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In de zeventiende eeuw ging vrijwel iedere toneelvoorstelling gepaard met muziek. Er werd niet alleen gemusiceerd tussen de bedrijven, maar ook in het toneelstuk zelf. Muziek diende als achtergrond en versiering en was functioneel geïntegreerd in de handeling van het drama. Uit de rekeningen van de Amsterdamse Schouwburg blijkt dat men professionele musici in dienst had; daarnaast werd er gezongen en gedanst door de acteurs. In navolging van buitenlandse toneelmuziekstudies wordt in dit boek voor het eerst uitvoerig aandacht besteed aan de zeventiende-eeuwse theatermuziek in de Nederlanden. Ce

Dramatic music --- History and criticism. --- Music, Dramatic --- Music, Theatrical --- Music for the stage --- Stage music --- Theatrical music --- Music --- History and criticism --- Krul, Jan Harmensz --- Music in theaters

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The reality of a play is in its performance. Making Theatre focuses on the processes by which performance is realized, analyzing three major areas: ""Words"" and the interpretation of text; ""Vision"" including scenery, costume and lighting; and ""Music"" which illustrates the importance of music in all stage action.The forms of theater covered include straight drama, the musical and opera. Taking productions well-known on both sides of the Atlantic, Peter Mudford examines plays by Shakespeare, Chekhov, Pirandello, Beckett, Pinter, Tennessee Williams, Arthur Miller and David Mamet; musicals by

Drama --- Theater --- Music in the theater. --- Musicals. --- Opera. --- Comic opera --- Lyric drama --- Opera --- Opera, Comic --- Operas --- Dramatic music --- Singspiel --- Musical comedies --- Musical plays --- Musical revues, comedies, etc. --- Musical shows --- Operettas --- Shows, Musical --- Music in theaters --- Incidental music --- Directing (Theater) --- Play direction (Theater) --- Play production (Theater) --- Explication. --- Production and direction. --- History and criticism --- Instruction and study --- Direction --- Music --- Theatrical science