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Nowhere in the art song repertoire does one find a more felicitous union than in the 200 or so melodies of Faure, Chausson, Duparc, and Debussy. These four composers brought to the magnificent world of their contemporaries--Verlaine, Gautier, Baudelaire, Mallarme, Leconte de Lisle, and others--the delicacy, sensitivity, and voluptuousness that characterize French music from 1865 to 1914. Song by song, this comprehensive study addresses each composer's complete works for solo, voice, and piano. Errors in popular published editions are pointed out and corrected. The full French text is given, followed by Barbara Meister's translation--in many cases, the first English version ever published. These exquisite renderings (not intended to substitute for the French lyrics in performance) vividly convey the sense and mood of the originals. Here the singer will find guidance on interpretation and pronunciation; the accompanist will profit from harmonic analyses intended to further genuine partnership with the vocalist; and the listener will gain a fuller satisfaction from learning how various works fit into their historical and aesthetic context, and in the lives of the poets and composers.
Songs, French --- History and criticism. --- Debussy, Claude, --- Duparc, Henri, --- Chausson, Ernest, --- Faure, Gabriel, --- Songs (Faure, Gabriel) --- Songs (Duparc, Henri) --- Songs (Debussy, Claude) --- Songs (Chausson, Ernest) --- France.
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Gabriel Fauré’s mélodies offer an inexhaustible variety of style and expression that have made them the foundation of the French art song repertoire. During the second half of his long career, Fauré composed all but a handful of his songs within six carefully integrated cycles. Fauré moved systematically through his poetic contemporaries, exhausting Baudelaire’s Les fleurs du mal before immersing himself in the Parnassian poets. He would set nine poems by Armand Silvestre in swift succession (1878-84), seventeen by Paul Verlaine (1887-94), and eighteen by Charles Van Lerberghe (1906-14). As an artist deeply engaged with some of the most important cultural issues of the period, Fauré reimagined his musical idiom with each new poet and school, and his song cycles show the same sensitivity to the poetic material. Far more than Debussy, Ravel, or Poulenc, he crafted his song cycles as integrated works, reordering poems freely and using narratives, key schemes, and even leitmotifs to unify the individual songs. The Fauré Song Cycles explores the peculiar vision behind each synthesis of music and verse, revealing the astonishing imagination and insight of Fauré’s musical readings. This book offers not only close readings of Fauré’s musical works but an interdisciplinary study of how he responded to the changing schools and aesthetic currents of French poetry.
Song cycles --- Music and literature --- Songs --- History and criticism. --- History --- Analysis, appreciation. --- Fauré, Gabriel,
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Music --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Philosophy and aesthetics. --- Philosophy and aesthetics --- Fauré, Gabriel, --- Fauré, Gabriel Urbain, --- Forė, Gabrielʹ, --- Fauré, G. --- Forė, G. --- Criticism and interpretation.
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Piano music --- Piano music (2 hands) --- Recorded accompaniments (Piano) --- Analysis, appreciation. --- History and criticism. --- Debussy, Claude, --- Ravel, Maurice, --- Fauré, Gabriel, --- Chabrier, Emmanuel, --- Chabrier, Alexis-Emmanuel, --- Chabrier, E. --- Chabrier, Emanuel, --- Chabrier, Emm. --- Fauré, Gabriel Urbain, --- Forė, Gabrielʹ, --- Fauré, G. --- Forė, G. --- Ravel, Joseph Maurice, --- Ravelʹ, M. --- Ravel, Marice, --- Ravelʹ, Moris, --- Raveru, Mōrisu, --- Debi︠u︡si, Klod, --- Debi︠u︡ssi, K. --- Debi︠u︡ssi, Klod, --- Debussy, Achille Claude, --- Debussy, C. --- Debussy, Claude --- Debuxi, --- Tu-pu-hsi, --- Criticism and interpretation. --- Frankrijk.
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8-125-X
#BSCH: vak: muziek --- 664 --- 486.87 --- Albeniz, Isaac --- Busoni, Ferruccio --- Debussy, Claude --- Duparc, Henri --- Fauré, Gabriel --- Handboek/cursus --- Janacek, Leos --- Lemmens, Nikolaas --- Mahler, Gustav --- Puccini, Giacomo --- Rachmaninov, Sergei --- Ravel, Maurice --- Reger, Max --- Satie, Erik --- Sibelius, Jean --- Skrjabin, Alexander --- Strauss, Richard --- Wolf, Hugo --- handboek --- impressionisme --- laat-romantiek --- muzikale opvoeding --- secundair onderwijs --- Hoger muziekonderwijs - Muziekgeschiedenis --- Muzikale expressie --- Schoolbooks - Didactic material --- Muziekgeschiedenis --- Romantiek --- Impressionisme --- Pedagogie --- 19e eeuw --- 20e eeuw --- Laatromantiek
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