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Amateur movie making
Authors: --- ---
ISBN: 025302644X 9780253026446 9780253027054 0253027055 9780253026163 9780253025623 Year: 2017 Publisher: Bloomington, Indiana

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Abstract

These reflections reanimate the original private contexts of the home movies before they were recast as objects of study and artifacts of public history.


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Small-Gauge Storytelling
Authors: --- --- --- --- --- et al.
ISBN: 9780748656356 0748656359 9780748656370 0748656375 9780748656349 0748656340 0748684271 9780748684274 Year: 2022 Publisher: Edinburgh

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What do you understand by the term 'home movie'? Do you imagine images of babies-on-the lawn, sandcastles on the beach, or travels with the family? Did you know that amateur filmmakers have also explored fictional genres as diverse and fascinating as their professional counterparts, that specific amateur film studios have risen and fallen, or that household-name directors owe their origins and inspirations to the amateur film movement? Across a range of settings from the Canadian north-west to the Russian far-east, this book offers an introduction to the amateur maker of film comedies, thrille

Mining the Home Movie
Authors: ---
ISBN: 9786612358456 1282358456 0520939689 9780520939684 0520230876 0520248074 9780520230873 9780520248076 Year: 2007 Publisher: Berkeley University of California Press

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The first international anthology to explore the historical significance of amateur film, Mining the Home Movie makes visible, through image and analysis, the hidden yet ubiquitous world of home moviemaking. These essays boldly combine primary research, archival collections, critical analyses, filmmakers' own stories, and new theoretical approaches regarding the meaning and value of amateur and archival films. Editors Karen L. Ishizuka and Patricia R. Zimmermann have fashioned a groundbreaking volume that identifies home movies as vital methods of visually preserving history. The essays cover an enormous range of subject matter, defining an important genre of film studies and establishing the home movie as an invaluable tool for extracting historical and social insights.


Book
A psychoanalytic approach to visual artists
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ISBN: 0429896220 0429471459 1280125780 9786613529640 1849409749 9781849409742 9781280125782 9781780490144 1780490143 9781781810071 1781810079 9780429471452 9780429924682 0429910452 9780429910456 9780429896224 6613529648 Year: 2012 Publisher: London Karnac Books

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Abstract

James Hamilton's engaging book offers us his own unique insight into the unconscious factors involved in the creative processes associated with painting, filmmaking, and photography by studying the lives and works of a number of artists, each one having a unique personal style.In separate chapters, he looks at the lives and works of Mark Rothko, Joseph Cornell, Piet Mondrian, Pablo Picasso, Clement Greenberg, Edward Weston, Ingmar Bergman, Francois Truffaut, Quentin Tarantino, and Florian von Donnersmarck from a psychoanalytic perspective with emphasis on unconscious motivation and the quest f

Le film de famille : actes de la rencontre autour des inédits tenue à Bruxelles en novembre 2000
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ISBN: 2802801619 9782802801610 2802804391 Year: 2004 Volume: 49 Publisher: Bruxelles : Facultés universitaires Saint-Louis,

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Cet ouvrage collectif est le fruit de rencontres organisées en novembre aux Facultés universitaires Saint Louis.Apres tout ce temps , il arrive dans un contexte différent de celui qui portait ces journées de discussion.Chaque participant a poursuivi son chemin , certains se rapprochant de la retraite de la vie professionnelle active.


Book
Amateur cinema
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ISBN: 0520959558 0520279867 9780520279858 0520279859 9780520279865 9780520959552 Year: 2015 Publisher: Oakland, California

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From the very beginning of cinema, there have been amateur filmmakers at work. It wasn't until Kodak introduced 16mm film in 1923, however, that amateur moviemaking became a widespread reality, and by the 1950s, over a million Americans had amateur movie cameras. In Amateur Cinema, Charles Tepperman explores the meaning of the "amateur" in film history and modern visual culture. In the middle decades of the twentieth century-the period that saw Hollywood's rise to dominance in the global film industry-a movement of amateur filmmakers created an alternative world of small-scale movie production and circulation. Organized amateur moviemaking was a significant phenomenon that gave rise to dozens of clubs and thousands of participants producing experimental, nonfiction, or short-subject narratives. Rooted in an examination of surviving films, this book traces the contexts of "advanced" amateur cinema and articulates the broad aesthetic and stylistic tendencies of amateur films.


Book
Screening race in American nontheatrical film
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ISBN: 1478005602 1478004142 1478004762 Year: 2019 Publisher: Durham : Duke University Press,

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Although overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.


Multi
British Women Amateur Filmmakers
Authors: --- ---
ISBN: 9781474420747 9781474420730 9781474420754 1474420745 9781474453530 1474453538 1474420753 1474420737 1474474330 Year: 2022 Publisher: Edinburgh

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The first book to address the topic of British women amateur filmmakers The study of amateur filmmaking and media history is a rapidly-growing specialist field, and this ground-breaking book is the first to address the subject in the context of British women's amateur practice. Using an interdisciplinary framework that draws upon social and visual anthropology, imperial and postcolonial studies, and British and Commonwealth history, the book explores how women used the evolving technologies of the moving image to write visual narratives about their lives and times. Locating women's recreational visual practice within a century of profound societal, technological and ideological change, British Women Amateur Filmmakers discloses how women negotiated aspects of their changing lifestyles, attitudes and opportunities through first-person visual narratives about themselves and the world around them.

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