Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Al final del siglo XV, y hasta la mitad del siglo XVI, la música todavía no se había independizado de la letra con la que formaba un concierto armonioso. Da la pauta el canto religioso y lo profano respeta tan inspirados ejemplos ofreciendo música cantada y canto musicado. La sociedad de corte es la que ofrece la ilustración más brillante de la textura musical del verso, tanto como de la riqueza expresiva de la música. Parece natural que filólogos y musicólogos se concierten para estudiar estos elementos de la poesía cantada de los siglos XV y XVI. ¡Pero los primeros sólo estudian la letra, los segundos únicamente el canto! De ahí surgió la idea de delimitar cuál fue el entorno en que creció y floreció la poesía cantada. Las fuentes están disponibles en el caso de las personas reales, o las partituras y tablaturas conservadas en los tratados de vihuela. Pero en la mayoría de los casos, el investigador debe reconstruir la figura de un poeta-músico, el conjunto de una obra, los versos que fueron cantados sin que nadie se molestara en apuntar la música. Toda una serie de problemas que no hubieran podido ser resueltos sin la colaboración efectiva de filólogos y musicólogos, cuyo intento queda reflejado en estas páginas.

History --- Literature --- poésie --- littérature espagnole --- musique --- cancioneros --- XVème siècle --- XVIème siècle --- musique vocale --- Renaissance --- literatura española --- música --- música vocal --- poesía --- Renacimiento --- siglo XVI --- siglo XV --- Literatuur --- Spanje --- Middeleeuwen

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Devotion to Saint Anne, the apocryphal mother of the Virgin Mary, reached its height in the fifteenth and early sixteenth centuries. Until now, Anne's reception history and political symbolism during this period have been primarily discussed through the lens of art history. This is the first study to explore the music that honoured the saint and its connections to some of the most prominent court cultures of western Europe. Michael Alan Anderson examines plainchant and polyphonic music for Saint Anne, in sources both familiar and previously unstudied, to illuminate not only Anne's wide-ranging intercessional capabilities but also the political force of the music devoted to her. Whether viewed as a fertility aide, wise mother, or dynastic protector, she modelled a number of valuable roles that rulers reflected in the music of their devotional programmes to project their noble lineage and prestige.

Music --- Anne [s.] --- anno 1500-1599 --- Motets --- Masses --- Sacred vocal music --- Church music --- Messes --- Musique vocale sacrée --- Musique d'église --- History and criticism --- Catholic Church --- Histoire et critique --- Eglise catholique --- Anne --- Musique vocale sacrée --- Musique d'église --- Catholic Church. --- Liturgical music --- Pastoral music (Sacred) --- Vocal music, Sacred --- Sacred music --- Vocal music --- Choruses --- Part songs --- Part songs, Sacred --- Masses (Mixed voices) --- Communion service music --- Religious music --- Devotional exercises --- Liturgics --- Music in churches --- Psalmody --- Religious aspects --- Christianity --- Ana --- Ann --- Anna --- Anne, --- Songs and music --- History and criticism. --- (Mother of the Virgin Mary)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Mohammad Reza Shajarian's Avaz in Iran and Beyond, 1979-2010 is a comprehensive study of the legacy of Mohammad Reza Shajarian, the greatest living exponent of avaz, the traditional art of singing classical Persian poetry. Focusing on Shajarian's career after the Islamic Revolution of 1979, the study includes a detailed examination of the landmark recordings that established him as a national and then global icon of refined Persian culture, artistic excellence, and courageous political resistance.

Shadjariaan, Mohammad Rezaa. --- Shadjarian, Mohammad Reza. --- Singers - Iran. --- Singers --- Music --- Music, Dance, Drama & Film --- Music History & Criticism, Instrumental --- Shadjariân, Mohammad Rezâ. --- Vocal Music --- Chanteurs --- Musique vocale --- Biography --- History and criticism --- Biographies --- Histoire et critique --- Shadjariân, Mohammad Rezâ. --- Vocalists --- Shajariyān, Muḥammad Riz̤ā --- Shadjarian, M. Reza --- Shajariān, Muḥammad Raz̤ā --- Shajarian, Mohammad Reza --- Shajarian, M. R. --- شجريان، محمد رضا --- شدجران، محمد رضا --- Musicians

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

'J.S. Bach's Johannine Theology' is a fertile examination of this group of fourteen surviving liturgical works. Renowned Bach scholar Eric Chafe investigates Bach's theology with the composer's St. John Passion, concentrating on its first and last versions.

Sacred vocal music --- Liturgical music --- Pastoral music (Sacred) --- Vocal music, Sacred --- Sacred music --- Vocal music --- History and criticism --- Bach, Johann Sebastian, --- John, --- Bach, Johann Sebastian --- Bach, Jean-Sébastien --- Giovanni, --- Hovhannēs, --- Ioann, --- Jan, --- Jean, --- Jehan, --- Johannes, --- Yūḥannā, --- Beloved Disciple --- Criticism and interpretation. --- Songs and music --- History and criticism. --- -78 BACH, JOHANN SEBASTIAN --- 783.3 --- 783.3 Oratoria. Passiemuziek. Cantates --- Oratoria. Passiemuziek. Cantates --- 78 BACH, JOHANN SEBASTIAN Muziek--BACH, JOHANN SEBASTIAN --- Muziek--BACH, JOHANN SEBASTIAN --- -History and criticism. --- Bakh, Iogann Sebastian, --- Bakh, Y. S., --- Bach, Jean Sébastien, --- Bach, G. S., --- Bach, Jan Sebastian, --- Bachas, J. S., --- Bach, J. S. --- Bahs, Johans Sebatjans, --- Pa-ha, Te, --- Bakh, Ĭ. S. --- Bakh, Ĭokhan Sebastian, --- Bach, Joh. Seb. --- Bakh, Yohan Sebasṭyan, --- Bach, Iohann Sebastian, --- Bahha, J. S., --- Bahha, Yohan Sebasutian, --- Bach, I. S., --- Bach, Juan S., --- Bach, John Sebastian, --- Bach, Giovanni Sebastiano, --- באך, יוהן סבסטיאן --- Cantatas --- Cantates --- Musique vocale sacrée --- Histoire et critique --- -History and criticism

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Texts centred on the mother of Jesus abound in religious traditions the world over, but thirteenth-century Old French lyric stands apart, both because of the enormous size of the Marian cult in thirteenth-century France and the lack of critical attention the genre has garnered from scholars.As hybrid texts, Old French Marian songs combine motifs from several genres and registers to articulate a devotional message. In this comprehensive and illuminating study, Daniel E. O?Sullivan examines the movement between secular and religious traditions in medieval culture that Old French religious song embodies. He demonstrates that Marian lyric was far more than a simple, mindless imitation of secular love song. On the contrary, Marian lyric participated in a dynamic interplay with the secular tradition that different composers shaped and reshaped in light of particular doctrinal and aesthetic concerns. It is a corpus that reveals itself to be far more malleable and supple than past readers have admitted.With an extensive index of musical and textual editions of dozens of songs, Marian Devotion in Thirteenth-Century French Lyric brings a heretofore neglected genre to light.

French poetry --- Songs, Old French --- Christian poetry, French --- Religion and culture --- History and criticism --- History --- Mary, --- In literature --- Old French literature --- Christian special devotions --- anno 1200-1299 --- Music --- Vocal music --- Church music --- Musique --- Musique vocale --- Musique d'église --- Poésie française --- Chansons françaises (ancien français) --- Poésie chrétienne française --- Religion et culture --- History and criticism. --- Histoire et critique --- Histoire --- In literature. --- Chansons francaises (ancien francais) --- Marie, Sainte Vierge, dans la litterature --- Poesie chretienne francaise --- Poesie francaise --- 248.159.4 --- 840 "12" --- 248.159.4 Mariale devotie. Verering van O. L. Vrouw. Mariamaand --- Mariale devotie. Verering van O. L. Vrouw. Mariamaand --- Old French songs --- Culture and religion --- Culture --- Franse literatuur--?"12" --- ʻAdhrāʼ --- Arogyamata --- Ārōkkiyamāta --- Birhen ng mga Dukha --- Blessed Lady --- Blessed Mother --- Blessed Virgin Mary, --- Hagnē Theotokos --- Madonna, The --- Mama Mary --- Mare de Déu --- Maria, --- Mariam Astuatsatsin --- Marie, --- Marie Théotokos --- Marii︠a︡, --- Maryam, --- Maryja, --- Meryem Ana --- Miryam, --- Mother of God --- Muíre, --- Nossa Senhora --- Our Lady --- Our Lady of Good Health --- Our Lady of Sorrows --- Our Lady of the Blessed Sacrament --- Qiddīsah Maryam --- Theotokos --- Vierge Marie, --- Virgen María --- Virgin Mary, --- Virgin of the Poor --- Ynang Maria --- مريم --- مريم العذراء --- 성모마리아 --- Our Lady of Emmitsburg --- Majka Isusova --- Mariam Astuatsatsin, --- Meryem Ana, --- Virgen María, --- Ynang Maria,