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La musique n'est pas seulement un plaisir pour l'oreille,c'est aussi l'écho des battements du coeur, du souffle et dudésir. Le professeur Döpp revisite la musique comme étantau croisement de la danse, de l'amour et du sexe. De lapartition jusqu'aux pas de danse, en passant par lesinstruments, la musique est l'expression de nos désirs lesplus profonds et de nos passions les plus déchaînées. Cetexte revisite l'histoire de la musique et de l'art à travers lesdanses des premiers hommes, la danse du ventre, jusqu'à lapop et la musique électronique. Musique & Eros nousemmène en voyage à travers le t

Music and erotica. --- Erotica and music --- Erotica --- Sex in music. --- Love in music.

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HauptbeschreibungThis volume brings together twenty-one original essays by international scholars from the fields of gender studies, cultural theory, and music studies. Covering a wide range of music genres and theoretical perspectives, the shared concern of all contributions is the underlying concept of gender and sexuality pervading music production and performance as well as its consumption. At the end of the first decade of the new millennium, at a time when once abolished gender boundaries seem to be re-established under the guise of postfeminism, there is a discernible and ren

Gender identity in music --- Sex in music --- Music --- Social aspects --- Instruction and study

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Whether referred to as mermaid, usalka, mami wata, or by some other name, and whether considered an imaginary being or merely a person with extraordinary abilities, the siren is the remarkable creature that has inspired music and its representations from ancient Greece to present-day Africa and Latin America. This book, co-edited by a historical musicologist and an ethnomusicologist, brings together leading scholars and some talented newcomers in classics, music, media studies, literature, and cultural

Sirens (Mythology) --- Sex in music. --- Women in music. --- Feminism and music. --- Music and feminism --- Music --- Sexuality in music --- Mythology, Classical --- Mermaids --- 78.29.2 --- Comparative religion

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"Smith examines the different ways in which gay men use pop music, both as producers and consumers, and how, in turn, pop uses gay men. He asks what role culture plays in shaping identity and why pop continues to thrill gay men. These 40 essays and interviews look at how performers, from The Kinks' Ray Davies to Gene's Martin Rossiter, have used pop as a platform to explore and articulate, conform to or contest notions of sexuality and gender. A defence of cultural differences and an attack on cultural elitism, Seduced and Abandoned is as passionate and provocative as pop itself."--

Sex in music. --- Gay musicians. --- Homosexuality and music. --- Music and homosexuality --- Music --- Musicians --- Sexuality in music --- Gay musicians --- Theology --- Homosexuality --- Related to

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Sex in music. --- Gender identity in music. --- Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Sexuality in music --- History and criticism.