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The classical scholar J. P. Mahaffy (1839-1919) is known equally for his work on Greek texts and Egyptian papyri (his edition of The Flinders Petrie Papyri is reissued in the Cambridge Library Collection). He graduated from Trinity College, Dublin and spent the rest of his working life there, as a fellow, and ultimately as provost from 1914 until his death. This work, in which Mahaffy records his impressions of his first visit to Greece, was published in 1876. Though it is not uncritical ('Nothing is more melancholy and more disappointing than the first view of the Athenian museums'), his account of the famous Greek sites of Attica, Thebes, Delphi and the Peloponnese is lively and observant, and his preface strongly argues that Greece, at a time of turmoil in Europe, was deserving of greater support from the western powers. The book will be of interest to scholars and travellers alike.
Art, Greek. --- Greece --- Description and travel. --- Greek art --- Art, Aegean --- Classical antiquities --- Art, Greco-Bactrian --- Description, geography --- Description and travel
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In Late Antiquity the otherwise unknown rhetor Callistratus wrote a series - unique in its kind - of fourteen descriptions of works of art (mostly statues), thus enabling us to gain remarkable insights into late antique views on Classical Greek Art. The volume presented here contains a revised Greek text of the collection, its first German translation since 1833 and the first complete archaeological commentary ever on Callistratus' work. In der Spätantike verfasste der sonst unbekannte Rhetor Kallistratos eine in ihrer Art einzigartige Sammlung von 14 Beschreibungen von Kunstwerken (meist Statuen) und gewährt uns damit bemerkenswerte Einblicke in die damaligen Haltungen zur klassischen griechischen Kunst. Der hier vorgelegte Band enthält einen revidierten Text der Sammlung, die erste deutsche Übersetzung seit 1833 und den ersten vollständigen archäologischen Kommmentar zu Kallistratos' Beschreibungen überhaupt.
Art --- Art, Greek. --- Art, Greco-Roman. --- Greco-Roman art --- Greek art --- Art, Aegean --- Classical antiquities --- Art, Greco-Bactrian --- Callistratus,
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Art, Greek. --- Pereira, Maria Helena da Rocha. --- Greek art --- Art, Aegean --- Classical antiquities --- Art, Greco-Bactrian --- Rocha Pereira, Maria Helena da --- Da Rocha Pereira, Maria Helena
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"Der Band handelt von den griechischen Statuen und Bildern, die ab republikanischer Zeit von ihren originalen Standorten nach Rom entführt wurden, und von denen, die im 4. Jh. nach Konstantinopel versetzt wurden. Es wird untersucht, mit welchen semantischen Veränderungen der Wechsel ihrer lokalen Kontexte einherging. Dazu werden die schriftlichen und archäologischen Zeugnisse zu allen öffentlichen Aufstellungen."
Art, Greek --- Art grec --- Political aspects --- Aspect politique --- Rome --- Byzantine Empire --- Empire byzantin --- Politics and government --- Politique et gouvernement --- Greek art --- Art, Aegean --- Classical antiquities --- Art, Greco-Bactrian --- Politics and government. --- Greek sculpture. --- public spaces. --- reception.
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History of Athenian figure-decorated pottery from the 6th to the 4th centuries BC, touching on technological aspects and iconography as well as on the find contexts of the vases. It also showcases current and past approaches to the study of Athenian pottery, making special emphasis on the figure of Sir John Beazley, the Oxford Professor who contributed to shape the discipline.
Greek art --- John beazley --- Red-figure pottery --- Attic pottery --- Black-figure pottery --- Scholarship --- Iconography --- Art, Greek. --- Vases, Red-figured --- Attic Greek dialect --- Vases, Black-figured --- Art --- Beazley, J. D. --- Vases, Red-figured. --- Attic Greek dialect. --- Vases, Black-figured. --- Art.
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"Due to their proximity, the interactions between Greece and the Near East were regular throughout antiquity, but the period of the 8th/7th centuries BCE is generally called the "Orientalizing Age" (from the Greek perspective) because of the marked influence that the Near East had on Greek thought, myth, and art during this time. Many of the mythological monsters we today think of as Greek had their origins to the east, including the griffin, a hybrid creature usually composed of the body, tail, and rear legs of a lion and the head, wings, and sometimes talons of an eagle. During this period, griffins were frequently included as protomes on Greek cauldrons, that is, an adornment featuring the head of a creature along the rim of the huge vessel. These griffin cauldrons have been discovered over much of the Mediterranean region, from Cyprus to Burgundy and the Loire valley of France, especially in sanctuaries of all sizes and elite tombs. Papalexandrou explores the 7th century as a time of wonder and radical innovation in the material and visual cultures of the Mediterranean with the griffin cauldrons as his case study, examining the possible reasons for their popularity, how and by whom they were used, their religious significance, and how they traveled across the region"--
Kettles --- Griffins in art. --- Pots --- Bronze bowls --- Art, Ancient --- Material culture --- Oriental influences. --- Mediterranean Region --- Antiquities. --- Greek Art, illusionism, preclassical antiquity, clasical antiquity, bronze sculpture, ancient mediterranean, hellenic, griffin, art history. --- Metal-work
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On museum visits, we pass by beautiful, well-preserved vases from ancient Greece-but how often do we understand what the images on them depict? In Image and Myth, Luca Giuliani tells the stories behind the pictures, exploring how artists of antiquity had to determine which motifs or historical and mythic events to use to tell an underlying story while also keeping in mind the tastes and expectations of paying clients. Covering the range of Greek style and its growth between the early Archaic and Hellenistic periods, Giuliani describes the intellectual, social, and artistic contexts in which the images were created. He reveals that developments in Greek vase painting were driven as much by the times as they were by tradition-the better-known the story, the less leeway the artists had in interpreting it. As literary culture transformed from an oral tradition, in which stories were always in flux, to the stability of written texts, the images produced by artists eventually became nothing more than illustrations of canonical works. At once a work of cultural and art history, Image and Myth builds a new way of understanding the visual culture of ancient Greece.
Art, Greek --- Narrative art --- Mythology, Greek, in art. --- Vase-painting, Greek. --- Themes, motives. --- Art grec --- Art narratif --- Mythologie grecque dans l'art --- Peinture de vases grecque --- Thèmes, motifs --- Art, Narrative --- Narrative art (Visual arts) --- Art genres --- Greek art --- Art, Aegean --- Classical antiquities --- Art, Greco-Bactrian --- Greek vase-painting --- greek art, greece, myth, mythology, classical archeology, translator, translation, classics, images, imagery, pictures, antiquity, past, history, historical research, museum, vase, archaic, hellenistic, stability, artists, intellectual, social, cultural, themes, narrative, achilles, polyphemus, epic, folktale, muses, hektor, troy, odyssey, fidelity, athens, reconstruction.
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In this wide-ranging study, Richard Neer offers a new way to understand the epoch-making sculpture of classical Greece. Working at the intersection of art history, archaeology, literature, and aesthetics, he reveals a people fascinated with the power of sculpture to provoke wonder in beholders. Wonder, not accuracy, realism, naturalism or truth, was the supreme objective of Greek sculptors. Neer traces this way of thinking about art from the poems of Homer to the philosophy of Plato. Then, through meticulous accounts of major sculpture from around the Greek world, he shows how the demand for wonder-inducing statues gave rise to some of the greatest masterpieces of Greek art. Rewriting the history of Greek sculpture in Greek terms and restoring wonder to a sometimes dusty subject, The Emergence of the Classical Style in Greek Sculpture is an indispensable guide for anyone interested in the art of sculpture or the history of the ancient world.
Sculpture, Greek. --- Art, Greek. --- Sculpture grecque --- Art grec --- Art, Greek --- Sculpture, Greek --- Greek sculpture --- Greek art --- Art, Aegean --- Classical antiquities --- Art, Greco-Bactrian --- classics, ancient, history, historical, greece, sculptor, study, academic, scholarly, research, art, artistic, artist, archaeology, literature, literary, aesthetics, visual, accuracy, realism, naturalism, truth, homer, plato, philosophy, philosophical, statues, statuary, textbook, college, university, education, higher ed, politics, myth.
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The first book-length treatment of artistic ecphrasis at Rome, 'The Captor's Image' resituates a major literary trope deep within its hybrid cultural context, and argues for ecphrasis as a cultural practice through which the Romans sought, over some four hundred years of their history, to redefine Romanness both with and against Greekness.
Latin literature --- Ekphrasis. --- Greek literature --- Authors, Latin. --- Art, Greek --- Civilization, Greco-Roman. --- Greco-Roman civilization --- Civilization, Classical --- Greek art --- Art, Aegean --- Classical antiquities --- Art, Greco-Bactrian --- Authors, Roman --- Latin authors --- Roman authors --- Balkan literature --- Byzantine literature --- Classical literature --- Classical philology --- Greek philology --- Ecphrasis --- Art in literature --- Description (Rhetoric) --- History and criticism. --- Influence.
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Die Kenntnis der griechischen und römischen Antike, wie aller vergangenen Gesellschaften, ist in entscheidendem Maß von den Medien geprägt, in denen sich die jeweiligen Gesellschaften artikulieren. Die Gesetze, Konventionen und Konzepte der verschiedenen schriftlichen, bildlichen und materiellen Medien führen zu unterschiedlichen Konstruktionen geschichtlicher Wirklichkeiten. Die Beiträge dieses Bandes gehen den spezifischen Formen nach, in denen die griechische und römische Antike sich in Literatur und Inschriften, Bildwerken, Monumenten und Artefakten, Lebensräumen und Ritualen präsentiert. Für den Historiker stellt sich damit die Frage, wie die verschiedenen Konzepte der medialen Konstruktion von Wirklichkeiten zu einem Konzept von ,Geschichte' zusammengeführt werden können. Darüber hinaus ergeben sich Reflexionen über die Möglichkeiten und Grenzen der Medien und Formen, in denen historische Forschung ihre Dokumentationen und Untersuchungen betreibt und vorlegt.
Mass media -- Historiography -- Methodology --- Mass media -- History --- Mass media -- Social aspects --- History, Ancient --- Civilization, Classical --- Classical antiquities --- Art, Roman --- Art, Greek --- History & Archaeology --- History - General --- Greek art --- Art, Aegean --- Art, Greco-Bactrian --- Roman art --- E-books --- Civilization, Ancient. --- Ancient civilization --- Greek and Roman history. --- Media. --- literary studies. --- visual studies.
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