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During the nineteenth century, Albrecht Dürer's art, piety, and personal character were held up as models to inspire contemporary artists and-it was hoped-to return Germany to international artistic eminence. In this book, Jeffrey Chipps Smith explores Dürer's complex posthumous reception during the great century of museum building in Europe, with a particular focus on the artist's role as a creative and moral exemplar for German artists and museum visitors.In an era when museums were emerging as symbols of civic, regional, and national identity, dozens of new national, princely, and civic museums began to feature portraits of Dürer in their elaborate decorative programs embellishing the facades, grand staircases, galleries, and ceremonial spaces. Most of these arose in Germany and Austria, though examples can be seen as far away as St. Petersburg, Stockholm, London, and New York City. Probing the cultural, political, and educational aspirations and rivalries of these museums and their patrons, Smith traces how Dürer was painted, sculpted, and prominently placed to accommodate the era's diverse needs and aspirations. He investigates what these portraits can tell us about the rise of a distinct canon of famous Renaissance and Baroque artists-addressing the question of why Dürer was so often paired with Raphael, who was considered to embody the greatness of Italian art-and why, with the rise of German nationalism, Hans Holbein the Younger often replaced Raphael as Dürer's partner.Accessibly written and comprehensive in scope, this book sheds new light on museum building in the nineteenth century and the rise of art history as a discipline. It will appeal to specialists in nineteenth-century and early modern art, the history of museums and collecting, and art historiography.

Dürer, Albrecht, --- Dürer, Albrecht, --- Appreciation. --- Portraits.

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Albrecht Dürer est le troisième enfant d'Albrecht Dürer l'Ancien, orfèvre originaire de Hongrie et arrivé à Nüremberg en 1455. En 1486, il entre dans l'atelier de Michael Wolgemut et en devient l'apprenti. Après avoir effectué son tour de compagnon à travers la France et l'Allemagne, il séjourne à deux reprises à Venise, en 1494 puis en 1505. Ce séjour le marque profondément. On lui fait alors la commande d'un retable pour l'autel de Notre-Dame, dans l'église nationale de la colonie allemande à San Bartolommeo. En 1512, il reçoit une pension de l'empereur Maximilien de Habsbourg avec titres de

Painters --- Dürer, Albrecht, --- Dürer, Albrecht --- Durer, Albert

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Albrecht Dürer's (1471-1528) work stands out as one of the most innovative of the Northern Renaissance, revolutionising landscape and portraiture techniques in both religious and secular painting. This book offers a wide selection of Dürer's works, and its compact format makes it the ideal gift for every art lover.

Painters --- Painting, German. --- Painting, Renaissance --- Dürer, Albrecht, --- Criticism and interpretation. --- Painting, German --- Germany --- Arts --- Art --- Biography & Autobiography --- Durer, Albrecht,

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Art historians have long looked to letters to secure biographical details; clarify relationships between artists and patrons; and present artists as modern, self-aware individuals. This book takes a novel approach: focusing on Albrecht Dürer, Shira Brisman is the first to argue that the experience of writing, sending, and receiving letters shaped how he treated the work of art as an agent for communication. In the early modern period, before the establishment of a reliable postal system, letters faced risks of interception and delay. During the Reformation, the printing press threatened to expose intimate exchanges and blur the line between public and private life. Exploring the complex travel patterns of sixteenth-century missives, Brisman explains how these issues of sending and receiving informed Dürer's artistic practices. His success, she contends, was due in large part to his development of pictorial strategies-an epistolary mode of address-marked by a direct, intimate appeal to the viewer, an appeal that also acknowledged the distance and delay that defers the message before it can reach its recipient. As images, often in the form of prints, coursed through an open market, and artists lost direct control over the sale and reception of their work, Germany's chief printmaker navigated the new terrain by creating in his images a balance between legibility and concealment, intimacy and public address.

Communication and the arts --- Communication in art --- Visual communication --- German letters --- Written communication --- History --- History --- History --- History and criticism. --- History --- Dürer, Albrecht, --- Dürer, Albrecht, --- Criticism and interpretation. --- Albrecht Dürer. --- German. --- address. --- audience. --- author. --- communication. --- handwriting. --- letters. --- postal system. --- prints. --- technology. --- writing.

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Biological transport --- Biological Transport --- Intracellular Membranes --- physiology --- Biological Transport. --- Biological transport. --- Intrazellulärer Transport --- Zeitschrift --- Online-Ressource --- Netzpublikation --- Online-Publikation --- Computerdatei im Fernzugriff --- Online-Dokument --- On-line-Dokument --- On-line-Publikation --- Periodikum --- Zeitschriften --- Interzellulärer Transport --- Membrane transport --- Passive transport, Biological --- Physiological transport --- Transport, Biological --- Biologic Transport --- Transport, Biologic --- Biochemistry. --- Histology. --- Diffusion --- Osmosis --- Elektronische Publikation --- Presse --- Fortlaufendes Sammelwerk --- Stofftransport --- Transport Vesicles --- Membrane Transport Proteins --- Intrazellulärer Transport --- Interzellulärer Transport --- Zeitschrift. --- Online-Ressource. --- Intrazellulärer Transport.