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Japan is the only country in the world where women writers laid the foundations of classical literature. The Kagero Diary commands our attention as the first extant work of that rich and brilliant tradition. The author, known to posterity as Michitsuna’s Mother, a member of the middle-ranking aristocracy of the Heian period (794–1185), wrote an account of 20 years of her life (from 954–74), and this autobiographical text now gives readers access to a woman’s experience of a thousand years ago. The diary centers on the author’s relationship with her husband, Fujiwara Kaneie, her kinsman from a more powerful and prestigious branch of the family than her own. Their marriage ended in divorce, and one of the author’s intentions seems to have been to write an anti-romance, one that could be subtitled, “I married the prince but we did not live happily ever after.” Yet, particularly in the first part of the diary, Michitsuna’s Mother is drawn to record those events and moments when the marriage did live up to a romantic ideal fostered by the Japanese tradition of love poetry. At the same time, she also seems to seek the freedom to live and write outside the romance myth and without a husband. Since the author was by inclination and talent a poet and lived in a time when poetry was a part of everyday social intercourse, her account of her life is shaped by a lyrical consciousness. The poems she records are crystalline moments of awareness that vividly recall the past. This new translation of the Kagero Diary conveys the long, fluid sentences, the complex polyphony of voices, and the floating temporality of the original. It also pays careful attention to the poems of the text, rendering as much as possible their complex imagery and open-ended quality. The translation is accompanied by running notes on facing pages and an introduction that places the work within the context of contemporary discussions regarding feminist literature and the genre of autobiography and provides detailed historical information and a description of the stylistic qualities of the text.

Authors, Japanese --- J5630 --- J5923 --- Diaries --- Japan: Literature -- literary diaries, letters and accounts of travel --- Japan: Literature -- premodern fiction and prose -- Heian period (794-1185) --- Michitsuna no Haha, --- Diaries. --- Fujiwara Michitsuna no Haha, --- Fujiwara no Michitsuna no Haha, --- Fujiwara no Tomoyasu no Musume, --- Fujiwara Tomoyasu no Musume, --- Udaishō Michitsuna no Haha, --- Fujiwara Michitsuna no haha, --- 綱母, --- 藤原道綱母, --- 道綱の母, --- 道綱母, --- 道纲母,

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Yosano Akiko (1878-1942) was one of Japan's greatest poets and translators from classical Japanese. Her output was extraordinary, including twenty volumes of poetry and the most popular translation of the ancient classic The Tale of Genji into modern Japanese. The mother of eleven children, she was a prominent feminist and frequent contributor to Japan's first feminist journal of creative writing, Seito (Blue stocking).In 1928 at a highpoint of Sino-Japanese tensions, Yosano was invited by the South Manchurian Railway Company to travel around areas with a prominent Japanese presence in China's northeast. This volume, translated for the first time into English, is her account of that journey. Though a portrait of China and the Chinese, the chronicle is most revealing as a portrait of modern Japanese representations of China-and as a study of Yosano herself.

LITERARY CRITICISM / Asian / Japanese. --- Yosano, Akiko, --- Hō, Shō, --- Hō, Akiko, --- Yosano, Akiko Hō, --- 与謝野晶子, --- 與謝野晶子, --- 興謝野晶子, --- Travel --- Manchuria (China) --- Mongolia --- Description and travel. --- J2284.80 --- J5630 --- S22/0300 --- S23/0300 --- Japan: Genealogy and biography -- biographies -- Gendai, modern (1926- ), Shōwa, 20th century --- Japan: Literature -- literary diaries, letters and accounts of travel --- North-eastern provinces (Manchuria)--Geography, description and travel --- Mongolia and the Mongols (including Tannu Tuva, Buriats)--Geography, description and travel --- Yosano, Akiko