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Université de Montréal. --- Université de Montréal --- Periodicals. --- Graduate students --- Périodiques. --- Diplômés (2e et 3e cycles)
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En s’appuyant sur l’observation de conflits d’appropriation au sein du Village Shaugnessy à Montréal et de la Goutte d’Or à Paris, cet ouvrage interroge les logiques qui organisent la régulation des espaces publics dans des quartiers péricentraux et à vocation résidentielle. À travers des réflexions mêlant géographie sociale, études urbaines et philosophie, l’auteur propose d’analyser ces conflits au prisme de l’ « habiter », du chez-soi. Au-delà des injonctions au vivre-ensemble, il invite ainsi à repenser la cohabitation comme l’élaboration d’un sentiment d’appartenance partagé.
Urban Studies --- quartiers (urbanisme) --- urbanisation --- urbanisme --- espace public --- Montreal --- Paris
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The 1976 Montreal Summer Olympics were the riveting games the world had ever seen. This title offers an insider's perspective on how this complex, expensive, and politicized event was organized within the constraints imposed by limited resources, an unyielding deadline, and intense pressures from international and local special interest groups.
Olympics --- Planning. --- Montreal Olympic Organizing Committee --- History. --- Olympic Games
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This is the third out of eight projected volumes making available to the public the contents in the collection of Greek and Roman Antiquities in one of Canada’s most prestigious museums. Here are presented a variety of metal objects (mostly bronze figurines, medical instruments, brooches, weaponry and a lead sarcophagus), the small collection of jewelry and the ancient gems and seal stones (mainly Roman) some still set in rings. Ce volume est le troisième de la série de huit volumes projetés qui vise à publier la collection des antiquités grecques et romaines d’un des grands musées canadiens. Nous présentons ici des objets métalliques très variés (surtout des statuettes de bronze, des instruments médicaux, des épingles, des armes et un sarcophage de plomb), un petit nombre de bijoux et de gemmes anciennes (surtout romaines) certaines encore serties dans une bague.
Musée des beaux-arts de Montréal. --- Classical antiquities.
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Advances in modern science and technology have made present-day terrestrial and celestial globes scientifically obsolete and aesthetically banal. From the Renaissance to the mid-nineteenth century, however, they were indispensable tools for the study of geography and astronomy. Beginning with an overview of early globes, the authors examine how the modern era in globe making, which began in Flemish and Dutch shops in the early seventeenth century, show how globe making spread throughout Europe, and explain how what were both decorative and scientific objects became symbols of power, universal knowledge, intellectual status, and personal vanity. Beginning with the collection's earliest globe, dated 1533, the authors introduce us to the life and works of some of the greatest Dutch, French, English, German, Italian, and Swedish globe makers. The 120 colour illustrations allow the reader to savour these rare and unusual works and include numerous detailed reproductions of both terrestrial and celestial map images. Sphæræ Mundi charts developments and changes over three centuries of globe making, considering the globes as indicators of scientific advance and geographical exploration as well as artifacts and providing a unique opportunity to become familiar with these complex and beautiful objects.
Globes
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Celestial globes
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Cartography
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Maps
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Globes, Celestial
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Globes, Star
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Star globes
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Astronomical models
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Celestial sphere
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Cartographic materials
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Orbs
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World maps
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History.
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History
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David M. Stewart Museum
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Stewart Museum
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Musée Stewart
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Musée David M. Stewart
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Montreal Military & Maritime Museum
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094.2 <71 MONTREAL>
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912.643
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094.2 <71 MONTREAL> Oude drukken: bibliotheekcatalogi--
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In 1880 the Art Association of Montreal established the Spring Exhibitions, an annual event which played a critical role in establishing a widespread appreciation of Canadian art. When the Association became the Montreal Museum of Fine Arts in 1948, it continued to sponsor the event for more than twenty years. Open to all artists, the exhibitions frequently received from 1,500 to 2,000 submissions, with many of the exhibitions having between 400 and 500 works. In its ninety-year history it presented 23,201 paintings, sculptures, etchings, engravings, stained glass and tapestry designs; from 1885 to 1947 architecture was included, and 1,292 pieces of painted china were exhibited between 1894 and 1926. In all the Spring Exhibitions represented the work of 3,163 artists from across Canada, with approximately 100 from the United States, Britain, or Europe. In compiling a catalogue of these exhibitions, Evelyn McMann has produced a comprehensive record of Canadian art during nine decades of tremendous development. Her work refers the reader to biographical information about the majority of the artists, and makes available for the first time information on hundreds of lesser-known artists. The many cross-references make it possible to locate artists who exhibited under two or more names, and the record of more than 150 prizes award through the exhibitions adds another useful resource. For reasearchers and art historians this volume provides an invaluable point of access to a vast body of Canadian art.
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L’arrondissement historique et naturel du mont Royal est l’un des plus remarquables au Canada, sinon en Amérique du Nord, et le campus de l’Université de Montréal en constitue une composante essentielle. Étonnamment, il n’existait pas jusqu’ici un ouvrage qui en trace un portrait d’ensemble. C’est le défi qu’a relevé une équipe de la Chaire de recherche du Canada en patrimoine bâti de l’École d’architecture de la Faculté de l’aménagement. Ce guide s’intéresse à l’architecture, aux aménagements paysagers et aux paysages du campus depuis son implantation. Mais au-delà de la description des attributs physiques des lieux et de certains rappels historiques, les auteures ont voulu mettre en valeur les liens entre les différentes composantes. C’est précisément par ces rapports, croient-elles, que se comprend la richesse de ce patrimoine exceptionnel. Ce guide ne s’adresse donc pas seulement aux membres de la communauté universitaire d’aujourd’hui et d’hier, mais aussi à ceux et celles qui s’intéressent à l’histoire de Montréal et à l’architecture de paysage.
Architecture --- Landscape architecture --- Architecture du paysage --- Université de Montréal --- Horticultural service industry --- Landscape gardening --- Landscaping industry --- Montréal (Québec). --- University of Montreal --- Universidad de Montreal --- Université Laval à Montréal --- Buildings. --- Université de Montréal. --- Université de Montréal --- Constructions. --- Landscape architecture. --- urbanisme --- aménagement --- Montréal --- paysage --- Constructions scolaires (universités) --- Bâtiments publics --- Histoire.
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History --- Histoire --- History. --- Université de Montréal. --- Annals --- Arts and Humanities --- Auxiliary sciences of history
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Survivors of terrible events are often portrayed as unsung heroes or tragic victims but rarely as complex human beings whose lives extend beyond the stories they have told. Beyond Testimony and Trauma considers other ways to engage with survivors and their accounts based on insights gained from long-term oral history projects in a variety of contexts, including factory closures, industrial injury, eugenics and forced sterilization, the Holocaust, genocide in Rwanda and Cambodia, Argentinian torture camps, the Yugoslav Wars, and Jewish emigration from the Maghreb. The contributors, all innovators in the field of oral history, include Henry Greenspan who provides reflections from forty years of listening to Holocaust survivors as well as an insightful afterword. They demonstrate that – through deep listening, long-term relationship building, and collaborative research design – it is possible to move beyond the problematic aspects of “testimony” to shine light on the more nuanced lives of survivors of mass violence. In the process, they offer alternative approaches to the collection of oral history that will shake the foundations of current historiographical practice.
History --- oral history [discipline] --- Oral history. --- Oral biography. --- Victims. --- Survival. --- Montreal Life Stories Project
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