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A Catalogue of 18th-Century Symphonies makes possible for the first time a comprehensive view of one of the largest and most significant repertories in the history of music. Until now, no one has known for certain who wrote what, and hundreds of symphonies have been attributed in manuscript and printed sources to two or more composers. Under these conditions no reliable history of the symphony could be written. Now, thanks to Jan LaRue·s indefatigable efforts, we know how many symphonies have survived from the eighteenth century, where they are, their composers, and how many each composer wrote; and we can see at a glance the favorite keys, movement sequences, and instrumental combinations that were used. Volume I, Thematic Identifier, enables the user to identify more than 13,000 symphonies by means of the note names of the opening bars of the first violin part. This powerful reference tool also tells whether a particular symphony exists anywhere under a different name and whether there are any anonymous sources for the work. Volume II, Composers' Worklists, will provide detailed information for all the symphonies attributed to a particular composer in Volume I. With this indispensable bibliographic resource, Jan LaRue has established a solid foundation for public reference, performance, recording, and future research.
Bibliografie --- Verzeichnis --- Sinfonie --- Symphonies. --- Symphonies --- Catalogues thematiques. --- Sinfoniettas --- Symphonies (Orchestra) --- Symphoniettas --- Art music, orchestral & formal music
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In late eighteenth-century Vienna and the Habsburg territories, over 50 minor-key symphonies were written. Their distinctive stormy character, nervous energy and intense pathos make them a unique phenomenon.
Symphony --- Symphony. --- Sinfonie. --- Wiener Klassik. --- Moll. --- Tonalität. --- 1700-1799. --- Austria --- Sinfonietta --- Symphonies --- Symphonietta --- Musical form --- History and criticism
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This book examines 43 great concerti and discusses, in detail, the technical, aural, rehearsal, and intra-personal skills that are required for ""effortless excellence."" Maestro Itkin wrote this book for conductors first encountering the concerto repertoire and for those wishing to improve their skills about this important, and often understudied, literature. Often misunderstood is the fact that both the physical technique and the score study process require a substantially different and more nuanced approach than with the major symphonic repertoire. In short, this is the book that Itkin wis
Performance practice (Music) --- Concertos --- Conducting. --- Musical performance practice --- Performing practice (Music) --- Music --- Concertinos --- Band conducting --- Conducting (Music) --- Music conducting --- Orchestra conducting --- Interpretation (Phrasing, dynamics, etc.) --- Performance --- Concerti --- Simphonies concertantes --- Sinfonie concertanti --- Sinfonies concertantes --- Symphonies concertantes
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Haydn expert A. Peter Brown offers the first detailed and comprehensive study of the composer's keyboard works, encompassing the solo sonatas, keyboard trios, accompanied divertimentos , concertinas and Klavierstücke. Brown first establishes that Haydn was an effective performer on the keyboard instruments of his day. Then, drawing on the latest findings, he devotes two essays to questions of authenticity and dating of keyboard works attributed to Haydn, and another to the central issue for eighteenth- century keyboard music: which instrument is most appropriate for a given work? In investigating the possible influences on Haydn of the Viennese tradition and of C. P. E. Bach, the author concludes that Haydn learned from both but put his own stamp on everything to which he was exposed. In the last three essays, Brown traces the development of Haydn's musical language, describing the relationship of certain genres in the composer's oeuvre and providing a chronological examination of the structure and style of the works in each category. Haydn's contributions to the symphony and the string quartet have long been acknowledged. This meticulously documented study now celebrates Haydn's accomplishments in the realm of keyboard music.
Klaviermusik --- Pianomuziek. --- Keyboard instrument music. --- Concertos. --- Chamber music. --- Concerto --- Musique de chambre --- Instrument à clavier, Musique d' --- Concertos --- Chamber music --- Keyboard instrument music --- Histoire et critique. --- History and criticism. --- Haydn, Joseph. --- Haydn, Joseph, --- Haydn --- Klaviermusik. --- Keyboard music (Haydn, Joseph) --- Concertos (Haydn, Joseph) --- Chamber music (Haydn, Joseph) --- Keyboard music --- Recorded accompaniments (Keyboard instrument) --- Consort music --- Consorts (Music) --- Vocal chamber music --- Instrumental music --- Vocal music --- Instrumental ensembles --- Vocal ensembles --- Concerti --- Concertinos --- Simphonies concertantes --- Sinfonie concertanti --- Sinfonies concertantes --- Symphonies concertantes --- Concertino --- Sinfonia concertante --- Symphonie concertante --- Musical form --- Concertante style --- History and criticism --- Complete works for wind ensemble (Haydn, Joseph) --- Historical anthology of music (Haydn, Joseph) --- Historical anthology of music. --- Concerto (Haydn, Joseph) --- Art music, orchestral & formal music
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