Listing 1 - 5 of 5 |
Sort by
|
Choose an application
This book examines small cinemas and their presentation of society in times of crisis and conflict from an interdisciplinary and intercultural point of view. The authors concentrate on economic, social and political challenges and point to new phenomena which have been exposed by film directors. They present essays on, among others, Basque cinema; gendered controversies in post-communist small cinemas in Slovakia and Czech Republic; ethnic stereotypes in the works of Polish filmmakers; stereotypical representation of women in Japanese avant-garde; post-communist political myths in Hungary; the separatist movements of Catalonia; people in diasporas and during migrations. In view of these timely topics, the book touches on the most serious social and political problems. The films discussed provide an excellent platform for enhancing debates on politics, gender, migration and new aesthetics in cinema at departments of history, sociology, literature and film.
Social problems in motion pictures. --- Politics in motion pictures. --- Minorities in motion pictures. --- Sex role in motion pictures. --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Minorities in films --- History and criticism
Choose an application
Céline Sciamma is the most visible and important feminist, and lesbian, director in contemporary international filmmaking. Her fourth feature, Portrait of a Lady on Fire, competed for the Palme d'Or at Cannes in 2019, and intervened directly in debates about the female gaze, sexuality, and specifically how to look at and make a portrait of young women. In her approach to female, non-binary and queer identities, she has focused on the need for agency, binding this imperative into her aesthetic choices and modes of filmmaking. This is the first book-length study of Sciamma's films, focusing on the relationship of her work to the visual arts, and exploring the relevance of feminist theory to her unique perspective.
Choose an application
This exciting and original volume offers the first comprehensive critical study of the recent profusion of European films and television addressing sexual migration and seeking to capture the lives and experiences of LGBTIQ+ migrants and refugees. Queering the Migrant in Contemporary European Cinema argues that embodied cinematic representations of the queer migrant, even if at times highly ambivalent and contentious, constitute an urgent new repertoire of queer subjectivities and socialities that serve to undermine the patrolled borders of gender and sexuality, nationhood and citizenship, and refigure or queer fixed notions and universals of identity like 'Europe' and national belonging based on the model of the family. At stake ethically and politically is the elaboration of a 'transborder' consciousness and aesthetics that counters the homonationalist, xenophobic and homo/trans-phobic representation of the 'migrant to Europe' figure rooted in the toxic binaries of othering (the good vs bad migrant, host vs guest, indigenous vs foreigner). Bringing together 16 contributors working in different national film traditions and embracing multiple theoretical perspectives, this powerful and timely collection will be of major interest to both specialists and students in Film and Media Studies, Gender and Queer Studies, Migration/Mobility Studies, Cultural Studies, and Aesthetics.
Homosexuality in motion pictures. --- Sexual minorities --- Social conditions. --- Gender minorities --- GLBT people --- GLBTQ people --- Lesbigay people --- LBG people --- LGBT people --- LGBTQ people --- Non-heterosexual people --- Non-heterosexuals --- Sexual dissidents --- Minorities --- Motion pictures --- Immigrants in motion pictures. --- Refugees in motion pictures. --- Sexual minorities in motion pictures. --- History and critcism --- LGBTQ+ people --- LGBTQ+ migrants --- Social Science --- Gender Studies
Choose an application
"Displacement does not only have an effect on groups' and individuals' ways of relating to their identity and their past but the knowledge and experience of it also has an impact on its representation. Looking at films that represent the experience of displacement in relation to Turkey's minorities, Aesthetics of Displacement argues that there is a particular aesthetic continuity among the otherwise unrelated films. Ozlem Koksal focuses on films that bring taboo issues concerning the repression of minorities into visibility, arguing that the changing political and social conditions determine not only the types of stories told but also the ways in which these stories are told. Focusing on aesthetic and narrative continuities, the films discussed include Ararat, Waiting for the Clouds and Once Upon a Time in Anatolia among others. Each film is examined in light of major historical event(s) and their context (political and social) as well as the impact these events had on the construction of both minority and Turkish identity."--
Minorities in motion pictures. --- Motion pictures --- History and criticism. --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Minorities in films --- History and criticism --- Performing Arts --- Film --- History & Criticism --- Minories en el cinema --- Cinematografia --- Història i crítica --- 7è. art --- Cine --- Cinematografia (Art) --- Films (Obres cinematogràfiques) --- Obres cinematogràfiques --- Pel·lícules cinematogràfiques (Cinematografia) --- Pel·lícules cinematogràfiques (Obres cinematogràfiques) --- Arts de l'espectacle --- Audiovisuals --- Espectacles i passatemps --- Mitjans de comunicació de massa
Choose an application
Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.
Race in motion pictures. --- Race awareness in motion pictures. --- African Americans in motion pictures. --- Minorities in motion pictures. --- Motion pictures in education --- Ethnographic films --- Amateur films --- Motion pictures --- Amateur moving-pictures --- Home movies --- Personal films --- Anthropological films --- Ethnographic videos --- Ethnological films --- Documentary films --- Moving-pictures in education --- Audio-visual education --- Minorities in films --- Afro-Americans in motion pictures --- Negroes in moving-pictures --- Race films --- Performing Arts --- Film --- History & Criticism
Listing 1 - 5 of 5 |
Sort by
|