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Die Fondation Louis Vuitton von Frank O. Gehry erhebt sich aus dem Wald des Bois de Boulogne als neues Wahrzeichen im Pariser Stadtbild. Gehrys dynamische Architektur ist schillernd und vieldeutig: Segelschiff, Eisberg, Meeresungeheuer? Sie fasziniert mit Anspielungsreichtum und entzieht sich zugleich aber auch einer eindeutigen Festsetzung. Drei herausragende Vertreter verschiedener Generationen der Kunstgeschichte, James S. Ackerman (†), Irving Lavin und Horst Bredekamp haben die Fondation Louis Vuitton gemeinsam besichtigt. Sie nähern sich dem Gebäude in drei reichbebilderten Essays an, die der schwimmenden Architektur des "Magiers" Gehry in ihren kunst- und architekturhistorischen Kontexten nachforschen. The Fondation Louis Vuitton by Frank O. Gehry rises from the Bois de Boulogne as a new landmark in the Parisian skyline. Gehry's dynamic architecture is both glittering and multifaceted: is it a sailing vessel, an iceberg, or a sea monster? It fascinates with its wealth of references and, at the same time, escapes any clear-cut definition. Three outstanding representatives of different generations of art history, James S. Ackerman (†), Irving Lavin, and Horst Bredekamp have together paid a visit to the Fondation Louis Vuitton. They explore the building in three richly illustrated essays that try to fathom the floating architecture of the "magician" Gehry in the context of both art and architectural history.
Architecture --- Fondation Louis Vuitton. --- Frank O. Gehry. --- Horst Bredekamp. --- Gehry, Frank O., --- Gehry, Frank, --- Goldberg, Frank, --- Gehry, Frank Owen, --- Goldberg, Ephraim Owen, --- Fondation Louis Vuitton (Paris, France) --- Paris (France) --- France --- Buildings, structures, etc. --- City of Paris --- Paris
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Color is inextricably linked with architecture; as a design element and also as an inherent quality, it characterizes the shape and texture of the built fabric. The book presents extraordinary color schemes, both in terms of technology and aesthetics, for ground-breaking architecture with a wide spectrum of functions: from apartment to concert hall, from flagship store to city park.The focus is on the works of the three architects Frank O. Gehry, Jean Nouvel and Wang Shu. This is expanded by the works of other practices such as BIG, Zaha Hadid, Herzog & de Meuron, Toyo Ito and SANAA.This publication presents a compendium that documents color schemes in architecture in the context of very different aesthetic approaches. The large-format photographs by Iwan Baan, Christian Richters, Roland Halbe and Philippe Ruault fascinate with their clarity and presence. Farbe ist unlösbar mit der Architektur verbunden - als Medium der Gestaltung, aber auch als eigene Qualität prägt sie Form und Textur des Gebauten.Das Buch präsentiert Farbgestaltungen avancierter Architektur, die in technologischer wie in ästhetischer Hinsicht außerordentlich sind, für ein breites Spektrum von Bauaufgaben: vom Apartment zur Konzerthalle, vom Flagship Store zum Stadtpark.Im Vordergrund stehen Werke der drei Architekten Frank O. Gehry, Jean Nouvel und Wang Shu. Erweitert wird das Spektrum durch Arbeiten anderer Büros wie beispielsweise BIG, Zaha Hadid, Herzog & de Meuron, Toyo Ito und SANAA.Mit dieser Darstellung liegt ein Kompendium vor, das Farbgestaltung in der Architektur in sehr unterschiedlichen ästhetischen Auffassungen dokumentiert. Die großformatigen Fotografien von Iwan Baan, Christian Richters, Roland Halbe und Philippe Ruault faszinieren durch ihre Klarheit und Präsenz.
Couleurs --- Gehry, Frank Owen --- Nouvel, Jean, --- Wang, Shu, --- 72.017 --- 72.039 --- Architectuur en kleur ; vorm en kleur ; 21ste eeuw --- Architectuur ; licht en schaduw ; kleuren en texturen --- Gehry, Frank O. --- Nouvel, Jean --- Wang Shu --- BIG ; Bjarke Ingels Group --- Boeri, Stefano --- Hadid, Zaha --- Herzog & de Meuron --- Steven Holl Architects --- Ito, Toyo --- Lui Jiakun --- Michael Manzan Architecture --- Mazzanti, Giancarlo --- Ruiz-Geli, Enric ; Cloud 9 --- SANAA --- Architectuur ; kleur, licht, compositie --- Architectuurgeschiedenis ; 2000 - 2050 --- Wang, Shu --- Couleurs. --- Gehry, Frank O --- Architecture. --- Architects. --- Color in architecture. --- Architectural polychromy --- Buildings --- Color in building --- Architecture --- Interior decoration --- Polychromy --- Professional employees --- Architecture, Western (Western countries) --- Building design --- Construction --- Western architecture (Western countries) --- Art --- Building --- Color --- Design and construction --- Gehry, Frank O., --- Boeri, Stefano. --- Itō, Toyoo, --- Mazzanti, Giancarlo. --- Ruiz Geli, Enric. --- Jiakun, Lui. --- Geli, Enric Ruiz --- Mazzanti Sierra, Giancarlo --- Sierra, Giancarlo Mazzanti --- Ito, Toyo, --- Yidong, Fengxiong, --- 伊東豊雄, --- Shu, Wang, --- 王澍, --- Wang Shu, --- Gehry, Frank, --- Goldberg, Frank, --- Gehry, Frank Owen, --- Goldberg, Ephraim Owen, --- Zaha Hadid Architects. --- Herzog & de Meuron. --- Steven Holl Architects. --- Michael MalZan Architecture. --- Cloud 9 (Firm) --- Honduras. --- S.A.N.A.A. --- Cloud9 (Firm) --- Holl Architects --- Herzog et de Meuron --- Herzog und de Meuron --- Herzog and de Meuron --- ZHA --- Dones arquitectes. --- Arquitectes --- Architecture, Primitive
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The success of the Guggenheim Museum in Bilbao, designed and engineered by Frank O. Gehry and inaugurated in 1997, opened the eyes of the world to the plastic possibilities of Free Form Design. That is, on the side of architects and their admiring clients. Some architects draw up complicated but surprising and attractive Free Form Designs and win design competitions. The next step is to involve the manufacturing industry and the contractors in realizing these dreams. According to the author(s), the desire and logic for an adapted Free Form Technology will become became apparent after more designs. At Mick Eekhout’s design & build company Octatube the first experiences with Free Form Designs either failed, were aborted, were a disaster or led to unfortunate events such as the bankruptcy of competing firms who took on the projects without major Free Form Design experience. But Free Form design has matured nowadays. Many lessons can be learned from these early experiments, which is the main reason to share these experiences with readers of this book.
Architectural design --- Data processing. --- Floriade Pavilion --- Guggenheim Museum --- Tel Aviv --- Galleria --- Berlin --- Free Form Design --- Alphen aan den Rijn --- non-orthogonal --- DG Bank --- Malmö --- engineering --- Free Form Technology --- Bilbao --- Rotterdam --- Town Hall --- high rises --- Greenhouse --- Hoofddorp --- Rabin Centre --- Frank O. Gehry
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