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In this in-depth analysis of artistic and academic lectures and performances, Lucia Rainer features an innovative conceptual and methodological tool that augments Goffman's Frame Analysis with a praxeological perspective. This way, she gives profound insight into how knowledge - as a practice and a concept - is associated with clarity rather than truth. Based on four case studies - including John Cage's unpublished and unabridged audio recording of Lecture on Nothing - the study explores how the concept of lecture performances, which adheres to two frames that never entirely blend, provides a space to (re-)negotiate the artistic-academic relationship. »Rainer is among the first to address lecture performances in an in-depth study.« www.sehepunkte.de, 18/5 (2018), Anja Foerschner Besprochen in: [rezens.tfm], 15.05.2018, Marcel Behn

Performance art. --- Lectures and lecturing. --- Addresses --- Discourses --- Lecturing --- Speaking --- Elocution --- Public speaking --- Rhetoric --- Oratory --- Speeches, addresses, etc. --- Arts, Modern --- Happenings (Art) --- Performing arts --- Lecture; Performance; Artistic Research; Knowledge; Frame Analysis; Erving Goffman; John Cage; Lecture on Nothing; Clarity; Truth; Dance; Science; Theatre; Sociology of Science; Theatre Studies --- Artistic Research. --- Clarity. --- Dance. --- Erving Goffman. --- Frame Analysis. --- John Cage. --- Knowledge. --- Lecture on Nothing. --- Performance. --- Science. --- Sociology of Science. --- Theatre Studies. --- Theatre. --- Truth.

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This authoritative volume of 453 letters written by and to composer Charles Ives (1874-1954) provides unparalleled insight into one of the most extraordinary and paradoxical careers in American music history. The most comprehensive collection of Ives's correspondence in print, this book opens a direct window on Ives's complex personality and his creative process. Though Ives spent much of his career out of the mainstream of professional music-making, he corresponded with a surprisingly large group of musicians and critics, including John J. Becker, Henry Bellamann, Leonard Bernstein, John Cage, Aaron Copland, Henry Cowell, Ingolf Dahl, Walter Damrosch, Lehman Engel, Clifton J. Furness, Lou Harrison, Bernard Herrmann, John Kirkpatrick, Serge Koussevitzky, John Lomax, Francesco Malipiero, Radiana Pazmor, Paul Rosenfeld, Carl Ruggles, E. Robert Schmitz, Nicolas Slonimsky, and Peter Yates.

Composers --- Ives, Charles, --- Ives, Charles Edward, --- Aĭvz, Ch., --- Aĭvz, Charlʹz, --- Ives, Charles E. --- Ives, Charles --- Ives, Charles Edward --- aaron copland. --- american music. --- autobiography. --- bellamann. --- bernard herrmann. --- biography. --- carl ruggles. --- charles ives. --- composer. --- composers. --- correspondence. --- creative process. --- creativity. --- francesco malipiero. --- henry cowell. --- ingolf dahl. --- john cage. --- john kirkpatrick. --- john lomax. --- lehman engel. --- leonard bernstein. --- letters. --- lou harrison. --- memoir. --- music books. --- music compositon. --- music history. --- music theory. --- musicians. --- nicolas slonimsky. --- nonfiction. --- paul rosenfeld. --- peter yates. --- radiana pazmor. --- serge koussevitzky. --- walter damrosch.

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"We got to talking"-so David Antin begins the introduction to Radical Coherency, embarking on the pursuit that has marked much of his breathless, brilliantly conversational work. For the past forty years, whether spoken under the guise of performance artist or poet, cultural explorer or literary critic, Antin's innovative observations have helped us to better understand everything from Pop to Postmodernism. Intimately wedded to the worlds of conceptual art and poetics, Radical Coherency collects Antin's influential critical essays and spontaneous, performed lectures (or "talk pieces") for the very first time, capturing one of the most distinctive perspectives in contemporary literature. The essays presented here range from the first serious assessment of Andy Warhol published in a major art journal, as well as Antin's provocative take on Clement Greenberg's theory of Modernism, to frontline interventions in present debates on poetics and fugitive pieces from the '60s and '70s that still sparkle today-and represent a gold mine for art historians of the period. From John Cage to Allan Kaprow, Mark Rothko to Ludwig Wittgenstein, Antin takes the reader on an idiosyncratic, personal journey through twentieth-century culture with his trademark antiformalist panache-one thatwill be welcomed by any fan of this consummate trailblazer.

Art criticism --- Art, American --- American poetry --- Experimental poetry --- Avant-garde poetry --- Literature, Experimental --- Poetry --- Art, Modern --- Chicago Imagists (Group of artists) --- Figuration libre (Group of artists) --- Fort Worth Circle (Group of artists) --- Hairy Who (Group of artists) --- Monster Roster (Group of artists) --- Philadelphia Ten (Group of artists) --- Pictures Generation (Group of artists) --- Art --- Arts --- Criticism --- History and criticism. --- Analysis, interpretation, appreciation --- History and criticism --- conceptual art, performance artist, poetics, aesthetics, andy warhol, clement greenberg, modernism, ludwig wittgenstein, mark rothko, allan kaprow, john cage, experimental poetry, alex katz, representation, jean tinguely, video, duchamp, postmodernism, nonfiction, literature, queer, lgbtq, lgbtqia, lgbt, coherence, logic, antiformalism.