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As transnational extractivism, neo-fascist politics, and economies of abandonment and disposability expand around the world, can we facilitate situated practices of storytelling and worldmaking that enliven futures propelled by the forces of indignation, desire, and relationality? Despite Dispossession: An Activity Book extends an invitation to restore and reinvent bonds of reciprocity with the land, humans, and non-humans, while envisioning transformative and shared horizons. This collaborative endeavor takes as its point of departure the contested realities and public struggles of the dispossessed. Bringing together seven site-sensitive engagements, the contributors develop their artistic works, as well as speculative tools and activities, to conjure worlds to come in the ruins of dispossession. The result is a combination of subtle theoretical reflection, pluriversal modes of inquiry, and unruly epistemic intervention. Drawing its inspiration from decolonizing methodologies, Black aesthetics, and epistemologies of the South, the project gathers these influences for a novel experiment that demonstrates how arts-based researchers confront dispossession through itinerant practices of resistance.

artistic research; arts-based research; visual arts; aesthetic theory; epistemology; decolonizing methodologies; Black aesthetics

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• Reference Manager
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As transnational extractivism, neo-fascist politics, and economies of abandonment and disposability expand around the world, can we facilitate situated practices of storytelling and worldmaking that enliven futures propelled by the forces of indignation, desire, and relationality? Despite Dispossession: An Activity Book extends an invitation to restore and reinvent bonds of reciprocity with the land, humans, and non-humans, while envisioning transformative and shared horizons. This collaborative endeavor takes as its point of departure the contested realities and public struggles of the dispossessed. Bringing together seven site-sensitive engagements, the contributors develop their artistic works, as well as speculative tools and activities, to conjure worlds to come in the ruins of dispossession. The result is a combination of subtle theoretical reflection, pluriversal modes of inquiry, and unruly epistemic intervention. Drawing its inspiration from decolonizing methodologies, Black aesthetics, and epistemologies of the South, the project gathers these influences for a novel experiment that demonstrates how arts-based researchers confront dispossession through itinerant practices of resistance.

artistic research; arts-based research; visual arts; aesthetic theory; epistemology; decolonizing methodologies; Black aesthetics

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

As transnational extractivism, neo-fascist politics, and economies of abandonment and disposability expand around the world, can we facilitate situated practices of storytelling and worldmaking that enliven futures propelled by the forces of indignation, desire, and relationality? Despite Dispossession: An Activity Book extends an invitation to restore and reinvent bonds of reciprocity with the land, humans, and non-humans, while envisioning transformative and shared horizons. This collaborative endeavor takes as its point of departure the contested realities and public struggles of the dispossessed. Bringing together seven site-sensitive engagements, the contributors develop their artistic works, as well as speculative tools and activities, to conjure worlds to come in the ruins of dispossession. The result is a combination of subtle theoretical reflection, pluriversal modes of inquiry, and unruly epistemic intervention. Drawing its inspiration from decolonizing methodologies, Black aesthetics, and epistemologies of the South, the project gathers these influences for a novel experiment that demonstrates how arts-based researchers confront dispossession through itinerant practices of resistance.

artistic research; arts-based research; visual arts; aesthetic theory; epistemology; decolonizing methodologies; Black aesthetics

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• Reference Manager
• EndNote
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Offering an account of the German philosophical tradition of thinking about art and the self, this text looks at recent historical research and contemporary arguments in philosophy and theory in the humanities following the path of German philosophy from Kant through Hegel to Nietzsche.

Subjectiviteit --- Subjectivity --- Subjectivité --- Aesthetics, German. --- Aesthetics, German - 18th century. --- Aesthetics, Modern. --- Subjectivity. --- Aesthetics, German --- Aesthetics, Modern --- Aesthetics --- Philosophy --- Philosophy & Religion --- Subjectivism --- History --- 7.01 <43> "17/18" --- -Aesthetics, German --- -Subjectivity --- Modern aesthetics --- German aesthetics --- Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Duitsland voor 1945 en na 1989--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- 7.01 <43> "17/18" Esthetica. Kunstfilosofie. Kunsttheorie. Algemene problemen inzake kunst--Duitsland voor 1945 en na 1989--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Knowledge, Theory of --- Relativity --- Aesthetics [German ] --- 18th century --- 19th century --- Aesthetics [Modern ] --- philosophy --- germany --- aesthetics --- Friedrich Nietzsche --- Friedrich Schleiermacher --- Friedrich Wilhelm Joseph Schelling --- Georg Wilhelm Friedrich Hegel --- Immanuel Kant --- Johann Gottlieb Fichte --- Metaphysics --- Modernity --- Critique of Judgement. --- Critique of Practical Reason. --- Critique of Pure Reason. --- Friedrich Schleiermacher. --- German politico-philosophical manifesto. --- Romantic thought. --- STI. --- aesthetic theory. --- conceptions of language. --- hermeneutics. --- human subject. --- modern philosophy. --- music. --- post-Kantian history. --- post-structuralism. --- pragmatism.