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"Although often hailed as a 'quintessentially American' writer, the modernist poet, novelist and playwright Gertrude Stein (1874-1946) spent most of her life in France. With chapters written by leading international scholars, Gertrude Stein in Europe is the first sustained exploration of the European artistic and intellectual networks in which Stein's work was first developed and circulated. Along the way, the book investigates the European contexts of Stein's writing, how her own work intersected with European thought, including phenomenology and the vitalist work of Henri Bergson, and ultimately how it was received by scholars and artists across the continent. Gertrude Stein in Europe opens up new perspectives on Stein as a writer and on the centrality of artistic and intellectual networks to European modernism."--Bloomsbury Publishing.
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Stein's modernist fascination with life connects her writing to late-nineteenth- and twentieth-century thinkers.
Literature --- Modernism (Literature) --- Philosophy. --- Stein, Gertrude,
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Stein, Gertrude, -- 1874-1946. --- English --- Languages & Literatures --- American Literature --- Stein, Gertrude, --- Staĭn, Gertruda, --- Stein, Gertruda,
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"Challenging the assumption that modernist writer Gertrude Stein seldom integrated her Jewish identity and heritage into her work, this book uncovers Stein's constant and varied writing about Jewish topics throughout her career. Amy Feinstein argues that Judaism was central to Stein's ideas about modernity, showing how Stein connects the modernist era to the Jewish experience"--
Modernism (Literature) --- Jews in literature. --- Stein, Gertrude, --- Stein, Gertrude, --- Criticism and interpretation. --- Literary style.
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A critical guide to the poetics and philosophy of Gertrude Stein
Stein, Gertrude, --- Staĭn, Gertruda, --- Stein, Gertruda, --- Criticism and interpretation.
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GBS_insertPreviewButtonPopup('ISBN:9780748611980);Gertrude Stein frequently called herself a genius, but what did this term really mean for her? Stein's claims to genius are legendary, appearing frequently throughout her texts and public lectures. Were they the signs of excessive egotism, of desperate self-advertisement, or of something else entirely? This book examines the centrality and the specificity of the idea of 'genius' to Stein's work and to the aesthetic ideals and contradictory intellectual affiliations of high modernism in general. Through a chronological reading, it maps Stein's move from an early investment in an essential and essentializing notion of 'genius' to her later use of the term to describe an anti-essentialist, democratic textual process. It considers how this revisionary idea of 'genius' came to correspond with Stein's identification of herself as Jewish, queer and American. And it ends with Stein's seemingly paradoxical decision to call a text about being a genius in America, Everybody's Autobiography. Drawing upon a wide range of literary theory, cultural criticism and historical evidence, and offering new readings of previously unexamined texts by Stein, Barbara Will challenges received understandings of Stein's claims to 'genius' and of modernist literary hermeticism by reconceptualising the textual practice of this exemplary modernist writer.Key FeaturesA scholarly study of a writer who is receiving ever-increasing critical attentionThe first major scholarly study to deal with Gertrude Stein's central claim to being a geniusOffers new insight into debates over modernism, mass culture, and postmodernismCombines a historical approach with a theoretical reading inflected by postmodern thinkingOriginal, theoretically informed and consistently well-written.Gertrude Stein, Modernism, and the Problem of 'Genius' was winner of the Choice Outstanding Academic Title award in 2001."
Genius in literature. --- Modernism (Literature) --- Stein, Gertrude, --- Staĭn, Gertruda, --- Stein, Gertruda, --- Criticism and interpretation.
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Arguing that Gertrude Stein's monumental novel The Making of Americans models a radically aesthetic relation to the world, E. L. McCallum demonstrates how the novel teaches us to read differently, unmaking our habits of reading. Each of the chapters works through close readings of Stein's text and a philosophical interlocutor to track a series of theoretical questions: what forms queer time, what are the limits of story, how do we feel emotion, how can we agree on a shared reality if interpretation and imagination intervene, and how do particular media shape how we convey this rich experience? The formally innovative agenda and epistemological drive of Stein's novel stages rich thought experiments that bear on questions that are central to some of the most vibrant conversations in literary studies today. In the midst of ongoing debates about the practices of reading, the difficulty of reading, and even the impossibility of reading, the moment has come to have a fuller critical engagement with this landmark novel. This book shows how.
Stein, Gertrude, --- Staĭn, Gertruda, --- Stein, Gertruda, --- Dusman, Linda, --- Aesthetics. --- Criticism and interpretation.
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By examining the fiction of three women modernists--Willa Cather, Gertrude Stein, and Nella Larsen--this book complicates binary paradigms of national, gender, and ethnic identities in the interwar period. In place of essentializing categories of identity, Jessica Rabin explores the liberating and dislocating ramifications of using multiple subject positions as a means of representing identity. While these three authors have been studied in non-intersecting categories (pioneer literature, high modernism, and the Harlem Renaissance, respectively), Jessica Rabin traces their similarities, showing how the dispersal of fixed identities are facilitated by the language of fiction.
Emigration and immigration in literature. --- American literature --- Ethnicity in literature. --- Women authors. --- Stein, Gertrude, --- Cather, Willa,
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In this original and intriguing study, Anna Linzie examines three mid-twentieth-century texts never before treated as interrelated in a book-length work of literary criticism: Gertrude Stein's The Autobiography of Alice B. Toklas (1933) and Alice B. Toklas's The Alice B. Toklas Cook Book (1954) and What Is Remembered (1963). Taking these three texts as intertexts or as an assemblage of the true story of Alice B. Toklas, Linzie challenges assumptions about primary authorship and singular identity that have continued to limit lesbian and feminist rereadings of autobiography as a genre and of Ste
Toklas, Alice Babette --- Authors [American ] --- Biography --- History and criticism --- Women authors [American ] --- Stein, Gertrude --- Authors, American --- Women authors, American --- American women authors --- History and criticism. --- Toklas, Alice B. --- Stein, Gertrude,
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Authors, American --- Americans --- History --- Stein, Gertrude, --- Toklas, Alice B. --- Staĭn, Gertruda, --- Stein, Gertruda, --- Paris (France) --- Intellectual life
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