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Providing a clear, systematic account of the evolution of Bellour's thought on the nature of cinematic representation, the impact of digital technology and the response of the spectator, this is an essential guide to the work of a major contemporary thinker.
Bellour, Raymond. --- Film criticism --- film --- filmtheorie --- Frankrijk --- twintigste eeuw --- eenentwintigste eeuw --- Bellour Raymond --- filmanalyse --- kunst --- videokunst --- digitale kunst --- nieuwe media --- 791.41 --- Motion picture criticism --- Motion pictures --- Moving-picture criticism --- Criticism --- Evaluation --- Film criticism. --- Filmkritik. --- Bellour, Raymond, --- Bellour, Raymond
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film --- filmgeschiedenis --- twintigste eeuw --- naslagwerk --- 791.43 --- Film --- 798.11 --- Filmgeschiedenis --- 791.43 Filmkunst. Films. Cinema --- Filmkunst. Films. Cinema --- Film- en videokunst, encyclopedische werken --- 780 --- dans, toneel, film --- danse, théâtre, cinéma
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Neem een kijkje op de filmset en lees alles over de wereld van filmsterren, regisseurs, cameramannen, best boys, grippers, editors en alle anderen die samen een speelfilm maken. Bibi Dumon Tak ontdekte op de set van 'Polleke' wat er allemaal achter de camera gebeurt. (Bron: covertekst)
Primary education --- Film --- Audiovisuele vorming --- Filmindustrie --- acteurs --- films --- jeugdfilm --- 313 --- 433.5 --- 768 --- 798.1 --- Acteren --- Camera's --- Verfilmde jeugdboeken --- drugs --- familie --- multiculturaliteit --- verliefdheid --- 798.2 --- Acteurs --- Beeld --- Geluid --- Licht --- 790 )* FILM --- beeld --- film --- geluid --- licht --- opnamen --- 050607.jpg --- Rassen- en minderhedenvraagstuk - Vluchtelingenvraagstuk --- Audiovisuele opvoeding --- Filmtechniek - Videotechniek --- Film- en videokunst ; algemeen --- Vlaanderen. --- Film (cinematografie) --- 881 --- jeugdliteratuur non fictie --- littérature jeunesse non-fiction
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Der Band befragt die Videokunst der frühen 1970er Jahre hinsichtlich ihrer Interventionen in Körper- und Mediendiskurse bzw. Subjektdiskurse der Zeit. Im Anschluss an Walter Benjamin entwickelt die Studie hierfür ein operatives Bildverständnis und arbeitet »den wachen Sinn für die Signatur der Zeit« aus den Praktiken und Diskursen der Videokunst heraus. Analysen zu Videowerken von Eleanor Antin, Lynda Benglis, Lili Dujourie, Sanja Ivecoviç, Martha Rosler, Lisa Steele, Hannah Wilke und anderen Künstlern und Künstlerinnen belegen einen repräsentationskritischen Einsatz des Mediums, der die Arbeit an, mit und in Bildern als eine ebenso ästhetische wie politische Argumentation lesbar macht.
Art forms --- Art History of the 20th Century. --- Fine Arts. --- Media Art. --- Video. --- Repräsentationskritik; Videokunst; Body Art; Feminist Art; Kunst der 1970er Jahre; Kunst; Medienkunst; Kunstgeschichte des 20. Jahrhunderts; Video; Kunstwissenschaft; Arts; Media Art; Art History of the 20th Century; Fine Arts
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Film --- 791.43:78 --- James Monaco --- filmtechnieken --- Filmmuziek --- film- en videokunst, algemeen --- 791.43:78 Filmmuziek --- filmtaal --- #SBIB:309H1300 --- #SBIB:AGGR --- 791.4 --- 791.41 --- 791.43 --- film --- filmgeschiedenis --- filmtechniek --- filmtheorie --- naslagwerk --- 798.1 --- filmkunst --- filmproductie --- montage --- technieken --- Filmwezen: algemene werken --- film [performing arts] --- geschiedenis --- history [discipline] --- filmmaking processes and techniques --- filmmaking --- film [discipline]
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"In Virgin Territory contributors consider virginity as it is produced and marketed in film. With chapters that span a range of periods, genres, and performances, this collection proves that although it seems like an obvious quality at first glance, virginity in film is anything but simple. The essays in Virgin Territory destabilize assumptions about virginity and connect moments of virginity in film to their larger social significance."--Jacket.
Sex in motion pictures. --- Virginity in motion pictures. --- Sex in moving-pictures --- Motion pictures --- Erotic films --- Pornographic films --- Virginity in motion pictures --- Sex in motion pictures --- 798.15 --- 798.79 --- seksualiteit --- seksuele moraal --- film- en videokunst, film en maatschappij --- film, overige onderwerpen
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Sinds de dag dat kunstenaar Koen Vanmechelen zich voornam om een universele kip, een 'superbastaard', te kweken uit verschillende nationale kippenrassen - Mechelse Koekoek, Poulet de Bresse, English Redcap, Jersey Giant, Nederlandse Uilebaard etc. - is zijn oeuvre één gigantisch 'work in progress'. In dit aparte boek kunnen we de boeiende kruisbestuivingen tussen kunst en genetica , sociologie en biologie op de voet volgen. Thema's als rassenhaat, globalisering, inteelt, klonen en genetische manipulatie zijn nooit ver weg
art [fine art] --- Gallus gallus [species] --- Iconography --- Nature --- Art --- Vanmechelen, Koen --- Belgium --- Arts plastiques --- Beeldende kunst --- Catalogues d'expositions --- Kippen --- Poules --- Tentoonstellingscatalogi --- Peinture --- Sculpture --- barbara Simons & Wouter Keirse --- kunst --- tekenkunst --- fotografie --- videokunst --- Vanmechelen, Koen °1965 (Sint-Truiden, België) --- installaties --- Kunst en medische wetenschap ; 2003 ; Koen Vanmechelen --- België --- Thema's in de kunst ; dieren ; kippen --- kunst en natuur --- Tentoonstellingscatalogi ; Amsterdam ; De Brakke Grond --- kunst en biologie --- Belgische kunstenaars --- kunst en wetenschap --- kippen --- Neoconceptuele kunst --- Vanmechelen Koen --- 7.07 --- (069) --- twintigste eeuw --- Kunst --- 7.071 VANMECHELEN --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- (Musea. Collecties) --- Chickens in art --- Chickens --- Installations (Art) --- Breeding --- Vanmechelen, Koen, --- art [discipline]
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This volume on avant-garde film has emerged as part of a wider reassessment of 20th century avant-garde art, literature and film carried out in the framework of a research project at the University of Edinburgh. It paves the way for a fresh assessment of avant-garde film and develops its theory as an integral part of a newly defined conception of the avant-garde as a whole, by closing the gap between theoretical approaches towards the avant-garde as defined on the basis of art and literature on the one hand and avant-garde cinema on the other. It gathers contributions by the most esteemed scholars in the field of avant-garde studies relating to the “classical” avant-garde cinema of the 1920's, to new trends emerging in the 1950's and 1960's and to the impact that innovative technologies have recently had on the further development of avant-garde and experimental film. The contributions reflect the broad range of different moving-image media that make up what we refer to today simply as “film”, at the same time as reconsidering the applicability of the label “avant-garde”, to offer a comprehensive and updated framework that will prove invaluable to scholars of both Moving Image Studies and Art History disciplines.
Experimental films --- Experimental films. --- Avant-garde films --- Experimental videos --- Personal films --- Underground films --- Motion pictures --- Video art --- History and criticism --- 1900 - 1999 --- Avant-garde (Aesthetics) --- 791.43 --- Arnold Martin --- avant-gardefilm --- Brakhage Stan --- Buñuel Luis --- Chodorov Pip --- Conrad Tony --- Delvaux André --- Deren Maya --- Dulac Germaine --- Eggeling Viking --- experimentele film --- film --- filmgeschiedenis --- futurisme --- Kubelka Peter --- magisch realisme --- Man Ray --- Mayakovsky Vladimir --- McCall Anthony --- Moholy-Nagy Laszlo --- Morrison Bill --- paracinema --- Peixoto Mario --- performances --- Rey Nicolas --- Richter Hans --- Rosenbach Ulrike --- Ruttmann Walther --- Sharits Paul --- surrealisme --- twintigste eeuw --- Valie Export --- Vertov Dziga --- video --- videokunst --- Aesthetics --- Modernism (Art) --- History and criticism. --- Film --- anno 1900-1999 --- Avant-garde (Aesthetics).
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"Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive sourcebook on abstraction in moving-image media. With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film. Editor Gabrielle Jennings--a video artist herself--reveals as never before how works of abstract video are not merely, as the renowned curator Kirk Varnedoe once put it, 'pictures of nothing, ' but rather amorphous, ungovernable spaces that encourage contemplation and innovation. Featuring renowned artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater and Jennifer West, alongside emerging artists, this volume offers fresh and vigorous perspectives on a burgeoning and ever-changing arena of contemporary art"--Provided by publisher.
hedendaagse kunst --- installations [visual works] --- motion pictures [visual works] --- interactive art --- multimediakunst --- video art --- sound [acoustics] --- Art --- abstraction --- computer art [visual works] --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- Video art. --- Art, Abstract. --- 778.5.01 --- Videokunst ; video-installaties ; 21ste eeuw ; theorie --- Beeldende kunst en bewegend beeld --- Abstracte kunst en film --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Modernism (Art) --- Electronic art --- Experimental television --- Performance art --- Television --- Experimental films --- Kunst nieuwe technieken ; theorie ; filosofie ; esthetica --- Video art --- Art, Abstract --- Time-based art --- 21st century. --- abstract art. --- abstract video. --- abstraction. --- art criticism. --- art critics. --- art historians. --- art history. --- art installations. --- art students. --- art studies. --- art theory. --- art writers. --- art. --- artists. --- contemporary art. --- curators. --- emerging artists. --- essay collection. --- experimental art. --- experimental film. --- historical perspective. --- media studies. --- modern art. --- moving images. --- net art. --- new media. --- nonfiction essays. --- photographers. --- video artists. --- visual art. --- visual music.
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CROSS-over gaat over een kunstveld dat de grenzen oversteekt. Meer bepaald naar de wereld van de media en technologie. Zoals hun voorgangers werken hedendaagse kunstenaars werken met de materialen van hùn tijd: het internet, gps, RFID of nanotechnologie. Samen met programmeurs, vormgevers en onderzoekers creëren ze nieuwe uitdrukkingsvormen, nieuwe relaties met het publiek en nieuwe vormen van bewaren en ontsluiten. Heel wat kunstenaars hebben zich toegelegd op deze (nieuwe) media om kunst te maken. Films op internet, virtuele ervaring in het theater, culturele plekken die live met elkaar verbonden worden, verhalen in de vorm van een game, installaties, interactieve poëzie enz. behoren tot de mogelijkheden Zowat alle belangrijke binnen- en buitenlandse cultuurhuizen en organisaties geven er een plaats aan zoals filmfestivals, theaters, kunstencentra, tijdschriften, musea en ook de publieke omroep. Het is belangrijk deze nieuwe praktijken te duiden opdat ze nog beter doorstromen naar andere vertoners en domeinen. De publicatie richt zich tot iedereen met interesse in kunst en cultuur en hoe ze veranderen onder de invloed van media en technologie in de kennis- en informatiemaatschappij.
België --- Vlaanderen --- Multimedia (Art) --- art criticism --- kunstbeschouwing --- media --- Art --- Audiovisual methods --- Kunst --- Mass media and the arts --- Art and technology --- Médias et arts --- Art et technologie --- Massamedia (media) --- Technologie --- cultuur --- kunst --- mediakunde --- technologie --- 7.08 --- 700.1 --- blogs --- informatiemaatschappij --- mediakunst --- videokunst --- 791.5 --- eenentwintigste eeuw --- kunst en technologie --- nieuwe media --- 7.039(493) --- Beeldende kunst ; media ; technologie ; Vlaanderen ; 2000-2008 --- Kunst en technologie --- Mediakunst ; België --- 7.039 <493-17> --- Multi media (Art) --- Arts --- kunst - hybride kunstvormen --- beeldende kunst, encyclopedische werken .. --- Kunstgeschiedenis ; 2000 - 2050 ; België --- Hedendaagse kunststromingen.Post-moderne kunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- Kunsten --- Media --- Cultuur --- Participatie --- België --- Mediakunst ; België --- beeldende kunst, encyclopedische werken --- Kunstgeschiedenis ; 2000 - 2050 ; België --- Hedendaagse kunststromingen.Post-moderne kunst--Vlaanderen. Vlaams Gewest. Nederlandstalige Gemeenschap in België --- anno 2000-2009 --- Flanders --- Toerisme --- Maatschappij --- Emigratie
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