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This in-depth volume reviews the Welsh political pamphlets and sermons of the period, focusing on the debates between religious Dissenters, Methodists and the Church; radicals and loyalists; as well as pacifists and patriotic war supporters. Its second part presents annotated editions of five important Welsh political pamphlets with full translation, thus making them accessible to an English-speaking audience for the first time.
Revolutionary literature. --- Literature --- France --- Wales --- Cambria --- Cymric --- Gwalia --- Cymru --- England and Wales --- History
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This volume has brought together essays to explore, analyse and interpret the revolutionary tradition in modern Chinese literature over the past century from various angles. The authors examines the bodily or carnal dimension, especially the hidden implication of sexual passion, in revolutionary literature, formulate feminist critiques of the conception of women in literary expressions of revolution, explore the function of revolution as historical discourse and in historiographical represent...
Chinese literature --- Revolutionary literature --- Politics and literature --- Literature --- Literature and politics --- History and criticism. --- Political aspects
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Changing Women, Changing Nation explores the literary representations of women in Salvadoran and US-Salvadoran narratives during the span of the last thirty years. This exploration covers Salvadoran texts produced during El Salvador's civil war (1980–1992) and the current postwar period, as well as US-Salvadoran works of the last two decades that engage the topic of migration and second-generation ethnic incorporation into the United States. Rather than think of these two sets of texts as constituting separate literatures, Yajaira M. Padilla conceives of them as part of the same corpus, what she calls "trans-Salvadoran narratives"—works that dialogue with each other and draw attention to El Salvador's burgeoning transnational reality. Through depictions of women in trans-Salvadoran narratives, Padilla elucidates a "story" of female agency and nationhood that extends beyond El Salvador's national borders and imaginings.
American fiction --- Identity (Psychology) in literature. --- Women in literature. --- Revolutionary literature, Salvadoran --- Salvadoran fiction --- American literature --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Revolutionary literature, Salvadorian --- Salvadoran revolutionary literature --- Salvadoran literature --- Salvadorian fiction --- Hispanic American authors --- History and criticism. --- El Salvador --- Salvador, El --- República de El Salvador --- Republic of El Salvador --- République d'El Salvador --- Salvador --- Сальвадор --- Республика Эль-Сальвадор --- Respublika Ėlʹ-Salʹvador --- 萨尔瓦多 --- Sa'erwaduo --- 萨尔瓦多共和国 --- Sa'erwaduo Gongheguo --- אל סלבדור --- אל סלודור --- Central America (Federal Republic) --- In literature.
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The author of this important contribution to the study of Blake was tragically drowned in a sailing accident when he had almost completed it in manuscript. His was a critical mind of singular erudition and power. As is abundantly evidenced in these chapters which Northrop Frye has prepared for publication. Fisher had made a careful study of Oriental philosophy and of Plato and the Neo-Platonists and this background enabled him to make an original and fruitful analysis of his central interest, Blake. The book is not a study of Blake's sources but of his context. The author is trying to answer the question: given Blake's general point of view, why does he make the specific judgments he does make, judgments which so often seem merely glib or petulant or perverse. Blake himself, in explaining a painting, remarked: "It ought to be understood that the Persons, Moses & Abraham, are not here meant, but the States Signified by those Names." Fisher explains what Blake meant by "states," and shows that such names as Plato, Bacon or Newton, or such terms as "priest" or "deist" in Blake's writings, refer not to individuals but to cultural forces in Western civilization, the influence of which accounted for the social conditions that Blake attacked. The attack itself, Fisher shows, was based on a revolutionary dialectic, a sense of the underlying opposition between reactionaries committed to obscurantism and social injustice, the "Elect" as Blake calls them, and the prophets committed to a greater vision (the "Reprobate"), with the mass of the public (the "Redeemed") in between
Revolutionary literature, English --- Prophecies in literature. --- Visions in literature. --- History and criticism. --- Blake, William, --- Blake, W. --- Blake, William --- Blake, William, 1757-1827 --- Bleĭk, Uilʹi︠a︡m, --- בליק, ויליאם, --- בלייק, ויליאם, --- Political and social views.
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This critical, historical, and theoretical study looks at a little-known group of novels written during the 1930s by women who were literary radicals. Arguing that class consciousness was figured through metaphors of gender, Paula Rabinowitz challenges the conventional wisdom that feminism as a discourse disappeared during the decade. She focuses on the ways in which sexuality and maternity reconstruct the "classic" proletarian novel to speak about both the working-class woman and the radical female intellectual. Two well-known novels bracket this study: Agnes Smedley's Daughters of Earth (1929) and Mary McCarthy's The Company She Keeps (1942). In all, Rabinowitz surveys more than forty novels of the period, many largely forgotten. Discussing these novels in the contexts of literary radicalism and of women's literary tradition, she reads them as both cultural history and cultural theory. Through a consideration of the novels as a genre, Rabinowitz is able to theorize about the interrelationship of class and gender in American culture. Rabinowitz shows that these novels, generally dismissed as marginal by scholars of the literary and political cultures of the 1930s, are in fact integral to the study of American fiction produced during the decade. Relying on recent feminist scholarship, she reformulates the history of literary radicalism to demonstrate the significance of these women writers and to provide a deeper understanding of their work for twentieth-century American cultural studies in general.
American fiction --- Feminism and literature --- Women and literature --- Revolutionary literature, American --- Women intellectuals in literature. --- Working class in literature. --- Depressions in literature. --- Radicalism in literature. --- Desire in literature. --- Feminist fiction, American --- Femininity in literature. --- Depressions in literature --- Radicalism in literature --- Desire in literature --- Femininity in literature --- Women intellectuals in literature --- Working class in literature --- English --- Languages & Literatures --- American Literature --- Labor and laboring classes in literature --- Femininity (Psychology) in literature --- American literature --- American revolutionary literature --- History and criticism. --- History --- Women authors --- History and criticism --- #SBIB:309H515 --- #SBIB:316.346H00 --- #SBIB:316.7C213 --- #SBIB:HIVA --- Women authors&delete& --- Literatuurwetenschap, literatuursociologie --- Man-vrouw-studies, gender: algemeen --- Cultuursociologie: letterkunde, literatuur
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Original and thought-provoking, this collection sheds new light on an important yet understudied feature of seventeenth-century England's political and cultural landscape: exile. It considers exile both as physical displacement from England-to France, Germany, the Low Countries and America-and as inner, mental withdrawal. The essays assembled here demonstrate, among other things, both the shared and highly individual experiences in exile of figures conspicuously diverse in political and religious allegiance.
English literature --- Thematology --- anno 1600-1699 --- Exile (Punishment) in literature. --- Exiles in literature. --- Exiles' writings, English --- Literature and history --- Revolutionary literature, English --- Royalists in literature. --- History and criticism. --- History --- Great Britain --- Literature and the revolution. --- English exiles' writings --- History and criticism --- Literature and the revolution
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Women had been writing long before the French Revolution, but the reactionary character of the 1790s infused their work with a public importance and an urgency. The decade was one of intense argument and reflection on the role of women in society. Eleanor Ty studies the ways in which five women writers of the 1790s politicized the domestic or sentimental novel in response to oppression and exclusion. Influenced by radical post-revolution thinkers, Mary Wollstonecraft, Mary Hays, Helen Maria Williams, Elizabeth Inchbald, and Charlotte Smith wrote fiction that questioned existing social, economic, legal and cultural practices as they related to women. In particular, they dealt with historically specific gender issues such as female education, the rights and 'wrongs' of woman, and the duties of a wife. Using historical and feminist psycho-linguistic studies as a base, Ty explores some of the complexities encountered in the writings of these five women. Through their challenge to Edmund Burke's patriarchal ideas, they discovered strategies of writing based on the maternal or female aesthetic. For these 'unsex'd revolutionaries, ' sentimental or domestic fiction was not just about courtship, love, and romance. Their writings interrogate the structures of society, and criticize and make relevant the connections between the personal and the political, the domestic and the public sphere.
English fiction --- Politics and literature --- Women and literature --- Revolutionary literature, English --- Political fiction, English --- Women authors --- History and criticism. --- History --- France --- Foreign public opinion, British. --- Literature and the revolution. --- 820-3 "17" --- 820-3 "17" Engelse literatuur: proza--18e eeuw. Periode 1700-1799 --- Engelse literatuur: proza--18e eeuw. Periode 1700-1799 --- English literature --- Women authors&delete& --- History and criticism
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Poetry of the Revolution tells the story of political and artistic upheavals through the manifestos of the nineteenth and twentieth centuries. Ranging from the Communist Manifesto to the manifestos of the 1960s and beyond, it highlights the varied alliances and rivalries between socialism and repeated waves of avant-garde art. Martin Puchner argues that the manifesto--what Marx called the "poetry" of the revolution--was the genre through which modern culture articulated its revolutionary ambitions and desires. When it intruded into the sphere of art, the manifesto created an art in its own image: shrill and aggressive, political and polemical. The result was "manifesto art"--combinations of manifesto and art that fundamentally transformed the artistic landscape of the twentieth century. Central to modern politics and art, the manifesto also measures the geography of modernity. The translations, editions, and adaptations of such texts as the Communist Manifesto and the Futurist Manifesto registered and advanced the spread of revolutionary modernity and of avant-garde movements across Europe and to the Americas. The rapid diffusion of these manifestos was made "possible by networks--such as the successive socialist internationals and international avant-garde movements--that connected Santiago and Zurich, Moscow and New York, London and Mexico City. Poetry of the Revolution thus provides the point of departure for a truly global analysis of modernism and modernity.
Arts -- Political aspects. --- Arts, Modern -- 20th century. --- Avant-garde (Aesthetics) -- History -- 19th century. --- Avant-garde (Aesthetics) -- History -- 20th century. --- Revolutionary literature --- Arts, Modern --- Arts --- Avant-garde (Aesthetics) --- Literature --- Aesthetics --- Modernism (Art) --- Political aspects --- History --- History and criticism --- Marx, Karl, --- Engels, Friedrich, --- Political aspects. --- History and criticism. --- Marx, Karl, 1818-1883. Das Manifest der kommunistischen Partei --- Manifestes (art) --- Littérature et révolution --- Avant-garde (esthétique) --- Arts et politique --- Littérature révolutionnaire --- 20e siècle --- Aspect politique --- Histoire et critique
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The English Revolution was a revolution in reading, with over 22,000 pamphlets exploding from the presses between 1640 and 1661. What this phenomenon meant to the political life of the nation is the subject of Sharon Achinsteins book. Considering a wide range of writers, from John Milton, Thomas Hobbes, John Lilburne, John Cleveland, and William Prynne to a host of anonymous scribblers of every political stripe, Achinstein shows how the unprecedented outpouring of opinion in mid-seventeenth-century England created a new class of activist readers and thus helped to bring about a revolution in the form and content of political debate. By giving particular attention to Miltons participation in this burst of publishing, she challenges critics to look at his literary practices as constitutive of the political culture of his age.Traditional accounts of the rise of the political subject have emphasized high political theory. Achinstein seeks instead to picture the political subject from the perspective of the street, where the noisy, scrappy, and always entertaining output of pamphleteers may have had a greater impact on political practice than any work of political theory. As she underscores the rhetorical, literary, and even utopian dimension of these writers efforts to politicize their readers, Achinstein offers us evidence of the kind of ideological conflict that historians of the period often overlook. A portrait of early modern propaganda, her work recreates the awakening of politicians to the use of the press to influence public opinion.Originally published in 1994.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Revolutionary literature, English --- Books and reading --- Literature and history --- Politics and literature --- History --- History and criticism. --- Milton, John, --- Political and social views. --- Great Britain --- Literature and the revolution. --- Milton, John --- Political and social views --- Puritan Revolution, 1642-1660 --- Literature and the revolution --- Pamphlets --- Milṭan, Jān, --- Milʹton, Dzhon, --- Милтон, Джон, --- Miltūn, Zhūn, --- Miltonus, Joannes, --- J. M. --- M., J. --- Milʹton, Īoann, --- Milton, Gioanni, --- Milton, Giovanni, --- מילטאן, יאהאן --- מילטאן, יוחנן --- מילטון, ג׳והן --- מלטן, יוחנן --- Pamphlets.
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1789. Dès les Etats généraux, les événements se précipitent. Le public est avide de nouvelles, les rumeurs circulent, l'opinion s'affirme comme une force. Les journalistes veulent suivre l'actualité et s'engagent dans le débat politique. 140 journaux nouveaux naissent à Paris en cette seule année, accompagnés de dizaines de brochures et de pamphlets. Il faut les imprimer, les diffuser, les vendre, leur trouver un titre, des rubriques, un sommaire, un format. Il faut pour ces nouvelles feuilles réunir l'information, rapporter les anecdotes, écrire des récits, faire des comptes-rendus des séances de l'Assemblée Nationale, exalter ou critiquer le nouveau cours des choses. La presse entre en Révolution, le journal aussi change de régime.
French newspapers --- Journalism --- Press and politics --- Revolutionary literature --- Journaux français --- Journalisme --- Presse et politique --- Littérature révolutionnaire --- History --- Publishing --- Histoire --- Edition --- 070 <09> <44> --- 944.04 --- -Journalism --- -Revolutionary literature --- -Press and politics --- -Politics and the press --- Press --- Advertising, Political --- Government and the press --- Literature --- Writing (Authorship) --- Publicity --- Newspapers --- Persgeschiedenis--Frankrijk --- Geschiedenis van Frankrijk: Franse revolutie 1789-1804 --- -History --- -Publishing --- -Political aspects --- Political aspects --- France --- -070 <09> <44> --- -Persgeschiedenis--Frankrijk --- -France --- 944.04 Geschiedenis van Frankrijk: Franse revolutie 1789-1804 --- 070 <09> <44> Persgeschiedenis--Frankrijk --- -French newspapers --- -944.04 Geschiedenis van Frankrijk: Franse revolutie 1789-1804 --- Politics and the press --- Journaux français --- Littérature révolutionnaire --- Pʻŭrangsŭ --- Frankrig --- Francja --- Frant︠s︡ii︠a︡ --- Prantsusmaa --- Francia (Republic) --- Tsarfat --- Tsorfat --- Franḳraykh --- Frankreich --- Fa-kuo --- Faguo --- Франция --- French Republic --- République française --- Peurancih --- Frankryk --- Franse Republiek --- Francland --- Frencisc Cynewīse --- فرنسا --- Faransā --- Franza --- Republica Franzesa --- Gallia (Republic) --- Hyãsia --- Phransiya --- Fransa --- Fransa Respublikası --- Franse --- Францыя --- Frantsyi︠a︡ --- Французская Рэспубліка --- Frantsuzskai︠a︡ Rėspublika --- Parancis --- Pransya --- Franis --- Francuska --- Republika Francuska --- Bro-C'hall --- Френска република --- Frenska republika --- França --- República Francesa --- Pransiya --- Republikang Pranses --- Γαλλία --- Gallia --- Γαλλική Δημοκρατία --- Gallikē Dēmokratia --- فرانسه --- Farānsah --- צרפת --- רפובליקה הצרפתית --- Republiḳah ha-Tsarfatit --- פראנקרייך --- 法国 --- 法蘭西共和國 --- Falanxi Gongheguo --- フランス --- Furansu --- フランス共和国 --- Furansu Kyōwakoku --- Francija --- Ranska --- Frankrike --- Fake news --- French newspapers - History - 18th century. --- Journalism - France - History - 18th century. --- Revolutionary literature - Publishing - France - History - 18th century. --- Press and politics - France - History - 18th century. --- Révolution française --- journalisme --- presse --- périodique --- FRANCE --- HISTOIRE --- JOURNAUX FRANCAIS --- 1789-1799 (REVOLUTION)
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