis, interpretation, appreciation --- Salon (Exhibition : Paris, France) --- Paris. --- Paris Salon --- Pariser Salon --- Salon de peinture, gravure, sculpture et d'architecture des artistes vivants --- Salon des artistes français (1667-1880) --- naakt --- tentoonstellingen --- kunstkritiek --- Salons (Parijs) --- Salons (Parijs, 1799-1853) --- 18de eeuw --- 19de eeuw --- Exhibitions --- Nude in art - Exhibitions --- Art, French - 19th century - Exhibitions. --- Art criticism - France - Paris - History - 19th century. --- art --- presse --- dessin de nus --- salon --- naakt. --- tentoonstellingen. --- kunstkritiek. --- Salons (Parijs). --- Salons (Parijs, 1799-1853). --- 18de eeuw. --- 19de eeuw. --- Nu dans l'art --- Expositions --- Hogarth, William. --- Reynolds, Joshua. --- Blake, William. --- Constable, John. --- Groot-Brittannië.
Choose an application
Installations (Art) --- Artists. --- Art, Singaporean. --- ART --- 20.13 art exhibitions. --- Artistes --- Art singapourien --- Artists --- Art, Singaporean --- Asian. --- Tang, Da-Wu, --- Singapore. --- Persons --- Art, Singapore --- Singaporean art --- Installation art --- Art, Modern --- Environment (Art) --- Tan Da-u, --- Wu, Tang Da, --- 唐大雾, --- Tang, Dawu, --- Ciṅkappūr --- Colony of Singapore --- Garden City --- Hingapoa --- Hsin-chia-pʻo --- Lion City --- Red Dot --- Republic of Singapore --- Republik Singapura --- Sanghāfūrah --- Scingap --- Sengapou --- Shingapōru --- Sin-ka-pho --- Sinapoa --- Singafora --- Singapoer --- Singapore Colony --- Singapore --- Singaporo --- Singapour --- Singapul --- Singapur --- Singapura --- Singapūras --- Singapuri --- Singapuro --- Singapūro Respublika --- Singeapór --- Singgap'or --- Singgapura --- Singhāfūrah --- Singkhap --- Sinhapur --- Sinkapoyr --- Sinngapuur --- Sinqapur --- Szingapúr --- Xinjiapo --- Xinjiapo gong he guo --- Xinjiapo Gongheguo
Choose an application
Although the global art market has often been resilient to international economic and political events, it has recently faced some of its biggest challenges under the influence of COVID-19. Among others, the pandemic and the accompanying restrictive administrative measures taken by world governments have significantly influenced such key economic indicators as gallery employment, art sales, and the organization of international art fairs. The Special Issue "Global Art Market in the Aftermath of COVID-19" studies various economic, social, and political impacts of the COVID-19 pandemic on the global art market’s current state and future evolution.
Humanities --- Social interaction --- Social & cultural anthropology, ethnography --- external shocks in the art markets --- primary art market --- gallerists --- artists --- COVID-19 --- Portugal --- Spain --- Brazil --- art galleries --- art market --- digital technology --- multi-channel strategy --- business model innovation --- forecasts --- valuation studies --- sociology of art --- artworks --- visual arts --- TikTok --- feminism --- female artists --- gatekeeper --- contemporary art --- social media --- Millennials --- Gen Z --- COVID --- pandemic --- ethnography --- United Arab Emirates (UAE) --- Art Dubai --- Alserkal Avenue --- Sotheby’s Dubai --- virtual exhibitions --- Abu Dhabi Art --- post-COVID-19 art market --- Patachitra --- scrolls --- Patuas --- folk art --- storytelling --- singing pictures --- living heritage --- cultural industries --- precariousness --- precariat --- precarity --- public auction --- auction house --- live auctions --- online auctions --- online only auctions --- 2008–2009 financial crisis --- 2016 crisis --- COVID-19 crisis --- coronavirus --- NFT --- non-fungible token --- crypto-currency --- online art market --- COVID-19 pandemic --- expertise --- value --- contemporary art market --- art economics --- art and politics --- Australian art market --- Asian art market --- inter-connected Asia --- art and technology --- emerging art market --- art exhibitions --- hub cities --- networks --- digitalization --- hybridization --- editorial
Listing 1 - 3 of 3 |
Sort by
|