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Exploring the boundaries between poetry and history on three of England's epic literary works, Galbraith argues that they enter into a dialogue with classical and contemporary predecessors with implications for understanding the English Renaissance.

English poetry --- Literature and history --- Historical poetry, English --- History and criticism. --- History --- Spenser, Edmund, --- Epic poetry, English --- Epic poetry, Latin --- Imitation in literature. --- Renaissance --- History and criticism --- Roman influences. --- Appreciation --- Faerie queene (Spenser, Edmund) --- England. --- Edmund Spenser, The Faerie queene (Spenser, Edmund) --- Faerie queen (Spenser, Edmund) --- Faery queen (Spenser, Edmund) --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra

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Quitslund argues that Spenser sought authority for his poem by grounding its narrative in a divinely ordained natural order, intelligible in terms derived from the ancient sources of poetry and philosophy.

English poetry --- Philosophy of nature in literature. --- Neoplatonism in literature. --- Greek influences. --- Spenser, Edmund, --- Plato --- Immerito, --- Spencer, Edmund, --- Spenser, Edmond, --- Platon --- Aflāṭūn --- Aplaton --- Bolatu --- Platonas --- Platone --- Po-la-tʻu --- Pʻŭllatʻo --- Pʻŭllatʻon --- Pʻuratʻon --- Πλάτων --- אפלטון --- פלאטא --- פלאטאן --- פלאטו --- أفلاطون --- 柏拉圖 --- 플라톤 --- Платон --- プラトン --- Philosophy. --- Influence. --- Faerie queene (Spenser, Edmund) --- Edmund Spenser, The Faerie queene (Spenser, Edmund) --- Faerie queen (Spenser, Edmund) --- Faery queen (Spenser, Edmund)