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Staatsbibliothek zu Berlin--Preussischer Kulturbesitz --- Bayerische Staatsbibliothek --- Bayerische Staatsbibliothek. --- Staatsbibliothek zu Berlin--Preussischer Kulturbesitz. --- 027.54 <43 BERLIN> --- 027.54 <43 MUNCHEN> --- 027.54 <43 MUNCHEN> Rijksoverheidsbibliotheken. Staatsbibliotheken. Nationale bibliotheken (Koninklijke Bibliotheek)--Duitsland voor 1945 en na 1989--MUNCHEN --- Rijksoverheidsbibliotheken. Staatsbibliotheken. Nationale bibliotheken (Koninklijke Bibliotheek)--Duitsland voor 1945 en na 1989--MUNCHEN --- 027.54 <43 BERLIN> Rijksoverheidsbibliotheken. Staatsbibliotheken. Nationale bibliotheken (Koninklijke Bibliotheek)--Duitsland voor 1945 en na 1989--BERLIN --- Rijksoverheidsbibliotheken. Staatsbibliotheken. Nationale bibliotheken (Koninklijke Bibliotheek)--Duitsland voor 1945 en na 1989--BERLIN --- E-journals --- Periodicals --- Library and Information Sciences --- General and Others

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A revelatory look at the residences of Adolf Hitler, illuminating their powerful role in constructing and promoting the dictator’s private persona both within Germany and abroad Adolf Hitler’s makeover from rabble-rouser to statesman coincided with a series of dramatic home renovations he undertook during the mid-1930s. This provocative book exposes the dictator’s preoccupation with his private persona, which was shaped by the aesthetic and ideological management of his domestic architecture. Hitler’s bachelor life stirred rumors, and the Nazi regime relied on the dictator’s three dwellings—the Old Chancellery in Berlin, his apartment in Munich, and the Berghof, his mountain home on the Obersalzberg—to foster the myth of the Führer as a morally upstanding and refined man. Author Despina Stratigakos also reveals the previously untold story of Hitler’s interior designer, Gerdy Troost, through newly discovered archival sources. At the height of the Third Reich, media outlets around the world showcased Hitler’s homes to audiences eager for behind-the-scenes stories. After the war, fascination with Hitler’s domestic life continued as soldiers and journalists searched his dwellings for insights into his psychology. The book’s rich illustrations, many previously unpublished, offer readers a rare glimpse into the decisions involved in the making of Hitler’s homes and into the sheer power of the propaganda that influenced how the world saw him.

Dictators --- Nazi propaganda --- Architecture, Domestic --- Dictateurs --- Propagande nazie --- Architecture domestique --- Dwellings --- History --- Habitations --- Histoire --- Hitler, Adolf, --- Housing --- Design --- Propaganda --- Homes and haunts. --- Psychology. --- HISTORY / Europe / Germany. --- Berlin. --- München. --- Obersalzberg. --- Duitsland. --- Berchtesgaden-Obersalzberg --- Landeshauptstadt München --- Hauptstadt München --- Munich --- Monachum --- Munichen --- K. Haupt- und Residenzstadt München --- Königliche Haupt- und Residenzstadt München --- Monaco --- Mjunchen --- Myunken --- Mnichov --- Munihei --- Minga --- Monacho --- Monachon --- Hauptstadt der Bewegung --- Minkhen --- Münich --- Groß-München --- Monaco di Baviera --- Monachium --- Monacum --- Moncium --- Myunīḫ --- Großberlin --- Groß-Berlin --- Haupt- und Residenz-Stadt Berlin --- Reichshauptstadt Berlin --- Berlino --- Berolino --- Stadtgemeinde Berlin --- Hauptstadt Berlin --- Birlīn --- Barlīn --- Berolinon --- Land Berlin --- Coloniae Brandenburgicae --- Berlinum --- Verolino --- Berolinum --- Cölln an der Spree --- Colonia Brandenburgica --- Colonia Marchica --- Cöln an der Spree --- Berlin --- "Besonderes Gebiet" Berlin --- Gross-Berlin --- Berliner --- Behavioral sciences --- Mental philosophy --- Mind --- Science, Mental --- Human biology --- Philosophy --- Soul --- Mental health

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It is well known that Theodor W. Adorno’s aesthetic theory is grounded in his profound musical knowledge. The importance of music for Jean-François Lyotard, however, has not been adequately recognized until today; neither has the fact that Lyotard was strongly influenced by Adorno. Tracing back the development of Lyotard’s thought from his “pagan” beginnings to his late conception of an informal art, the book intends to initiate an adequate reception of Lyotard’s œuvre from a musicological viewpoint. Moreover, as a first comprehensive comparison of Lyotard‘s and Adorno’s theories on art, the study contributes to the exploration of Critical Theory’s reception in France. Es ist allgemein bekannt, dass Theodor W. Adorno seine ästhetische Theorie auf Basis profunder Musikkenntnisse entwickelte. Dass die Musik auch für Jean-François Lyotard von besonderer Wichtigkeit war und er stark von Adorno beeinflusst wurde, wurde bis heute allerdings kaum entsprechend wahrgenommen. Durch den Vergleich mit der Musikphilosophie Adornos intendiert dieses Buch eine adäquate Rezeption des Werkes von Lyotard aus musikwissenschaftlicher Sicht zu initiieren, wobei es dessen Entwicklung von den "heidnischen" Anfängen bis zur späten Konzeption einer "informellen" Kunst nachzeichnet. Als erster umfassender Vergleich der Ästhetik beider Denker leistet es auch einen Beitrag zur Erforschung der Rezeption der Kritischen Theorie in Frankreich.

Aesthetics, German --- Philosophy & Religion --- Philosophy --- Adorno, Theodor W., --- Lyotard, Jean-François, --- Aesthetics (as a topic) --- Aesthetics. --- Adorno, Theodor W. --- Wiesengrund, Theodor, --- Wiesengrund-Adorno, Theodor, --- Adorno, Teodor V., --- Adorŭno, --- אדורנו, תאודור --- אדורנו, ת. ו. --- Adorno, Th. W. --- Adorno --- Lyotard --- Aesthetics --- Postmodernism --- Modernism --- Contemporary Music --- Ästhetik --- Postmoderne --- Moderne --- zeitgenössische Musik --- Immanuel Kant --- Jean-François Lyotard --- München --- Philosophie --- Theodor W. Adorno --- Verlag Herder

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The 2007 ESO Instrument Calibration workshop brought together more than 120 participants with the objective to a) foster the sharing of information, experience and techniques between observers, instrument developers and instrument operation teams, b) review the actual precision and limitations of the applied instrument calibration plans, and c) collect the current and future requirements by the ESO users. These present proceedings include the majority of the workshop’s contributions and document the status quo of instrument calibration at ESO in large detail. Topics covered are: Optical Spectro-Imagers, Optical Multi-Object Spectrographs, NIR and MIR Spectro-Imagers, High-Resolution Spectrographs, Integral Field Spectrographs, Adaptive Optics Instruments, Polarimetric Instruments, Wide Field Imagers, Interferometric Instruments as well as other crucial aspects such as data flow, quality control, data reduction software and atmospheric effects. It was stated in the workshop that "calibration is a life-long learning process''. In this sense, this book will be a reference point for all future efforts to improve instrument calibration procedures in astronomy.

Astronomisches Instrument --- Kalibrieren --- Garching --- Astronomical instruments -- Calibration -- Congresses. --- Astronomical instruments -- Calibration. --- Astronomical instruments. --- Astronomical instruments --- Spectroscope --- Astronomical spectroscopy --- Astronomy & Astrophysics --- Physical Sciences & Mathematics --- Astronomy - General --- Astronomical Observatories & Instruments --- Calibration --- Equipment and supplies --- Spectroscopy, Astronomical --- Astronomy --- Instruments, Astronomical --- Instruments --- Physics. --- Observations, Astronomical. --- Astrophysics. --- Physical measurements. --- Measurement. --- Astronomy, Observations and Techniques. --- Astrophysics and Astroparticles. --- Measurement Science and Instrumentation. --- Observations. --- Absorption spectra --- Astrophysics --- Spectrum analysis --- Optical instruments --- Physical instruments --- Scientific apparatus and instruments --- Space optics

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Der Sammelband, hervorgegangen aus dem Zürcher Jubiläumskongress 2019, erschließt Kellers Erzählwerk als Laboratorium einer transitorischen Poetik. So interpretiert Keller nicht nur aus der Vormoderne überlieferte literarische Gattungen (wie z.B. die Legende) neu, sondern prägt u.a. mit Bildungsroman und Novelle auch diejenigen Formen, in denen das moderne Subjekt psychologisch vermessen wird. Zugleich gelingt es ihm, etwa in den »Züricher Novellen« sowie natürlich in den »Leuten von Seldwyla«, Hetero-, Dys- und Utopien zu entwerfen und durch Realitätsverdoppelungen mögliche Welten zu schaffen, mit denen die Grenzen von Faktualität und Fiktionalität neu verhandelt werden. Es ist dabei gerade das Wechselspiel zwischen der ›Künstlichkeit‹ des Wirklichen und der ›Wirklichkeit‹ von Kunst, in dem Keller sich als moderner Narratologe erweist. Der Systematisierung dieser Erzählkunst gehen die hier versammelten Beiträge nach - und erkunden Kellers Texte als Zeugnisse einer ›Schwellennarratologie‹, die sich epochalen Zuschreibungen entzieht, wo sie nicht diese vielmehr selbst zur Diskussion stellt. Keller not only reinterpreted literary genres like the legend but, with the bildungsroman and the novella, also shaped the forms that psychologically gauge the modern subject. These contributions explore Keller’s texts as evidence of a "threshold narratology," which eludes epochal attributions. Keller’s narrative works are thus revealed as a laboratory of transitory poetics.

LITERARY CRITICISM / Modern / 19th Century . --- Keller, Gottfried --- Keller, Gottfried. --- modernism. --- narratology. --- realism. --- Kerā --- Kai le --- Kaile --- Keler, Gotfrid --- Keleri, Gotpʹrid --- Kīllir, Ǧūtfrīd --- Keller, Gotfryd --- Keller, Gotfrid --- Keller, Goffredo --- Kaile, Gaotefeilite --- Keller, Gkoto̲fri̲nt --- 高·凯勒 --- ケラー, ゴットフリート --- 凯勒, 高 --- ケラー・ゴットフリート --- קלר, גוטפריד --- 凱勒 --- Schriftsteller --- Regierungssekretär --- Librettist --- Maler --- Lyriker --- Zürich --- München --- Heidelberg --- Berlin --- Keller, Elisabeth --- Keller, Regula --- Exner, Adolf --- Exner, Marie --- Scheidegger, Christina Luise --- 19.07.1819-16.07.1890 --- 19.07.1819-15.07.1890 --- 1819-1890 --- Keller, Johann Rudolf