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« Le père Pissarro », comme aimaient à l'appeler ses amis, était le plus sage des artistes impressionnistes. Peut être son âge, plus avancé que celui de ses camarades Monet, Sisley, Bazille et Renoir, ou plutot sa maturité, lui firent créer des ouvres sereines et sobres tant dans leur sujet que dans leur composition. Homme au goûts simples, il se plut à peindre des paysans sur les chemins, bien qu'il dut sa tardive notoriété à ses paysages urbains, traités avec la même passion que celle que faisaient jaillir en lui les ciels orageux et les matins blanchis par le givre.
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postimpressionisme --- 7.036 --- kunstgeschiedenis - expressionistische en impressionistische richtingen, functionalisme, naturalisme, realisme en moderne stromingen 2e helft 19e eeuw-vroege 20e eeuw --- Post-impressionism (Art) --- Post-impressionisme (Art) --- Post-impressionisme (Kunst) --- 705.7 --- Anquetin, Louis --- Bell, Vanessa --- Bernard, Emile --- Chavannes, Pierre Puvis de --- Fry, Roger --- Gilman, Harold --- Gore, Spencer --- Grant, Duncan --- O'Conor, Roderic --- Postimpressionisme --- Prendergast, Maurice --- Sérusier, Paul --- Vallotton, Félix --- Post-Impressionist --- painting [image-making] --- Painting --- schilderkunst --- post-impressionisme --- Bonnard, Pierre --- Cézanne, Paul --- Davis, Stuart --- Degas, Edgar --- Denis, Maurice --- Derain, André --- Gauguin, Paul --- Matisse, Henri --- Monet, Claude --- Pissarro, Camille --- Redon, Odilon --- Seurat, Georges --- Signac, Paul --- Toulouse-Lautrec, Henri de --- Van Gogh, Vincent --- Vuillard, Edouard --- post-impressionisme.
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Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with parallel literary trends and authors from Baudelaire to Philippe Soupault. Clive Scott traces street photography's origins, asking what really what happened to photography when it first abandoned the studio, and brings to the fore fascinating questions about the way the street photographer captures or frames those subjects - traders, lovers, entertainers - so beloved of the genre. In doing so, Scott reveals street photography to be a poetic, even 'picturesque' form, looking not to the individual, but to the type; not to the 'reality' of the street but to its 'romance'
77.03 --- 77.041.7 --- fotografie --- fotografietheorie --- straatfotografie --- Frankrijk --- Parijs --- fotografie en schilderkunst --- negentiende eeuw --- twintigste eeuw --- Collard Hippolyte-Auguste --- Kertész André --- Doisneau Robert --- Wols --- Lartigue Jacques-Henri --- Renoir Auguste --- Manet Edouard --- Bovis Marcel --- Caillebotte Gustave --- Bucquet Maurice --- Izis --- Pissarro Camille --- Atget Eugène --- Krull Germaine --- Seeberger Frères --- Brassaï --- Colomb Denise --- Nègre Charles --- 77.01 --- 77.046 --- 77.041.7 Fotografie van het dagelijks leven. Narratieve fotografie --- Fotografie van het dagelijks leven. Narratieve fotografie --- 77.03 Documentaire fotografie --- Documentaire fotografie --- Photography --- Street photography --- History. --- Atget, Eugène, --- Cartier-Bresson, Henri, --- Cityscape photography --- Outdoor photography --- Bresson, Henri Cartier-, --- Atget, Jean-Eugène,
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realisme --- pop art --- 7.037 --- 705.8 --- Caro, Anthony --- Collage --- Bacon, Francis --- Balla, Giacomo --- Balthus --- Blake, Peter --- Bonnard, Pierre --- Bouguereau, William-Adolphe --- Braque, Georges --- Burra, Edward --- Clausen, George --- Coldstream, William --- Courbet, Gustave --- Cézanne, Paul --- De Chirico, Giorgio --- Derain, André --- Dix, Otto --- Duran, E. Carolus --- Estes, Richard --- Fildes, Luke --- Fischl, Eric --- Flack, Audrey --- Fotorealisme --- Frampton, Meredith --- Frankenthaler, Helen --- Freud, Lucian --- Gauguin, Paul --- Geschiedenis --- Gonzalez, Julio --- Gilman, Harold --- Hoyland, John --- Smith, David --- Moon, Jeremy --- Louis, Morris --- Jenkins, Paul --- Ginner, Charles --- Griebel, Otto --- Grosz, Georg --- Guttuso, Renato --- Hamilton, Richard --- Hepworth, Barbara --- Hockney, David --- Hofmann, Hans --- Hopper, Edward --- Hyperrealisme --- Kandinsky, Wassily --- Kirchner, Ernst Ludwig --- Kunst --- Lewis, Wyndham --- Longo, Robert --- Malevitsj, Kasimir --- Manet, Edouard --- Martineau, Robert --- Matisse, Henri --- Millais, John Everett --- Miro, Joan --- Modernisme --- Mondriaan, Piet --- Monet, Claude --- Moore, Henry --- Morandi, Giorgio --- Nash, Paul --- Newman, Barnett --- Nicholson, Ben --- Noland, Kenneth --- Olitski, Jules --- Padua, Paul Mathias --- Picasso, Pablo --- Pissarro, Camille --- Pollock, Jackson --- Pop art --- Postmodernisme --- Radziwill, Franz --- Realisme --- Redon, Odilon --- Rivera, Diego --- Roberts, William --- Rosenquist, James --- Rothko, Mark --- Sargent, John Singer --- Saville, Jenny --- Schad, Christian --- Scholz, Georg --- Seurat, Georges --- Sickert, Walter Richard --- Sironi, Mario --- Spencer, Stanley --- Vuillard, Edouard --- Warhol, Andy --- Wesselmann, Tom --- Whistler, James Abbott McNeill --- Wissel, Adolf --- Wood, Grant --- Wunderwald, Gustav --- kunstgeschiedenis - constructivisme, dadaïsme, fauvisme, futurisme, kubisme, surrealisme, moderne kunst (overgang expres. naar abstr. kunst) --- painting [image-making] --- Art --- schilderkunst --- Realist [modern European fine arts styles] --- Art styles --- realisme.
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