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Dynamics of Neo-Latin and the Vernacular offers a collection of studies that deal with the cultural exchange between Neo-Latin and the vernacular, and with the very cultural mobility that allowed for the successful development of Renaissance bilingual culture. Studying a variety of multilingual issues of language and poetics, of translation and transfer, its authors interpret Renaissance cross-cultural contact as a radically dynamic, ever-shifting process of making cultural meaning. With renewed attention for suitable theoretical and methodological frames of reference, Dynamics of Neo-Latin and the Vernacular firmly resists literary history’s temptation to pin down the Early Modern relationship between languages, literatures and cultures, in favour of stressing the sheer variety and variability of that relationship itself. Contributors are Jan Bloemendal, Ingrid De Smet, Annet den Haan, Tom Deneire, Beate Hintzen, David Kromhout, Bettina Noak, Ingrid Rowland, Johanna Svensson, Harm-Jan van Dam, Guillaume van Gemert, Eva van Hooijdonk, and Ümmü Yüksel.
Neo-Latin literature --- Neo-Latin language --- anno 1500-1599 --- Latin literature, Medieval and modern --- Latin language, Medieval and modern --- Renaissance --- Humanists --- History and criticism --- Latin language, Medieval and modern. --- Renaissance. --- Humanists. --- Latin literature, Medieval and modern. --- Nylatin --- Humanistlatin --- Nylatinsk litteratur --- History and criticism. --- historia. --- Renässansen --- Renässansen. --- Latin literature, Medieval and modern -- History and criticism. --- Languages & Literatures --- Greek & Latin Languages & Literatures --- translations [documents] --- neo-Latin [language] --- Scholars --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- History --- Latin literature, Medieval and modern - History and criticism
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Urban Honor in Spain is an historical study of Spain and the writing technique of laus urbis (praise of the city) during the 15th century. The book begins by providing an overview of laus urbis was developed and codified in oratory and classical literary texts during the Greco-Roman period. The book then explores how this powerful technique re-emerged during the Middle Ages to become a powerful corpus that formed an early national culture by praising cities and nations. In Medieval and Renaissance Spain, laus urbis, provided a sense of local community to city and town dwellers in the indefinite
Cities and towns in literature. --- City and town life in literature. --- Latin literature, Medieval and modern -- History and criticism. --- Spain -- Description and travel -- Early works to 1800. --- Spanish literature -- To 1500 -- History and criticism. --- Spanish literature --- Cities and towns in literature --- City and town life in literature --- Latin literature, Medieval and modern --- Romance Literatures --- Languages & Literatures --- Spanish Literature --- History and criticism --- Spain --- Description and travel
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La lyre et la pourpre se propose de considérer les variations, aussi bien locales que chronologiques, des rapports sans cesse variables, de la poésie et de la politique. De l'empereur chrétien (de l'Antiquité Tardive et des temps carolingiens) aux princes et aux rois ensuite, combien de nuances possibles ? De plus, le cadre intellectuel varie aussi à travers la permanence des relectures de l'Antiquité : au ve siècle jusqu'au ixe siècle, c'est encore l'Empire romain qui prédomine, puis vient le Moyen Âge proprement dit, et enfin le monde humaniste qui est aussi celui des guerres de religion. La pourpre évoquée est celle du pouvoir et celle du sang qui coule : l'éloquence a été inventée pour servir d'arme (qu'on se rappelle les conceptions de Calliclès contre Socrate dans le Gorgias platonicien). D'une mise en scène littéraire des guerres et de leurs héros, on glisse vers l'actualité, dans laquelle la poésie est instrumentalisée par la main des politiques et la plume des poètes. Et donc cette poésie reflète les événements d'un temps sans lequel elle serait largement incompréhensible. En cela, elle est inséparable de l'histoire, qui peut être publique ou privée, ou même autobiographique dans certains cas. Et à ce titre, elle est aussi un matériau vivant de l'histoire, y compris dans sa langue, langue de culture sans doute, et non moins celle des pouvoirs civils et religieux.
Political poetry, Latin --- Latin poetry --- Poésie politique latine --- Poésie latine --- History and criticism --- Histoire et critique --- Latin literature, Medieval and modern --- Politics in literature --- Political poetry --- Poésie politique --- Politique et littérature --- Political poetry, Latin (Medieval and modern) --- Politics and literature --- Histoire --- Politics in literature. --- Political science in literature --- Poetry, Political --- Poetry --- History and criticism. --- Poésie politique latine --- Poésie latine --- Histoire et critique. --- Histoire. --- Latin literature, Medieval and modern - History and criticism - Congresses --- Politics in literature - Congresses --- Political poetry - History and criticism - Congresses --- Literary Theory & Criticism --- poésie --- poésie latine
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The 16th-century humanist Juan Maldonado in his Latin essays foreshadows the Spanish picaresque. Like Erasmus, with whom he corresponded,Maldonado advocated the use of Latin in a wide-range of activities. Maldonado's Pastor Bonus, a lengthy open letter to a bishop, reviews in a vivid and satirical style the abuses of the churchmen in his diocese. His ludus chartarum is framed as a colloquium similar to Vives' on the subject, entertaining while teaching a Latin terminology for card playing. His Bacchanalia, written for student actors, is a spirited play pitting the forces of Lent against those
Latin literature, Medieval and modern --- Picaresque literature, Spanish --- History and criticism. --- Maldonado, Juan, --- Maldonado, Juan --- Academic collection --- 2 MALDONATUS, JOANNES --- 2 MALDONATUS, JOANNES Godsdienst. Theologie--MALDONATUS, JOANNES --- Godsdienst. Theologie--MALDONATUS, JOANNES --- Littérature latine médiévale et moderne --- Littérature picaresque espagnole --- Histoire et critique --- History and criticism --- Maldonat, Joan, --- Criticism and interpretation --- Latin literature, Medieval and modern - History and criticism. --- Picaresque literature, Spanish - History and criticism. --- Maldonado, Juan, - ca. 1485-1554. --- Maldonado, Juan, - ca. 1485-1554. - Ludus Chartarum. --- Maldonado, Juan, - ca. 1485-1554. - Pastor Bonus. --- Maldonado, Juan, - ca. 1485-1554. - Bacchanalia.
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Latin literature, Medieval and modern --- Feminism and literature --- Women and literature --- Gender identity in literature. --- Sex role in literature. --- Renaissance. --- Literature --- Renaissance --- Revival of letters --- Civilization --- History, Modern --- Civilization, Medieval --- Civilization, Modern --- Humanism --- Middle Ages --- History and criticism. --- History. --- History --- Women authors --- Gender identity in literature --- Sex role in literature --- History and criticism --- Latin literature [Medieval and modern ] --- Europe --- Latin literature, Medieval and modern - History and criticism --- Feminism and literature - Europe - History - 16th century --- Feminism and literature - Europe - History - To 1500 --- Women and literature - Europe - History - 16th century --- Women and literature - Europe - History - To 1500 --- Literature and feminism
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Exploring and understanding how medieval Christians perceived and constructed the figure of the Prophet Muhammad is of capital relevance in the complex history of Christian-Muslim relations. Medieval authors writing in Latin from the 8th to the 14th centuries elaborated three main images of the Prophet: the pseudo-historical, the legendary, and the eschatological one. This volume focuses on the first image and consists of texts that aim to reveal the (Christian) truth about Islam. They have been taken from critical editions, where available, otherwise they have been critically transcribed from manuscripts and early printed books. They are organized chronologically in 55 entries: each of them provides information on the author and the work, date and place of composition, an introduction to the passage(s) reported, and an updated bibliography listing editions, translations and studies. The volume is also supplied with an introductory essay and an index of notable terms.
Muhammad, --- Latin literature, Medieval and modern --- History and criticism --- Muḥammad, --- In literature --- Littérature latine médiévale et moderne --- History and criticism. --- Bibliography. --- Histoire et critique --- Bibliographie --- Biography --- In literature. --- Mahomed, --- Maḥmūd, --- Mahomet, --- Mohammed, --- Magomet, --- Mu-han-mo-te, --- Nabi Muhammad, --- Mukhammed, --- Maometto, --- Mahometto, --- Mohammad, --- Mahoma, --- Muḥamad, --- מוחמד --- מוחמד, --- ، محمد --- النبي محمد --- محمد --- محمد الرسول --- محمد النبي --- محمد، نبي --- محمد، پيامبر --- محمد، --- محمدو --- محمد, --- محمد. --- ممحمد، --- محمد الرسول, --- محمد النبي, --- Latin literature, Medieval and modern - History and criticism --- Latin literature, Medieval and modern - Bibliography --- Muḥammad, - Prophet, - -632 - Biography - History and criticism --- Muhammad, - Prophet, - -632 - In literature --- Muḥammad, - Prophet, - -632 --- Muhammad, - Prophet, - -632 --- Christianity. --- Latin Literature. --- Middle Ages. --- Muhammad. --- Muslim Studies.
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With this volume, Jane Chance concludes her monumental study of the history of mythography in medieval literature. Her focus here is the advent of hybrid mythography, the transformation of mythological commentary by blending the scholarly with the courtly and the personal. Chance's in-depth examination of works by the major writers of the period demonstrates how they essentially co-opted a thousand-year tradition. Their intricate narratives of identity mixed commentary with poetry, reinterpreted classical gods and heroes to suit personal agendas, and gave rise to innovative techniques such as "inglossation"--the use of a mythological figure to comment on the protagonist within an autobiographical allegory. In this manner, through allegorical authorial projection of the self, the poets explored a subjective world and manifested a burgeoning humanism that would eventually come to full fruition in the Renaissance. No other work examines the mythographic interrelationships among these poets and their unique and personal approaches to mythological commentary.
Civilization, Medieval --- Criticism, Medieval --- Latin literature, Medieval and modern --- Literature, Medieval --- Mythology --- Mythology, Classical, in literature. --- Classical influences. --- History. --- History and criticism --- Theory, etc. --- Roman influences. --- Historiography. --- Ecole de Chartres. --- -Mythology, Classical, in literature --- -Mythology --- -Latin literature, Medieval and modern --- -Myths --- Myth --- Medieval criticism --- Roman influences --- Ecole de Chartres --- Cathédrale de Chartres. --- School of Chartres --- Scuola di Chartres --- Cathedral School of Chartres --- Littérature latine médiévale et moderne --- Mythologie ancienne dans la littérature --- Critique médiévale --- Théorie, etc. --- Influence ancienne --- Influence romaine --- 82 "04/14" --- -Literature, Medieval --- Legends --- Religion --- Religions --- Folklore --- Gods --- European literature --- Medieval literature --- Medieval civilization --- Middle Ages --- Civilization --- Chivalry --- Renaissance --- 82 "04/14" Literatuur. Algemene literatuurwetenschap--Middeleeuwen --- Literatuur. Algemene literatuurwetenschap--Middeleeuwen --- Classical influences --- History --- Historiography --- Comparative religion --- Comparative literature --- Medieval Latin literature --- anno 500-1499 --- Civilisation médiévale --- Littérature médiévale --- Mythologie --- Histoire et critique --- Historiographie --- Humanism --- Civilization, Classical --- Myths --- History and criticism. --- Latin literature --- Roman literature --- Classical literature --- Classical philology --- Latin philology --- Criticism and interpretation --- -Civilization, Medieval --- Latin literature, Medieval and modern - History and criticism - Theory, etc. --- Civilization, Medieval - Classical influences. --- Literature, Medieval - Roman influences. --- Criticism, Medieval - History. --- Mythology - Historiography. --- -82 "04/14" Literatuur. Algemene literatuurwetenschap--Middeleeuwen --- Moyen Age --- -Classical influences --- MEDIEVAL CIVILIZATION --- CLASSICAL INFLUENCE --- MEDIEVAL LITERATURE --- ROMAN INFLUENCES --- CLASSICAL MYTHOLOGY --- HISTORIOGRAPHY --- CLASSICAL INFLUENCES
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