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Authors --- American --- 19th century --- Biography --- Stowe --- Harriet Beecher --- 1811-1896

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"How does political change take hold? In the 1850s, politicians and abolitionists despaired, complaining that the 'North, the poor timid, mercenary, driveling North' offered no forceful opposition to the power of the slaveholding South. And yet, as John L. Brooke proves, the North did change. Inspired by brave fugitives who escaped slavery and the cultural craze that was Uncle Tom's Cabin, the North rose up to battle slavery, ultimately waging the bloody Civil War. While Lincoln's alleged quip about the little woman who started the big war has been oft-repeated, scholars have not fully explained the dynamics between politics and culture in the decades leading up to 1861. Rather than simply viewing the events of the 1850s through the lens of party politics, 'There Is a North' is the first book to explore how cultural action -- including minstrelsy, theater, and popular literature -- transformed public opinion and political structures. Taking the North's rallying cry as his title, Brooke shows how the course of history was forever changed"--

Antislavery movements --- Politics and culture --- Popular culture --- History --- Public opinion. --- Stowe, Harriet Beecher, --- Influence. --- United States --- Politics and government --- Causes.

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Books and reading --- Literature and society --- African Americans in literature. --- Afro-Americans in literature --- Negroes in literature --- History --- Stowe, Harriet Beecher,

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In this study of literature and law before and since the Civil War, Stephen M. Best shows how American conceptions of slavery, property, and the idea of the fugitive were profoundly interconnected. The Fugitive's Properties uncovers a poetics of intangible, personified property emerging out of antebellum laws, circulating through key nineteenth-century works of literature, and informing cultural forms such as blackface minstrelsy and early race films. Best also argues that legal principles dealing with fugitives and indebted persons provided a sophisticated precursor to intellectual property law as it dealt with rights in appearance, expression, and other abstract aspects of personhood. In this conception of property as fleeting, indeed fugitive, American law preserved for much of the rest of the century slavery's most pressing legal imperative: the production of personhood as a market commodity. By revealing the paradoxes of this relationship between fugitive slave law and intellectual property law, Best helps us to understand how race achieved much of its force in the American cultural imagination. A work of ambitious scope and compelling cross-connections, The Fugitive's Properties sets new agendas for scholars of American literature and legal culture.

American literature --- Slavery in literature. --- Fugitive slaves --- Law and literature --- African Americans in literature. --- Fugitive slaves in literature. --- Property in literature. --- Race in literature. --- Afro-Americans in literature --- Negroes in literature --- Literature and law --- Literature --- Slavery and slaves in literature --- Slaves in literature --- History and criticism. --- Legal status, laws, etc. --- History --- Stowe, Harriet Beecher, --- Enslaved persons in literature --- literature, law, slavery, fugitive, property, antebellum, blackface, minstrelsy, race films, appearance, expression, personhood, commodity, commodification, patents, uncle toms cabin, harriet beecher stowe, theft, gift, copyright, nonfiction, possession, chattel, labor, power, agency, wealth, economics, gender, masculinity, femininity.

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Through the publication of her bestseller Uncle Tom's Cabin, Harriet Beecher Stowe became one of the most internationally famous and important authors in nineteenth-century America. Today, her reputation is more complex, and Uncle Tom's Cabin has been debated and analysed in many different ways. This book provides a summary of Stowe's life and her long career as a professional author, as well as an overview of her writings in several different genres. Synthesizing scholarship from a range of perspectives, the book positions Stowe's work within the larger framework of nineteenth-century culture and attitudes about race, slavery and the role of women in society. Sarah Robbins also offers reading suggestions for further study. This introduction provides students of Stowe with a richly informed and accessible introduction to this fascinating author.

Beecher-Stowe, Harriet --- Women novelists, American --- American women novelists --- Stowe, Harriet Beecher, --- Beecher Stowe, Harriet --- Beecher Stowe, Henriette --- Beecher Stowe, H. --- Stowe, Harriet Beecher --- Stowe, Harriet Elizabeth --- Bicher-Stou, Khenriet --- Stowe, H. B. --- Stou, Khenriet Bicher --- -Stowe, Enriqueta B. --- Stowe, Harriet Elizabeth Beecher --- Beecher, Harriet Elizabeth --- Bicher-Stou, G. --- Bicher-Stou, Garriet --- Stou, Garriet Bicher --- -Bicher-Stou, Ḣarrii̐et --- Bicher-Stou, Ḣ. --- Stou, Ḣarrii̐et Bicher --- -Beecher-Stowe, Harriet --- Ssu-tʻu-huo --- Beecher-Stowe, H. --- Stowe, H. Beecher --- -Bētser-Stoou --- Crowfield, Christopher --- Beecher, H. --- Sṭav, Hēriyaṭ Pīccar --- Sṭo, Haryeṭ Bits'er --- Bits'er Sṭo, Haryeṭ --- ביטשער סאאו --- ביטשער־סטאו --- סטאו, הערריעט ביטשער --- סטאו, הערריעט ביטשער, --- סטו, ביצ׳ר, --- ハリエットビーチャーストウ, --- Criticism and interpretation. --- Arts and Humanities --- Literature