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The Gothic Chapbook, Bluebook, and Shilling Shocker surveys the rise of the short tale of terror and horror at the beginning of the nineteenth century.
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The Gothic Chapbook, Bluebook, and Shilling Shocker surveys the rise of the short tale of terror and horror at the beginning of the nineteenth century.
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Gothic Metaphysics is a radical departure from Freudian-centred criticism of Gothic literature.
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This volume carves out a new area of study, the 'industrial Gothic', placing the genre in dialogue with the literature of the Industrial Revolution. The book explores a significant subset of transatlantic nineteenth-century literature that employs the tropes, themes and rhetoric of the Gothic to portray the real-life horrors of factory life, framing the Industrial Revolution as a site of Gothic excess and horror. Using archival materials from the nineteenth century, localised incidences of Gothic industrialisation (in specific cities like Lowell and Manchester) are considered alongside transnational connections and comparisons. The author argues that stories about the real horrors of factory life frequently employed the mode of the Gothic, while nineteenth century writing in the genre (stories, novels, poems and stage adaptations) began to use new settings - factories, mills, and industrial cities - as backdrops for the horrors that once populated Gothic castles.
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This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological, and cultural.
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The Salem witch trials, and the many narratives based on them, both contemporaneous and subsequent discussions, have had a powerful influence on the American national psyche, informing the nation's political debates and propelling its fears. Perhaps one of the major reasons for the importance of the trials is how they conceive of and present a narrative of danger. The horror grows in and seems to threaten not just the body politic, but, perhaps more importantly, the domestic sanctuary. The home and hearth become a contested ground where good and evil fight for the souls of the inhabitants, or
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"A Research Guide to Gothic Fiction in English covers the study of Gothic cultural artifacts, focusing on narrative fiction. This authoritative guide equips students and other researchers with valuable information about recent noteworthy resources that they can use to make their research effective and thorough"--
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This book provides a theoretically informed account of Gothic Hauntology. It is distinctive foremost in two ways. It shows hauntology at work in modern as well as older gothic narratives and it has a unique focus on everyday gothic as well as everyday hauntology. The chapters perform a historical circle going from Munro to Poe and then back again, offering novel readings of works by well-known authors that are contextualized under the umbrella of the theme. Anchored in a well-known topic and genre, but with a specific phenomenological framework, this book will be of interest to both students and more advanced scholars. Author Bio: Joakim Wrethed is Associate Professor at Stockholm University, Sweden. He has hitherto mainly worked in Irish Studies—especially on John Banville—but he has also published on the gothic genre.
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This edited collection examines Gothic works written by women authors in the late eighteenth and early nineteenth centuries, with a specific focus on the novels and chapbooks produced by less widely commercially and critically popular writers. Bringing these authors to the forefront of contemporary critical examinations of the Gothic, chapters in this collection examine how these works impacted the development of ‘women's writing'and Gothic writing during this time. Offering readers an original look at the literary landscape of the period and the roles of the creative women who defined it, the collection argues that such works reflected a female-centred literary subculture defined by creative exchange and innovation, one that still shapes perceptions of the Gothic mode today. This collection, then, presents an alternative understanding of the legacy of women Gothic authors, anchoring this understanding in complex historical and social contexts and providing a new world of Gothic literature for readers to explore.
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