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The extraordinary global success of Turkish drama serials is a significant development in contemporary popular culture. This book presents comparative audience data from three different regions to explore its ramifications across the Global South. We learn how this phenomenon has transformed Turkey-a Muslim-majority country-into the world's second-largest producer of scripted television serials, enticing audiences from all over the world. The book takes an audience-centred approach, investigating the reasons for the allure of Turkish dramas to Arab, Latin American, and Israeli audiences. In tandem, it explores Turkey's changing foreign policy, economic, and trade relationships since the turn of the millennium, which have coincided with the enormous success of the country's television output. It also analyses the role and importance of Turkish dramas as a soft-power tool by scrutinizing how they have influenced viewers' perceptions of Turkey, its people, and its culture. This volume will appeal to those working in various disciplines-from media and communication, international relations, public diplomacy, sociology, and Middle Eastern studies. The material will also be of great relevance to upper-level undergraduates, postgraduate students, academics, scholars and researchers.
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This book explores how television series can be understood as a form of literature, bridging the gap between literary and television studies. The respective chapters address literary works, themes, tropes, techniques, values, genres, and movements in relation to a broad variety of television series. It fosters new ways of understanding television series and literature, and lays the groundwork for future scholarship in a number of fields.
Television and literature. --- Literature and television --- Literature --- Television series.
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"In 1990, American television experienced a seismic shift when Twin Peaks premiered, eschewing formulaic plots and clear lines between heroes and villains. This game-changing series inspired a generation of show creators to experiment artistically, transforming the small screen in ways that endure to this day. Focusing on six shows (Twin Peaks, with a critical analysis of both the original series and the 2017 return; The Wire; Treme; The Sopranos; Mad Men; and Girls), Television Rewired explores what made these programs so extraordinary. As their writers and producers fought against canned plots and moral simplicity, they participated in the evolution of the exhilarating new auteur television while underscoring the fact that art and entertainment don't have to be mutually exclusive. Nochimson also makes provocative distinctions between true auteur television and shows that were inspired by the freedom of the auteur series but nonetheless remained entrenched within the parameters of formula. Providing opportunities for vigorous discussion, Television Rewired will stimulate debates about which of the new television series since 1990 constitute 'art' and which are tweaked 'business-driven storytelling.'"--Publisher's description
Television series --- Television writers --- History and criticism. --- United States
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Television series --- History and criticism --- History and criticism.
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"TV finales fascinate us because they bring universes to an end--in the case of long-running shows, very complicated universes--exposing in the process our cultural obsessions, our 'reading' practices, our imagined identities, our fascination with television. This volume brings together the work of 63 scholars in 71 essays, each essay discussing a different television finale"--
Television series --- Series, Television --- Television serials --- Television programs --- History and criticism.
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Genre and Television proposes a new understanding of television genres as cultural categories, offering a set of in-depth historical and critical examinations to explore five key aspects of television genre: history, industry, audience, text, and genre mixing. Drawing on well-known television programs from Dragnet to The Simpsons, this book provides a new model of genre historiography and illustrates how genres are at work within nearly every facet of television-from policy decisions to production techniques to audience practices. Ultimately, the book argues
Television series --- Television program genres --- Genres, Television program --- Television genres --- Television programs --- Series, Television --- Television serials
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"Included are series, TV movies, aired pilots, specials, miniseries and Internet series. Alphabetically arranged entries provide casts, storylines, production credits, networks, broadcast dates, and excerpts from newspaper reviews. New to this volume is a listing of the highlights of the year and coverage of all the unaired pilots produced for the 2008-2009 season"--Provided by publisher.
Television series --- Television mini-series --- Television specials --- Made-for-TV movies
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In this book, Monika Bednarek addresses the need for a systemic analysis of television discourse and characterization within linguistics and media studies. She presents both corpus stylistics and 'manual' analysis of linguistic and multimodal features of fictional television. The first part focuses on communicative context, multimodality, genre, audience and scripted television dialogue while the second part focuses on televisual characterization, introducing and illustrating the novel concept of 'expressive character identity.'. Aside from the study of television dialogue, which informs it
Television broadcasting --- Television series --- Mass media and language. --- English language --- Language. --- Usage.
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Television series --- Television crime shows --- Social aspects --- History and criticism. --- Political aspects
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An exploration of how gender as a practice is generated by television narratives in the overlapping of text, reception and production, and the viewer practices that these narratives seek to trigger and draw on in the process.
Sex role on television. --- Gender identity on television. --- Television series --- Women on television. --- Television programs
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