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Contains modern translations of plays performed during the late Middle Ages in England about the lives of the Virgin Mary and Mary Magdalene. These plays provide a link between canonical Scripture, apocryphal and gnostic materials from the first centuries of Christianity that survived secreted or in oral tradition, legendary materials that developed over the ensuing centuries, and contemporary medieval religious belief and practices.

Mysteries and miracle-plays, English --- English drama. --- English literature --- English miracle-plays --- English mysteries and miracle-plays --- English drama

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This collection of essays in English by scholars of international standing presents new insights into the contexts in which the fifteenth-century French mystères were created. It is centred upon the remarkable outburst of large-scale plays written for urban production and dealing with biblical and hagiological subjects which transformed the art of theatre in France and gave rise to a new and multi-faceted theatrical culture. Among the subjects treated are the means by which surviving texts preserve theatrical practice, and some of the ways in which the work of the principal dramatists Eustache Mercadé, Arnoul Gréban and Jean Michel interact with one another and with the work of others. The nature of some surviving texts is subjected to close scrutiny and this includes detailed work upon some manuscripts and their typology. Attention is also given to the related moralités , the convent drama, and to the large corpus of Catalan plays which deal with similar topics but in different circumstances. Further contexts are addressed through paradramatic aspects including sermons and the chansons de geste , as well as the political environment. One recurring feature is the nature and activities of ubiquitous and powerful evil characters and their theatrical and theological significance.

Mysteries and miracle-plays, French --- History and criticism. --- Mysteries and miracle-plays, French. --- French miracle-plays --- French mysteries and miracle-plays --- French drama --- French literature --- Theater --- History

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"Signs of God reveals why discussion of the nature of miracles is of central rather than marginal importance where belief in God is concerned. Miracles cannot be shunted to one side as an embarrassing hangover from a 'pre-scientific age'. Miracles have played an important role in the history of all the major world religions, and many religious believers claim that they continue to do so. Yet they have also been criticized from a philosophical viewpoint as incompatible with a belief in laws of nature, and those who seek to have their religious beliefs properly attuned to the modern world often prefer to do without them. This accessible book examines the nature of miracles both in philosophical and historical terms, and concludes that, whether or not miracles happen, it is difficult to see how religious belief could survive without them."--Provided by publisher.

Miracles. --- God --- Marvelous, The --- Miracle workers --- Spiritual healing --- Supernatural

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La résistance au protestantisme, durant les années de paix qui suivent l’édit d’Amboise, fut ritualisée par le miracle de Laon (1566), dont l’actrice principale fut la jeune femme, Nicole Obry, originaire de Vervins en Picardie. Possédée d’une trentaine de diables « elle en était tellement tourmentée qu’on lui oyait craquer les os... » - disait à l’époque Florimond de Raemond. Suite aux exorcismes successifs, effectués à l’aide de l’hostie (donc du « corps de notre Seigneur ») les diables quittent la jeune femme. Seul Beelzebub résiste. Enfin, le 6 février 1566 lui aussi sort, s’inclinant ainsi devant le pouvoir épiscopal. Le présent ouvrage est le premier à examiner les divers récits dont fit l'objet le miracle de Laon entre 1566 et 1578. Le cabaliste chrétien, Guillaume Postel, y voit la réalisation de la suprématie politique et religieuse « gauloise » et le début de l’ère nouvelle. Jean Boulaese, amanuensis de Postel et chroniqueur le plus zélé du miracle, considère celui-ci tantôt comme moyen d’obtenir de l’argent en vue de l’impression de la Bible en langue arabe, tantôt comme moyen de promouvoir sa propre carrière. Christophe de Héricourt, doyen de Laon, et chroniqueur dit « officiel » ou « royal », veut surtout éviter d’offenser les huguenots. Enfin, Barthélemy de Faye, conseiller-clerc au Parlement de Paris, cherche par son récit, à faire de la propagande tant pour les décrets tridentins sur la résidence des évêques que pour un gallicanisme modéré. Les récits du miracle de Laon fournissent ainsi un excellent témoignage de la diversité des catholicismes français à l’époque mouvementée des guerres de religion.

Religion --- Medieval & Renaissance Studies --- Renaissance --- miracle de Laon

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Looks at perceptions of the miraculous in a variety of contemporary South Asian religious traditions-Hinduism, Buddhism, Islam, and Christianity.

Miracles. --- God --- Marvelous, The --- Miracle workers --- Spiritual healing --- Supernatural --- South Asia --- Religion.