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– "Qu’est-ce que tu écoutes comme musique(s)?" Pourquoi est-il parfois si difficile de répondre à cette question alors que les mots pour designer la musique ne manquent pas? Quels sont les enjeux propres à l’expression d’une connaissance sur nos relations à la musique ? – "J’écoute du Rock, du Métal, de la Musique électronique … un peu de tout." Quelles sont les conventions supposées par cette façon d’appréhender la musique en la catégorisant ? Que disons-nous de la musique et de notre vécu en la parlant dans une diversité ? Pour répondre à ces questions, il est nécessaire de décrire et d’étudier dans le détail nos usages de catégories musicales, nos recours à la catégorisation et leurs contextes. C’est l’objet de ces Accords mineurs : revenir sur la condition de nos quotidiens d’amateurs de musique vivant et parlant avec des catégories musicales dans un monde de catégories musicales.
Music and language --- Music --- Musique et langage --- Sémiotique et musique --- Musique --- Semiotics --- Social aspects --- Aspect social --- Sociologie de la musique --- Sémiotique et musique --- Sociologie de la musique. --- musique --- interaction --- goût --- catégorie --- verbalisation
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Approaches to Meaning in Music presents a survey of the problems and issues inherent in pursuing meaning and signification in music, and attempts to rectify the conundrums that have plagued philosophers, artists, and theorists since the time of Pythagoras. This collection brings together essays that reflect a variety of diverse perspectives on approaches to musical meaning. Established music theorists and musicologists cover topics including musical aspect and temporality, collage, borrowing and associ
Musical analysis. --- Music --- Analysis, Musical --- Analytical guides (Music) --- Hermeneutics (Music) --- Music analysis --- Music theory --- Music appreciation --- Semiotics --- Musical aesthetics --- Aesthetics --- Semiotics. --- Philosophy and aesthetics. --- Analysis, appreciation --- Analytical guides --- Instruction and study --- Philosophy --- Musical analysis --- Philosophy and aesthetics --- Musique --- Sémiotique et musique --- Analyse musicale --- Philosophie et esthétique
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No detailed description available for "Myth and Music".
Music and mythology. --- Music --- Philosophy and aesthetics. --- Semiotics. --- Semiotics --- Wagner, Richard --- Stravinski, Igor --- Sibelius, Jean --- -Music --- -Music and mythology --- Mythology and music --- Mythology --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Philosophy and aesthetics --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Philosophy --- Music and mythology --- Music theory --- Sémiotique et musique --- Sémiotique et musique. --- Sémiotique et musique.
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In this groundbreaking, historically-informed semiotic study of late eighteenth-century music, Stephen Rumph focuses on Mozart to explore musical meaning within the context of Enlightenment sign and language theory. Illuminating his discussion with French, British, German, and Italian writings on signs and language, Rumph analyzes movements from Mozart's symphonies, concertos, operas, and church music. He argues that Mozartian semiosis is best understood within the empiricist tradition of Condillac, Vico, Herder, or Adam Smith, which emphasized the constitutive role of signs within human cognition. Recognizing that the rationalist model of neoclassical rhetoric has guided much recent work on Mozart and his contemporaries, Rumph demonstrates how the dialogic tension between opposing paradigms enabled the composer to negotiate contradictions within Enlightenment thought.
Enlightenment. --- Music --- Aufklärung --- Eighteenth century --- Philosophy, Modern --- Rationalism --- Semiotics --- Semiotics. --- History and criticism. --- Mozart, Wolfgang Amadeus, --- Mozart, Wolfgang Amadeus --- Mozart, Johannes Chrysostomus Wolfgangus Theophilus --- Criticism and interpretation. --- Enlightenment --- History and criticism --- Musique --- Sémiotique et musique --- Siècle des lumières --- Histoire et critique --- Mot︠s︡art, Volʹfgang Amadeĭ, --- Mōtsaruto, --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib, --- Mozart, Johann Chrysostom Wolfgang Amadeus, --- Mozart, W. A. --- Mozart, Wolfgango Amadeo, --- Mot︠s︡art, V. A. --- Mocartas, V. A., --- Motsart, Volphnkank Amedaios, --- Mot︠s︡art, Volfang Amadeus, --- Mozzart, Apollo, --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus, --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus, --- Mozhate, --- Моцарт, Вольфганг Амадей, --- מוצרט, --- מוצרט, וולפגנג אמדאוס, --- 莫札特, --- Mozart, Wolfgang Amadeusz, --- Mozart, W.A. --- Mot︠s︡art, Volʹfgang Amadeĭ --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib --- Mozart, Johann Chrysostom Wolfgang Amadeus --- Mozart, Wolfgango Amadeo --- Mocartas, V. A. --- Motsart, Volphnkank Amedaios --- Mot︠s︡art, Volfang Amadeus --- Mozzart, Apollo --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus --- Mozhate --- Моцарт, Вольфганг Амадей --- Mozart, Wolfgang Amadeusz --- 18th century composers. --- 18th century europe. --- 18th century music. --- 18th century symphonies. --- beethoven. --- church music history. --- classical composers. --- classical music. --- classical musicians. --- classical period. --- composers. --- concertos. --- european music. --- european scholars. --- famous composers. --- famous operas. --- history of music. --- history. --- italian writings. --- literary movements and periods. --- music icons. --- music scholars. --- musical semiotics. --- musicians. --- musicology. --- neoclassical music. --- renaissance humanism. --- the enlightenment period. --- theater.
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La musique s’invite au sein de notre existence, dans notre subjectivité la plus intime. Elle est ainsi un champ privilégié d’exploration pour la sémiotique existentielle, horizon musicologique nouveau développé par Eero Tarasti. Cette théorie s’enracine dans la sémiotique classique (Claude Lévi-Strauss, Algirdas Julien Greimas), relue et transfigurée par la philosophie allemande et existentielle (Kant, Hegel, Kierkegaard, Heidegger…), et dans une moindre mesure, par la philosophie française (Sartre, Ricœur). Utilisant cette méthode sémiotique moderne comme support d’analyse, l’ouvrage cherche à expliquer pourquoi les grands compositeurs de notre tradition occidentale (Mozart, Beethoven, Brahms, Schumann, Wagner…) fascinent toujours autant les auditeurs et musiciens du monde entier.
Music --- Musical analysis --- Sémiotique et musique --- Musique --- Analyse musicale --- Semiotics --- Philosophy and aesthetics --- Philosophie et esthétique --- Semiotics. --- Mozart, Wolfgang Amadeus, --- Brahms, Johannes, --- Wagner, Richard, --- Brahms, Johannes --- Brahms, J. --- Brahms, Joh. --- Brams, I. --- Brams, Iogannes, --- Brams, Ĭokhanes, --- Burāmusu, J., --- Marks, G. W. --- Mozart, W.A. --- Mozart, Wolfgang Amadeus --- Mot︠s︡art, Volʹfgang Amadeĭ --- Mōtsaruto, --- Mot︠s︡art, Iogann-Krizost Volʹfgang Gotlib --- Mozart, Johann Chrysostom Wolfgang Amadeus --- Mozart, W. A. --- Mozart, Wolfgango Amadeo --- Mot︠s︡art, V. A. --- Mocartas, V. A. --- Motsart, Volphnkank Amedaios --- Mot︠s︡art, Volfang Amadeus --- Mozzart, Apollo --- Mozart, Joannes Chrysostomus Wolfgangus Amadeus --- Mozart, Johannes Chrisostomus Wolfgangus Theophilus --- Mozhate --- Моцарт, Вольфганг Амадей --- מוצרט, --- מוצרט, וולפגנג אמדאוס, --- 莫札特, --- Mozart, Wolfgang Amadeusz --- Wagner, Wilhelm Richard, --- Drach, Wilhelm, --- Fājner, Rītshārd, --- Vāgners, Richards, --- Vagner, Rikhard, --- Vagner, R. --- Wagner, R. --- Wagunā, R., --- Vagneri, Rihard, --- Wagner, Riccardo, --- ואגנר, ריכארד, --- ואגנר, ריכרד, --- Criticism and interpretation. --- musicologie --- musique --- sémiotique --- classique --- art --- Muziekanalyses --- Muziekwetenschappen --- Taalkunde --- Mozart, Wolfgang Amadeus (1756-1791) --- Beethoven, Ludwig van (1770-1827) --- Brahms, Johannes (1833-1897) --- Schumann, Robert (1810-1856) --- Wagner, Richard
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