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"Albert Wertheim's study of Fugard's plays is both extremely insightful and beautifully written... This book is aimed not only at teachers, students, scholars, and performers of Fugard but also at the person who simply loves going to see a Fugard play at the theatre." -Nancy Topping Bazin, Eminent Scholar and Professor Emerita, Old Dominion UniversityAthol Fugard is considered one of the most brilliant, powerful, and theatrically astute of modern dramatists. The energy and poignancy of his work have their origins in the institutionalized racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. Albert Wertheim analyzes the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems. Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world.
Drama --- Dramaturgy --- Authorship --- Playwriting --- Technique. --- Fugard, Athol --- Fugard, Athol Harold Lannigan --- Criticism and interpretation. --- South Africa --- In literature. --- Drama - Technique --- Fugard, Athol - Criticism and interpretation --- Fugard, Athol - Technique --- South Africa - In literature --- Fugard (athol)
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David Attwell defends the literary and political integrity of South African novelist J.M. Coetzee by arguing that Coetzee has absorbed the textual turn of postmodern culture while still addressing the ethical tensions of the South African crisis. As a form of "situational metafiction," Coetzee's writing reconstructs and critiques some of the key discourses in the history of colonialism and apartheid from the eighteenth century to the present. While self-conscious about fiction-making, it takes seriously the condition of the society in which it is produced.Attwell begins by describing the intellectual and political contexts surrounding Coetzee's fiction and then provides a developmental analysis of his six novels, drawing on Coetzee's other writings in stylistics, literary criticism, translation, political journalism and popular culture. Elegantly written, Attwell's analysis deals with both Coetzee's subversion of the dominant culture around him and his ability to see the complexities of giving voice to the anguish of South Africa.
820 "19" COETZEE, J. M. --- 820 "19" COETZEE, J. M. Engelse literatuur--20e eeuw. Periode 1900-1999--COETZEE, J. M. --- Engelse literatuur--20e eeuw. Periode 1900-1999--COETZEE, J. M. --- Politics and literature --- History --- Coetzee, J. M., --- Criticism and interpretation --- South Africa --- In literature --- English Literature --- English --- Languages & Literatures --- 820 "19" COETZEE, J. M --- Engelse literatuur--20e eeuw. Periode 1900-1999--COETZEE, J. M --- Coetzee, John M., --- Кутзее, Дж. М., --- Kutzee, Dzh. M., --- קוטזי, ג׳. מ., --- Кутзее, Джон Максвелл, --- Kutzee, Dzhon Maksvell, --- Criticism and interpretation. --- In literature. --- Africa, South --- Coetzee, John Maxwell M. --- Coetzee, J. M. --- Coetzee, J.M. --- Coetzee, John M. --- Кутзее, Дж. М. --- Kutzee, Dzh. M. --- Кутзее, Джон Максвелл --- Kutzee, Dzhon Maksvell --- Politics and literature - South Africa - History - 20th century --- Coetzee, J. M., - 1940- - Criticism and interpretation --- South Africa - In literature --- South Africa - History - 1961-1994 --- Coetzee (john maxwell), 1940 --- -Politics and literature --- Coetzee, J. M., - 1940 --- -South Africa --- -Coetzee (john maxwell), 1940 --- -Coetzee (john maxwell), 1940-
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All of London exploded on the night of May 18, 1900, in the biggest West End party ever seen. The mix of media manipulation, patriotism, and class, race, and gender politics that produced the 'spontaneous' festivities of Mafeking Night begins this analysis of the cultural politics of late-Victorian imperialism. Paula M. Krebs examines 'the last of the gentlemen's wars' - the Boer War of 1899-1902 - and the struggles to maintain an imperialist hegemony in a twentieth-century world, through the war writings of Arthur Conan Doyle, Olive Schreiner, H. Rider Haggard, and Rudyard Kipling, as well as contemporary journalism, propaganda, and other forms of public discourse. Her feminist analysis of such matters as the sexual honor of the British soldier at war, the deaths of thousands of women and children in 'concentration camps', and new concepts of race in South Africa marks this book as a significant contribution to British imperial studies.
South African War, 1899-1902 --- English literature --- Imperialism in literature. --- Sex role in literature. --- Race in literature. --- Anglo-Boer War, 1899-1902 --- Boer War, 1899-1902 --- Transvaal War, 1899-1902 --- Literature and the war. --- Foreign public opinion, British. --- History and criticism. --- South Africa --- Great Britain --- Africa, South --- Foreign relations --- In literature. --- Thematology --- anno 1800-1999 --- 20th century --- History and criticism --- 19th century --- Imperialism in literature --- Race in literature --- Foreign public opinion [British ] --- South Africa in literature --- South Africa - Foreign public opinion, British. --- South African War, 1899-1902 - Foreign public opinion, British. --- South Africa - Foreign relations - Great Britain. --- Great Britain - Foreign relations - South Africa. --- Arts and Humanities --- Literature --- South African War, 1899-1902 - Literature and the war. --- English literature - 20th century - History and criticism. --- English literature - 19th century - History and criticism.
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Friends and fellow authors Henry Rider Haggard and Rudyard Kipling were prominent figures of imperial and colonial myth-making. Both writers were praised by their contemporaries for their alleged knowledge of and ability to speak from within the 'native' cultures of Africa and India. However, both exhibited a fascination with the colonized Other, displaying the striking ways in which the colonizing culture asserts its self-identity and authority. In this highly original and exciting re-reading of the classic works of Haggard and Kipling, Gail Ching-Liang Low asserts that the Other is actually a mirror reflecting the image of the colonizer - a `cultural cross-dressing'. Employing psychoanalysis, anthropology and post-colonial theory, she analyzes the way in which fantasy and fabulation is caught up in networks of desire and power. White Skins/Black Masks is a fascinating new entry into the current debates of post-colonial theory, and will be important reading for students of literary and cultural studies.
82.04 --- 820-3 "18" --- 820-3 "18" Engelse literatuur: proza--19e eeuw. Periode 1800-1899 --- Engelse literatuur: proza--19e eeuw. Periode 1800-1899 --- 82.04 Literaire thema's --- Literaire thema's --- Afrique du Sud dans la littérature --- Body [Human ] in literature --- Clothing and dress in literature --- Corps humain dans la littérature --- Costume dans la littérature --- Costume in literature --- Kleding in de literatuur --- Lichaam [Menselijk ] in de literatuur --- Menselijk lichaam in de literatuur --- South Africa in literature --- Zuid-Afrika in de literatuur --- Literature and anthropology --- Travelers' writings, English --- Cultural relations in literature --- Race in literature. --- Littérature et anthropologie --- Ecrits de voyageurs anglais --- Politique-fiction anglaise --- Communication interculturelle dans la littérature --- Vêtements dans la littérature --- Haggard, H. Rider --- Kipling, Rudyard, --- Inde dans la littérature --- Clothing and dress in literature. --- Cultural relations in literature. --- Littérature et anthropologie --- Communication interculturelle dans la littérature --- Vêtements dans la littérature --- Race dans la littérature --- Inde dans la littérature --- Afrique du Sud dans la littérature --- Anthropology and literature --- Body, Human, in literature --- Human figure in literature --- Haggard, Rider, --- Khaggard, Raĭder, --- Haggard, Henry Rider, --- Ha-ko-te, --- Hagacđơ, Henri, --- Hagard, Henry Rider, --- Hagacđơ, Henry, --- Hagard, Raider, --- Hōkārṭ, Ec. Reyiṭar, --- Хаггард, Генри Райдер, --- Хаггард, Генри, --- הגרד, הרני רידר --- הגרד, רידר --- הגרד, ריידר, --- H. R. H. --- H., H. R. --- English fiction --- Colonies in literature. --- Political fiction, English --- Imperialism in literature. --- Roman anglais --- Colonies dans la littérature --- Impérialisme dans la littérature --- History and criticism --- History --- History and criticism. --- Histoire et critique --- India --- South Africa --- In literature --- Human body in literature. --- Anthropology --- Colonies --- Political and social views. --- Colonies in literature --- Imperialism in literature --- Race in literature --- 19th century --- Great Britain --- Kipling, Rudyard --- Political and social views --- Haggard, Henri Rider --- Travelers' writings [English ] --- South Africa - In literature. --- Literature and anthropology - Great Britain - Colonies - History - 19th century. --- Travelers' writings, English - History and criticism. --- India - In literature. --- Kipling, R. --- Kipling, Joseph Rudyard --- Kipling, Redʹi︠a︡rd --- Kipling, Dzh. R. --- Kiplīṅga, Raḍiyārḍa --- Yussuf, --- R. K. --- RK --- K., R. --- Kipḷiṅ --- Киплинг, Редьярд --- כ״ץ, אלי, --- קיפגינג, ר. --- קיפליג, ר. --- קיפלינג, רודיארד, --- קיפלינג, רודירד --- קיפלינג, רידיארד --- קיפלינג, רידיארד, --- קיפלינג, רעדוארד, --- קיפלינג, רעדיארד --- קיפלינג, ר. --- קפלינג, רודיארד, --- Four Anglo-Indian writers --- Two writers --- Vecchio, --- Kingcraft, --- One of them, --- Correspondent, --- History. --- Haggard, Rider --- Khaggard, Raĭder --- Ha-ko-te --- Hagacđơ, Henri --- Hagard, Henry Rider --- Hagacđơ, Henry --- Hagard, Raider --- Hōkārṭ, Ec. Reyiṭa --- Хаггард, Генри Райдер --- Хаггард, Генри --- Human body in literature --- Travel writing --- In literature. --- Haggard, Henry Rider (1856-1925) --- Kipling, Rudyard (1865-1936) --- Littérature anglaise --- Récits de voyages anglais --- Relations culturelles --- Racisme --- Afrique du Sud --- Inde --- Et l'impérialisme --- 19e siècle --- Dans la littérature --- Grande-Bretagne
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