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Music in Art was established in 1998 (replacing RIdIM/RCMI Newsletter), and it is now the major multidisciplinary journal devoted to the study and interpretation of visual sources concerned with music of the West and the East from antiquity to the present. It fosters communication between historians of art, dance, and theater with musicologists and ethnomusicologists engaged in the research social and cultural context of music-making and dance, the history of performance practice, the popular music studies, the representations of musical instruments and their decorations, and the interactions between music and visual arts in the 20th and 21st centuries.
Music in art --- Music in art. --- Musikalische Ikonographie --- Ikonographie --- Musikikonographie --- Music --- Musical iconography --- Musik --- Iconography --- Musique dans l'art --- Iconografie. --- Muziek.
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The roots and evolution of two concepts usually thought to be Western in origin-musica mundana (the music of the spheres) and musica humana (music's relation to the human soul)-are explored. Beginning with a study of the early creeds of the Near East, Professor Meyer-Baer then traces their development in the works of Plato and the Gnostics, and in the art and literature of the Middle Ages and the Renaissance. Previous studies of symbolism in music have tended to focus on a single aspect of the problem. In this book the concepts of musica humana and musica mundane are related to philosophy, aesthetics, and the history of religion and are given a rightful place in the history of civilization.Originally published in 1970.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Music --- Death in music --- Music in art --- Musique --- Mort dans la musique --- Musique dans l'art --- Philosophy and aesthetics --- Philosophie et esthétique --- Music in art. --- Death in music. --- Musical iconography --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics. --- Iconography --- Philosophy
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"In Sounding Objects, Carla Zecher studies the representation of musical instruments in French Renaissance poetry and art, arguing that the efficacy of these material objects as literary and pictorial images was derived from their physical characteristics and acoustic properties, as well as from their aesthetic product." "Sounding Objects is concerned with ways in which musical culture provided poets with a rich, nuanced vocabulary for reflecting on their own art and its roles in courtly life, the civic arena, and salon society. Poets not only depicted the world of musical practice but also appropriated it, using musical instruments figuratively to establish their literary identities. Drawing on music treatises and archival sources as well as poems, paintings, and engravings, this study aims to enrich our understanding of the interplay of poetry, music, and art in this period, and highlights the importance of musical materiality to Renaissance culture."--Jacket.
French literature -- 16th century -- History and criticism. --- Music and literature. --- Musical instruments in art. --- French literature --- Music and literature --- Musical instruments in art --- Romance Literatures --- Languages & Literatures --- French Literature --- Literature and music --- History and criticism --- E-books --- Instruments de musique dans l'art --- Literature --- Music --- anno 1500-1599 --- France --- History and criticism. --- Littérature française --- Musique et littérature --- Histoire et critique --- French literature -- 16th century -- History and criticism --- French literature - 16th century - History and criticism --- Frankreich --- La France --- République Française --- Francija --- Französische Republik --- Empire Français --- Royaume Français --- Fränkische Republik --- Ṣārfat --- Repubblica Francese --- Franzosen --- Musikinstrument --- Literatur --- Kunst --- Geschichte
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In the construction of a private princely identity before the eyes of a select public in the study rooms of Italian Renaissance rulers, ideals of sober recreation met with leisured reality. 'Echoing Helicon' reconstructs, through the interpretation of painted and intarsia decoration, the roles played by music in such settings.
Music --- mecenaat --- music [discipline] --- studiolos --- patronage --- Italian Renaissance-Baroque styles --- court art --- painting [image-making] --- History of civilization --- Este, d', Alfonso --- Este, d', Leonello --- Este, d', Isabella --- anno 1400-1499 --- anno 1500-1599 --- Italy --- Studiolos --- Art and music. --- Music in art. --- Musique --- Art et musique --- Musique dans l'art --- History and criticism. --- Histoire et critique --- Este family --- Este, Leonello d', --- Isabella d'Este, --- Alfonso --- Art patronage. --- music [performing arts] --- Art and music --- Music in art --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Music and art --- Musical iconography --- Social aspects --- History --- History and criticism --- Iconography --- Isabelle d'Este, --- Gonzaga, Isabella d'Este, --- Mantua, Isabella d'Este, --- D'Este Gonzaga, Isabella, --- D'Este, Isabella, --- Este, Isabella d', --- Isabella, --- D'Este, Leonello, --- D'Este, Alfonso --- Este, Alfonso I d', --- Ferrara, Alfonso I d'Este, --- Music, Dance, Drama & Film --- Music History & Criticism, General --- Social aspects. --- music [performing arts genre]
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