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Ingres Then, and Now is an innovative study of one of the best-known French artists of the nineteenth century, Jean Auguste Dominique Ingres. Adrian Rifkin re-evaluates Ingres' work in the context of a variety of literary, musical and visual cultures which are normally seen as alien to him. Re-viewing Ingres' paintings as a series of fragmentary symptoms of the commodity cultures of nineteenth-century Paris, Adrian Rifkin draws the artist away from his familiar association with the Academy and the Salon.Rifkin sets out to show how, by thinking of the historical archive as a form
Painting --- History. --- Ingres, Jean-Auguste-Dominique, --- Criticism and interpretation.
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Ingres sembla d'abord destiné à reprendre le flambeau de son maître David, dans l'art à la fois du portrait et de la peinture Ingres sembla d'abord destiné à reprendre le flambeau de son maître David, dans l'art à la fois du portrait et de la peinture historique. Il gagna le Prix de Rome en 1801, où il ne se rendit que 6 ans plus tard à cause de la situation économique française. Mais Ingres s'émancipa très vite. Il n'avait que 25 ans lorsqu'il peignit les portraits de la famille Rivière. Ils révèlent un talent original et un goût pour la composition non dépourvu d'un certain maniérisme, mais
Painters --- Ingres, Jean-Auguste-Dominique, --- Ingres, Jean Auguste Dominique --- Ėngr, Zhan Ogi︠u︡st Dominik, --- Ingres, J.-A.-D. --- Engr, Z'an-Ogusṭ-Dominiḳ, --- אנגר, ז׳ן־אוגוסט־דומימניק --- אנגר, ז׳ן־אוגוסט־דומיניק --- Ingres, Jean-Auguste-Dominique --- Ėngr, Zhan Ogi︠u︡st Dominik --- Neoclassicism (Art) --- Criticism and interpretation.
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In this beautifully illustrated study of intellectual and art history, Dorothy Johnson explores the representation of classical myths by renowned French artists in the late eighteenth and early nineteenth centuries, demonstrating the extraordinary influence of the natural sciences and psychology on artistic depiction of myth. Highlighting the work of major painters such as David, Girodet, Gerard, Ingres, and Delacroix and sculptors such as Houdon and Pajou, David to Delacroix reveals how these artists offered innovative reinterpretations of myth while incorporating contemporaneo
Mythology, Classical, in art. --- Romanticism in art --- Psychology and art --- Art, French --- Art, Modern --- French art --- Ecole de Nice (Group of artists) --- Forces nouvelles (Group of artists) --- Nabis (Group of artists) --- Ne pas plier (Group of artists) --- Art and psychology --- Art --- Romanticism (Art) --- Idealism in art --- Naturalism in art --- Realism in art --- Themes, motives. --- mythologie --- romantiek --- psychologie --- Cupido, Amor (Eros) --- thanatos --- vrouw --- krankzinnigheid --- Girodet-Trioson, Anne-Louis --- Gros, Antoine-Jean --- Delacroix, Eugène --- Ingres, Jean Auguste Dominique --- 18de eeuw --- 19de eeuw --- Frankrijk --- mythologie. --- romantiek. --- psychologie. --- Cupido, Amor (Eros). --- thanatos. --- vrouw. --- krankzinnigheid. --- Girodet-Trioson, Anne Louis. --- Gros, Antoine Jean. --- Delacroix, Eugène. --- Ingres, Jean Auguste Dominique. --- 18de eeuw. --- 19de eeuw. --- Frankrijk. --- (verhaal van) Cupido, Amor (Eros) --- Girodet-Trioson, Anne Louis --- Gros, Antoine Jean
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