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Maiko Masquerade explores Japanese representations of the maiko, or apprentice geisha, in films, manga, and other popular media as an icon of exemplary girlhood. Jan Bardsley traces how the maiko, long stigmatized as a victim of sexual exploitation, emerges in the 2000s as the chaste keeper of Kyoto's classical artistic traditions. Insider accounts by maiko and geisha, their leaders and fans, show pride in the training, challenges, and rewards maiko face. No longer viewed as a toy for men's amusement, she serves as catalyst for women's consumer fun. This change inspires stories of ordinary girls-and even one boy-striving to embody the maiko ideal, engaging in masquerades that highlight questions of personal choice, gender performance, and national identity.
Geishas --- History --- Kyoto (Japan) --- Social life and customs --- Popular culture
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In this fascinating and wide-ranging book, Yoko Kawaguchi explores the Western portrayal of Japanese women-and geishas in particular-from the mid-nineteenth century to the present day. She argues that in the West, Japanese women have come to embody certain ideas about feminine sexuality, and she analyzes how these ideas have been expressed in diverse art forms, ranging from fiction and opera to the visual arts and music videos. Among the many works Kawaguchi discusses are the art criticism of Baudelaire and Huysmans, the opera Madama Butterfly, the sculptures of Rodin, the Broadway play Teahouse of the August Moon, and the international best seller Memoirs of a Geisha. Butterfly's Sisters also examines the impact on early twentieth-century theatre, drama, and dance theory of the performance styles of the actresses Madame Hanako and Sadayakko, both formerly geishas.
Geishas --- Civilization, Western. --- Civilization, Occidental --- Occidental civilization --- Western civilization --- Geigi --- Geiko --- Geisha --- Maiko (Geishas) --- Meiko --- Entertainers --- History.
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